1. Balancement / raw
2. Don't Get It Twisted / Foundation&Rezidue
3. Don't Go There / Cracker Jax
4. Live / The Nemesis Two
5. Meet Jamacia / The Widowmakers
6. Nobody Knows My Name / Love'N'Props
7. 1.2.3.4. / Jeru The Damaja&Grooveman Spot
8. 4EVER / Perservere
9. Wanna Be A Star / Kool Keith
10. How Sexy / Dr Doom feat.Denis Deft
11. Surgery / Dr Doom feat.Motion Man
12. What Does It All Mean?? / Frankenstein
13. Drop A Jewel / Funky Fresh Few feat.Afu-Ra
14. Dig On That / Ground Floor
15. Ain't No Fun / Showbiz+AG
16. Bull's Eye / J-Force
17. Space And Time / Masterminds
18. Boiling Point / Concrete Mob
19. GSC / Black Jesus 
20. Pay The Price / Vooodu
21. Upper Echelon / Signifiers
22. What You Gonna Do / Brother Arthur
23. One,Two / Ground Floor
24. Fraudulent / Homeliss Derilex
25. Next Stop / Da Noe Doe Network
26. How Nice I Am(S.I.D.Remix) / World Renown


2014.AUGUST HIPHOP MIX

jaytoanti - on soul p. shxrkz + sopel

Atmospheric track 406 rivers is an immersive journey through ambient textures, hard breaks and 808 sub bass

406 Rivers

Stream 'Lenticel' now : https://bfan.link/lenticel

Lenticel by Dpsht is a dark and captivating blend of lo-fi deconstructed jazz beats, filled with moody guitar tones and heavy drums that create an unforgettable atmosphere. As the night unfolds, the track pulls you in with its deep, nostalgic vibes, perfect for those who love to vibe out to smooth yet intense rhythms. With over 20 million streams, Dpsht continues to push boundaries in the world of chilled, jazzy music. Don’t miss out on this unforgettable journey !

Lenticel

Dpsht, tenkousei - Lenticel

KAMIKIRE  feat. DAmBO

roswell

DAYLIGHT (Preview)

Free Friday fire from the homie CVK. 
https://soundcloud.com/cvk

CVK's Tape below
https://cvkmusic.bandcamp.com/album/when-the-flowers-bloom 

CVK._Zodiac

GWもう終わっちゃいますね。。。
Special thanks to Handsome Honey Beats vol.3って感じです。

歌詞
仕事にいきたくない
仕事にいきたくない
くだらない やめたい
でもやめたら 金がない
電車にのりたくない
バカなやつらがいるのがいやだ
のんびり暮らしたい
競争なんかしたくない
でも金がないとダメっぽい
女に飯おごれない
女に飯おごりたい
おれもうまい飯を食いたい
たとえば一夜だけだとしても
君のとなりをずっと、ずっとキープして
君の不安とかなんかをすべて僕が奪い取って
そのまま朝になるみたいな、これは関係ない話か

仕事にいきたくない
仕事にいきたくない
くだらない マジダサい
でもやめたら金がない
民主主義もくだらない
選挙なんかいかない
右も左もよくわからない
主義も思想も、たぶん全部クソ
てかあいつは殴りたい
あのバカを殴りたい
好きなことしかやりたくない
でも何が好きとかたまによくかわからない
君が好き
君が好き、たぶんほんと
君が好き、やっぱりうそ
君が好き、きっとほんと

一夜だけでも（仕事に行きたくないVer.）

【﻿ｆａｎｔａｓｙ】:: MEIKO NAKAHARA (1982)

Digital Release:  9/11/2020
Vinyl Release: 9/25/2020
https://www.fatbeats.com/products/budamunk-tsuggs-thank-and-gro-lp

CD (Japan exclusive) :
https://www.dogearrecordsxxxxxxxx.com

bandcamp:
https://budamunk.bandcamp.com/album/thank-and-gro


Tracklist:
1 Mergers and Acquisitions ft Satoshi Yoshida & DJ YUZE @dj_yuze
2 Convinced ft. Ameen Saleem
3 Conveyor Belt Rolla
4 Center-mental
5 Eat Fresh ft. T.I.V.E
6 Time Zone
7 Thank and Gro (interlude)
8 Good Vibes ft Iman Omari @imanomari
9 Evolving
10 Half on a Baby ft Jino
11 Kozmic Question ft. Patriq Moody
12 Amber Deck

"Time Zone" [Video]:
https://youtu.be/QsjqcBG70v8


On the heels of his installment of the Baker's Dozen, Budamunk has combined his talents with Tony Suggs, provider of the keys to Roy Hargrove's 'RH Factor' as well as the Count Basie Orchestra. T. Suggs has also collaborated with the Manhattan Transfer, Patti Austin, and Marlena Shaw among others. 'Thank and Gro' realizes a robust yet soothing sonic environment distilling elements transcending time, location, and genre. Instrumental additions provided by Ameen Saleem, Satoshi Yoshida, Kenji 'Jino' Hino, and Patriq Moody. Phonetic accompaniments courtesy of Iman Omari and T.I.V.E. DJ YUZE on the cuts.  A peace to surly peek interest of connoisseurs throughout the many audible hemispheres.

Budamunk &TSuggs "Thank & Gro" [Teaser Mix]

Based in the outskirts of Chiba, I produce a wide range of tracks—from jazzy hip-hop to dark, minimal, and experimental beats.
Unbound by genre, I focus on groove, texture, and spatial atmosphere, building tracks daily in my home studio.

My musical influences include DJ Krush, DJ Shadow, Nujabes, Green Assassin Dollar, KREVA, Dadamnphreaknoizphunk, Mark Rae, and Slo Five.

I began my career as a DJ in 1995 at the age of 17. In the early days, I was deeply drawn to the hypnotic, immersive side of techno, especially artists like Justin Berkovi.
Later, I became immersed in the underground, funk-infused tech house scene surrounding London’s WIGGLE movement, led by artists such as Terry Francis and Nathan Coles. I performed with a focus on minimal, swing-heavy grooves.

Today, drawing from those sensibilities, I produce instrumental works rooted in hip-hop, breakbeats, and leftfield rhythms—emphasizing space, groove, and the expressive potential of restraint.

DAYLIGHT (Preview)

FiNETUNiNG

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