KAVARI is an English artist, DJ, and producer of experimental electronic music, born in Liverpool, England and currently based in Aberdeen, Scotland. KAVARI’s music, art, and performances interrupt the senses with high energy syncopated rhythms, brutalist percussion, and intensity. All while her intoxicating melodies lull you back into serenity.

KAVARI’s debut EP ’if the benign was to ever be so pure’ is an amalgamation of her sonic palate. Based around the concept of idealistic desires being tarnished by their real-life manifestations. This project is a catharsis rendered through warped club beats and delicate ambience.


@kavarimusic
@meld-scotland

Buy:
https://meld-scotland.bandcamp.com/album/if-the-benign-was-to-ever-be-so-pure

PREMIERE: KAVARI - Essence Remains [Meld]

Ready

From forthcoming "Crone" - release May 25th - 2024

"i won't wait for you"

Mastering by @cellvl
Art by Mark Jarrell @markjarrellart

Crone

Earthstepper

Sami Baha’s third album, Mistarget, marks the inaugural entry for Amel’s catalogue, a new- generation label he co-founded in 2024 promoting a non-sectarian approach to what being a label is about. The EP distills Baha’s diverse influences as a globetrotter. Eclectic but effortlessly digestible, Mistarget blends dreamy synth backdrops and hip- hop adjacent beats with techniques borrowed from the post- clubbing world Baha is close to. Featuring his signature style of acute refinement-meets- unfamiliar detours, Mistarget is an exercise in sonic detournement, shaping familiar sounds into new forms. Club atmospheres and crescendos alternate with moments of repose, weaving intricate textures and palettes into an unpredictable sonic kaleidoscope. 

Reality kicks in with Hunt’s synth stabs and frenetic drum patterns, paving the way for an almost claustrophobic melody and Baha’s signature deeper- than-life bass progressions. 

An almost glam riff coming out of nowhere, dissolving as quickly as it came. Pressing, haunting drums. A flute, sampled screams. A synth refrain comes and goes, only apparently without a pattern. Mistarget, Sami Baha third Album’s first single and title track, feels like being in a chase —An aetherial, deconstructed take on trip hop sensibilities meeting trap bravado. 

Cutting through the calm, Sato is a triumphant aggregation of noise and pixelated drums, where the purest underground rave attitude meets a deconstructed take on techno’s most familiar tropes. 

Step into Mistarget world. A tapestry of ambient sounds in Passages opens up the record. A lost fragment of a soundtrack for a film that never existed. 

Spiraling vocal samples drive Mistarget’s most willfully raw moment, Dogru. An interplay of guitar and drums that is Baha’s most evident nod to the beat-making side of his practice. 

Bakar Feek, featuring Vocalist Almaazz feels like an alt- acoustic take on an 80s Istanbul midsummer neo-pop dream. 

With Aml, we are gently rocked back to Baha’s beautiful dream-esque arrangements,a rainy-day combination of glowing, airy synths, stuttering percussion, and a relaxed downtempo arrangement. 

[AML003] 

Mastering by Enyang Urbiks

Sami Baha - Mistarget

Boots of Blinding Speed

Hypnotised

₽0₽0 - GANGSTA TOOLS
https://band.link/gangstatools

₽0₽0 is an artist who expands her creativity over music production, songwriting, radio shows, DJing, and live performances. Her current style fuses heavy bass, hard-hitting drums, broken patterns, and sweet-yet-sweaty lyrics delivered in a cheerleader-like manner.

Over the last year, ₽0₽0 has released music on various international online labels such as Swine Daily [Slovakia], Santa Sede [Argentina], Windows.de [Germany], and Explity [France]. Her tracks have been played on HÖR and local radio stations worldwide.

In 2024, ₽0₽0 also curated her show on Australian radio station AREA3000 and contributed sound design for projects exhibited at the Russian Museum [Spb], GES-2 [Msk], and Yandex Museum [Msk].

With her music and performances, ₽0₽0 aims to maintain a sense of experimentation, freedom, and a celebration of genre and cultural diversity to the local scene. Next year, she's set to start working on her first full-length album.

Links:
₽0₽0 
https://soundcloud.com/popogangsta
https://popogangsta.bandcamp.com
https://www.instagram.com/millionrublebaby

GANGSTA TOOLS

bandcamp

₽0₽0 - NITE CT

Taken from SBKT070: estoc - Are We Doomed to Bow to the Stupid and Cruel?
Release date: 26th June 2025
Artwork & Design: Amber Jean
Mixing & Digital Master: Nori Kin
Vinyl Master: Raphael Valensi

----

estoc presents the newest manifestation of her artistic practice: an attempt to make sense of a world seemingly hellbent on violence as its chief export. Art written as a direct response to the conditions felt both at home and watched across oceans through a phone. This album exists as an acknowledgement that our fates are inextricably intertwined, yet, our (temporary) comfort is extracted from the third world. Across 10 tracks the question is: Are We Doomed to Bow to the Stupid and Cruel? Answers are posed and then brushed away, like dust from a shelf. By the end, nothing is settled and we are left with more questions than answers.

Collaborators and co-conspirators weave in and out of the compositions, their presence felt as both adornment, and as integral infrastructure. DJ Haram opens the album with ‘Heretic’. Her voice swims through crackling noise, throbbing basslines — a guided meditation as much as a late night conversation. ‘The Weight’ follows directly after. AZADI.mp3’s smoky chants hover in the air above a smouldering fire of trip hop drums and synths, devolving to a miasma of distortion and swirling screams. The next song, ‘Where Do We Go Now’, builds and swells with rumbling synths, arriving fully as breaks crash forward and Military Scientist’s voice cries out over a chaotic sea. The first solo composition of the album comes in the form of ‘The Poison of the Centre’. A solemn yet off-balance meditation of drums, cut over an uneven and shifting beat. This rhythmic fervor is multiplied tenfold on ‘No Glory’, a harsh bath of bass and drums, constantly fighting for space to breathe through the manufactured scarcity of the mix.

‘Scorched Earth’ lends us our first breath of fresh air. Mia Carucci sings a lullaby over growling instrumentation, Exploited Body’s co-production threatening to boil over at any moment. A momentary break in the clouds, a beam of sunlight shines through before being quickly swallowed back up by the storm; gone as quickly as it came. It is here that we plunge even deeper, as the heartbeat of ‘Heaven Defined for Another’ rattles through. Machinery and exasperated breathing become inexorable, both driven to their breaking point by a rolling wave of thunder. This mechanical terror roils forth on ‘Cradling’. Miedo Total sets clattering steam and cogs over crying strings that threaten to throw themselves to pieces. The penultimate entry sees Violence lend voice and production to ‘Bones Broken, Many Things Left Unsaid’ — a deep terror lurches, shuddering and crashing like ocean waves. A gentle chorus of strings ushers in the final piece, ‘Scratch a Liberal’ — a rare, but fleeting moment of tenderness on the album. Heavy towers of bass throw the composition into shadow, tension builds and grows before collapsing in on itself, revealing the fear and violence at the core of this project. At the end of it all, we are left alone to contemplate what is to be done.

Preorder

estoc - Scorched Earth (ft. Mia Carucci & Exploited Body)

Geht’s noch ?!

zonedout - MALICIOUS FRACTAL (prod. phntmzn bR)

Snippets from my new EP Heavy Birds Drop - out today on Ideal State.
Mastered by Rainy Miller.
12” and digital.

Vinyl / Digital 

Heavy Birds Drop - EP Sampler

ZULI — All Caps (UIQ0012)
12” + DL
Pre-Order — https://zulimusic.bandcamp.com/album/all-caps-uiq0012

Released 12th March 2021

Mastered by Rashad Becker
Insert Design — Dave Gaskarth

Earthstepper

ultrademon