HIGH RESOLUTION ALBUM https://lostsoul6.bandcamp.com/album/chaising-shadows-audiophile-24-bit-96khz 




 Album
https://on.soundcloud.com/oEgjzZTSzbyiIwcEu9



Fading in a world so bright,
Chasing shadows in the night,
Floating softly on a dream,
Whispered secrets, lost in steam.

When we drift into the dark,
Can you hold my fragile heart?

Lost in echoes, where we dance,
Fleeting glances, a timeless chance,
Stars above start to align,
In this moment, you're truly mine.

As we soar through cosmic light,
Will you keep my spirit bright?
 
In the silence, hear the sound,
Of our whispers spinning 'round,
Floating higher, hand in hand,
In this wonderland, we stand.

When we drift into the dark,
Can you hold my fragile heart?
As we soar through cosmic light,
Will you keep my spirit bright?

In the stillness, lose our way,
Chasing magic, come what may,
Through the clouds, we weave and glide,
In this fantasy, forever we ride.

When we drift into the dream,
Can you hear my silent scream?
As we fade like morning mist,
In this bliss, we still exist.

Floating through a sea of light,
Neon wishes take to flight,
In the echoes of the night,
We'll discover new delights.

When we drift into the calm,
Feel your heartbeat, like a balm,
As we twirl in gentle waves,
In this love, forever saved.

In the twilight, colors blend,
Chasing shadows, as we transcend,
Through the mists, our spirits soar,
In a world where dreams explore.

As we drift on clouds of cream,
Life feels like a lucid dream,
Floating softly, hand in hand,
In this wonderland, we'll stand.

Chasing Shadows

Back Then

Remember Me

Heart, Beating Like A Drum (Bonus)

Este disco es, literal, el mapa emocional de Lúa. Todo salió de notas guardadas en el celular, madrugadas pegado a la ventana y pláticas con sus amigos. Cada canción es un pedazo de algo que le dolió, le movió o le hizo sonreír.

Musicalmente es el universo que Lúa trae pegado: guitarras flotando, líneas de bajo bien marcadas y voces que a veces parecen un susurro directo al oído. Nada de poses; suena a un chico de la CDMX contando sus cosas sin filtros, con la puerta del cuarto medio abierta y la ciudad respirando afuera.

Póntelo en el metro de noche, en la azotea con una cerveza o mientras manejas sin rumbo; es un disco para acompañarte cuando quieras mirar tus propios mapas invisibles y quizá, como Lúa, encontrarles sentido.

Viento Estelar

Indie Pop, Dream Pop, Hypnagogic Pop, Jangle Pop, Neo-Psychedelica, Bedroom Pop, Indie Rock, Indie, Alternative

push button when closed

So am I

A moment held in stillness.
Muted drums, slow-moving bass, and a piano that barely speaks—yet says everything.
A single drop falls onto the keys, echoing into quiet.
No story, no tension—just a loop of feeling.
Minimal, emotional, and quietly overwhelming.

MELLOWDROP

LST-137 REBECCA SCHIFFMAN "BEFORE THE FUTURE" CASSETTE TAPE

Rebecca Shiffman is a singer-songwriter based in Los Angeles via NYC. Her newest record, Before The Future, is set to release on July 25th, 2025. Her first since her self titled album in 2016. Includes contributions from Chris Cohen, Sasami Ashworth, and many more.

Edition of 100 cassettes.

Rebecca Schiffman "Little Mr. Civility" music video
www.youtube.com/watch?v=_Vq-NJIdNho

Before the Future

Little Mr Civility

buried ft JAYBODY

Gone To Hell

Based in the outskirts of Chiba, I produce a wide range of tracks—from jazzy hip-hop to dark, minimal, and experimental beats.
Unbound by genre, I focus on groove, texture, and spatial atmosphere, building tracks daily in my home studio.

My musical influences include DJ Krush, DJ Shadow, Nujabes, Green Assassin Dollar, KREVA, Dadamnphreaknoizphunk, Mark Rae, and Slo Five.

I began my career as a DJ in 1995 at the age of 17. In the early days, I was deeply drawn to the hypnotic, immersive side of techno, especially artists like Justin Berkovi.
Later, I became immersed in the underground, funk-infused tech house scene surrounding London’s WIGGLE movement, led by artists such as Terry Francis and Nathan Coles. I performed with a focus on minimal, swing-heavy grooves.

Today, drawing from those sensibilities, I produce instrumental works rooted in hip-hop, breakbeats, and leftfield rhythms—emphasizing space, groove, and the expressive potential of restraint.

MELLOWDROP

FiNETUNiNG