Mythology Volts

windowseeker 𝄐 music 4 silence

Music video: youtu.be/Y4CVBIc2dBs

Angel Marcloid & Alana Schachtel (Lipsticism) team up to bring you some "new age emo." 🤪

Angel has always been drawn to the keyboards & synths prevalent in the 80s arena rock & sophistipop ballads she grew up with, as well as the Weather Channel's brand of new age & ambient music that escorted her through her childhood. When she discovered the classic second-wave emo sound in the mid 90s, she would often ponder how well washy & sparkly textures would complement the style & sensibilities of the genre.

"How fucking cool would it be if Mineral's Endserenading was doused in Korg Wavestation & M1 presets with the reverb all the way up? It would take away some of the rawness of it, but at the same time it would really enhance the emotion & dreamy quality that is already there. Mineral should've released a different version of that album with Davol and Enya as guest composers, & maybe Michael Omartian on the production."

Race For Titles is named after a short-lived, virtually unknown Omaha emo band of the same name. Their self-titled record has always been an inspiration...  more
credits
released November 16, 2022

Guitars, bass, drums, synths, & production by Angel Marcloid/Fire-Toolz

Vocals, lyrics, & compositional inspiration by Alana Schachtel/Lipsticism

Mixing & mastering by Angel Hair Audio, LLC (angelhairaudio.com)

Cover art by Goo Age

Music video directed by Til Will & Paz Mallea/PilMawilla Productions (pilmawilla.com)

Race For Titles Feat. Lipsticism

endobliss [„XOXO, c’est la résistance“]

Reflecting skin

🌬️🍃🐇⚽🙂🧪📫🎈☁️🪟🏠🚪🌈

https://fire-toolz.bandcamp.com/album/breeze

RE: Official Request For Reciprocal Indwelling Procedure

https://soundcloud.com/t_u_n_a

pictures projected
as they flicker through the leaves
an afterglow of spring
sets the soil in motion
–Julian Schäfer

Fairy-esque synths, digital strings and spectral atmospherics combine to lure you into tuna's “Object Permanence”, out via NYC's Altamira Records on June 14th, 2024. In the release, tuna, real name Julian Schäfer, evokes fractals that combine his glossy audio productions with the lushness of the boreal world.

Represented through a mixture of auditory synthesis and fantastical themes, “Object Permanence” ponders, and then objects to, the idea of immutability. The natural world serves as a metaphor for the concept. An appropriated painting of a shoreline on the EP's cover may seem like a representative moment of nature's beauty and order, but through evaporation, tides, human intervention, and the life and death of millions of organisms that live within, a seemingly static frame is actually representative of a continually changing environment.

The closing song, “Melt Like Water,” encapsulates this theme with a quote by a tribal community elder from Vanuatu in Werner Herzog’s 2016 documentary, "Into the Inferno." “Everything will melt, the stones, the trees, everything, like water.” In our crumbling world, how can one expect any permanence?

All tracks written by Julian Schäfer
Piano on "let's just rest on the floor and watch the dust settle" by Theresa Worm
Artwork by Alex van Dorp
Drawings by Melanie Nguyên Pietsch, Julian Schäfer
Mastered by Christoff Reidel (https://soundcloud.com/riedelchristoff)

tuna - ripple through

Decal

Unfolded eternity ⏤ Metaphys1ca invites Lost Helmet

[REAL002] EMOJIGOON - HBD BROTHER

EU BASED ARTIST EMOJIGOON PRESENTS HIS FIRST EVER RELEASE “HBD BROTHER” 

A BOUNDARY PUSHING DOUBLE SINGLE, CONSTISTING OF TALES AND TESTEMONIES FROM THE LIFE OF AN EMOJIGOON. IN HIS OWN WORDS “ VENI VIDI VICI, I REPRESENT HUNGER IN A BROKEN HEART”

SIDEA - RATS
SIDE B - POP DYLAN (BOB SMOKE)

OUT ON YOUTUBE - STREAMING EVERYWHERE TOMORROW!

REAL LIVE 2024

RE: Official Request For Reciprocal Indwelling Procedure

Fire-Toolz

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