Chillin' 1.6

Studyin' 1.9

Spring 2019

Blustery: A Soundtrack for Days

Mars 2019

My Heart Waits For You
© 2007 Gary Pecorella
Lyrics & Music by Gary Pecorella
						

My love, can you hear me?  See me?
There’s so much I want to say						
My lips long to taste you, embrace you
But I have to go away						
I’m crossing over

Chorus 1:
I’m the rain that whispers in the wind		
Dancing ‘cross the stream
I fill your every thought  				                 	 
And every dream 
Breathe me, feel me						
But, love, please release me	

‘Til time takes you tenderly						
And brings you home to me
I send you this message        
I’m right here    
Where my heart waits for you				


I see the answer now so clearly, completely
I finally understand
This life is just another journey, precious memory
Of footprints laid in the sand
I’m crossing over

Chorus 2:
I’m the shining star that flashes by             			
Light years ‘cross the sky				
To sing to you a cosmic lullaby                          		
Breathe me, feel me
But, love, please release me
		
‘Til time takes you tenderly							
And brings you home to me
I send you this message        	
I’m right here    
Where my heart waits for you

I’m right here    
Where my heart waits for you
~ ~ ~
CREDITS:
Vocal –Gary Pecorella
Music & Lyrics by Gary Pecorella
Arranged, Performed, Recorded, Mixed & Produced by Gary Pecorella
Duplication Prohibited by Law

MY HEART WAITS FOR YOU

Follow Cuco:
Website: www.loverisaday.com/​
Facebook: smarturl.it/CucoFB​
Instagram: smarturl.it/CucoIG​
Spotify: smarturl.it/CucoSpotify​
TikTok: hyperurl.co/quecau

Sunnyside

Taken from the upcoming Rain EP out 2/21

Music video on FB

Ignis

From Cannonball! (out 5/18/18 on Sooper Records & 88rising). Pre-Order Cannonball! on Vinyl / CD / Cassette / Digital on Bandcamp and Sooper Records.
Bandcamp: https://morimotosen.bandcamp.com/album/cannonball-3
Sooper: http://www.sooperrecords.com/products/612176-cannonball

People Watching

Verse 1

Never gunna be worth nothin
am i gunna be worth something Oh 
Id really like to know
Never gunna try for nothing 
never gunna die for nothing Oh
Welcome to my world

Chorus

I don’t wanna tell you i don’t know your name
I don’t wanna tell you i don’t feel so great 
I don’t wanna tell you i don’t know your name
I don’t wanna tell you i don’t feel so great 

Verse 2

try watching TV for nothing
Gunna fall asleep or something Oh 
I think Im gunna go
heard you called police or something
Never catching me for nothing oh
I thought that you should know

Verse 3

try to change my mind in the last chance
looking straight at you for another dance
I really wanna know
am i gunna change for someone 
always stuck in place is no fun

Chorus

I don’t wanna tell you i don’t know your name
I don’t wanna tell you i don’t feel so great 
I don’t wanna tell you i don’t know your name
I don’t wanna tell you i don’t feel so great

Vinyl

I Don't Know Your Name

Debut album 'Shift' released 30th March
Pre-order on CD/LP/DD: radi.al/HGShift
Spotify: radi.al/HGSpotify
Website: www.henrygreenmusic.com
Facebook: www.facebook.com/henrygreenmusic
Twitter: twitter.com/henrygreenmusic
Instagram: www.instagram.com/henrygreenmusic

Something

A mutant offspring of diverse stylings, unlikely convergences, unfixed constellations, ZEBRA, Alexis Georgopoulos’ - aka Arp - fifth full-length album, is a post-everything symbiosis of ancient to future psychotropics, emphasizing points of connectivity between far-flung traditions. ZEBRA is as naturalistic as it is alien, disrupting outdated boundaries between musical traditions, hierarchies and genre politics. 
 
Using forward-looking production techniques and an idiosyncratic instrumental palette — analog synthesizers, double bass, Fender Rhodes, electronic and acoustic drums, flute, vintage harmonizers and tape delay — Georgopoulos proposes a vast, shimmering prospect, floralizing an array of styles and smiles  — Fourth World tremors, vibey Cosmic Jazz, 80s Japanese production, floating kosmische drum atmospherics.
 
Emphasizing 'points of connectivity' in a time when reactive and fractious isolationism threaten in divisive ways, ZEBRA is the sound of interaction. ZEBRA seeks something beyond definition of singularity perspective and division. It is constructive instead of flippant: ecstatic instead of wallowing; clear-eyed instead of opiated, romantic instead of cynical. 
 
Like the zebra, Georgopoulos’ latest album revels in contrast / duality - Naturalistic + alien. Urban + rural. Calm + unsettling. Lucid + mysterious. Bold simplicity + fiendish complexity. The result is a portal to a more curious world that compels repeat visits.

ZEBRA

Arp - Fluorescences

On his debut mini-album, ​I’m Never Really Here​, ​darvid thor (The Cactus Channel, Frida, Karate Boogaloo) explores what it’s like to make music alone. After playing and writing in bands for over a decade, ​I’m Never Really Here​ is darvid’s first solo venture, and it finds real solace in the solitary.

These songs might seem just dreamy on first listen, with their meandering guitar lines and warm, woozy synthesisers, Thor’s voice at turns a light falsetto and a warm tenor but ​I’m Never Really Here handles material that’s sometimes heavy with a light touch. At times anxious and quietly anguished, tender and candid, these are songs about a growing-up, a breakup, and everything in between. There are traces of Darvid’s soul influences and undergrad jazz degree here, but most present are the wide array of indie and alternative acts that have been influencing his singing, playing, and production: catchy and understatedly complex, these songs both sparkle and stutter.

Darvid recorded ​I’m Never Really Here ​alone in his bedroom — but for some drum/percussion help from Cactus Channel bandmate Hudson Whitlock on lead single ​“Rest of Your Life” and drum production from housemate Max Dowling (Yelderbert, Tetrahedra) on ​“overgrown” — over the course of a year or so. Having spent most of his musical career as an integral member of The Cactus Channel and Frida, Thor saw a solo project as an exhilarating, if daunting opportunity to learn more about himself, as a musician and as a person.

His sweet melancholy of jangly guitars and warbled synthesizers have afforded support from ​Beach Fossils​, ​Danger Mouse​, ​Double J​, ​Triple J Unearthed and ​Indie Shuffle, to name a few. Live, Darvid expands his setup to a four-piece band including Lewis Coleman, Levi Heeringa & Hugh Rabinovici.

I'm Never Really Here

Can I Be?

Cold head, hot sheets - big windows all I need
Deep breath, morning - the possibilities 
One day some sense might bless our heads, entropic and divine 
Locked in, big win - thrilled and thrown aside 
So bad at reacting - bleeding out the cause
We’ve been talking way too much, we’ve been acting way too tough
It’s slow, big snow - trickles in a row
Good news, half truths - just paint me blue and oak
I’ll put my mouth where my hand out is - slamming on the door
Slow kiss, hard miss, attracted to the glow 
So stop. Heard you said you never were one to fight or get mixed up 
But it’s been dragging on and on. Yes, we’re so bad … 
At reacting -  bleeding out the cause
We’ve been talking way too much
We’ve  been acting way to tough
We’ve been slighted, we’ve been stung
We’ve been warned and we’ve been wronged

Reacting

From the forthcoming Too Free debut LP on Sister Polygon Records
Too Free is Awad Bilal, Carson Cox and Don Godwin

Attention is powerful. Too much attention can go to one’s head, corrupting a sense of common ground and innate empathy of the human experience. On the flip side, the effects of too little unlock desperate feelings inside of us, rendering our morality obsolete. Too Free’s debut single “ATM” is about that beautiful, healthy middle ground where it's okay to desire being seen and noticed. “ATM” is an homage to the group’s shared love of ballroom music and the everlasting courtship between the dancer and the music. Visibility affects the human experience across all forms. “ATM” was consciously written for marginalized people who don't always have the platform of being seen. Says frontperson and lyricist Awad Bilal, “When we see people who look like us, engaged in situations we could see ourselves in, and have our experiences reflected back at us - we feel seen - and that is everything.” 

ATM LYRICS:

(Improvement)
(Improvement)

Baby, catch me in color
Luxury notice
All you could ask for
Endure -- so much more
Lead me to somewhere you love

Engulf me!
Engulf me!

Watch
                           All
                                                    The
                                                                                     Moments

Rooms
                         For
                                                  Tools
                                                                  ...or...
                                                                                                              IMPROVEMENT

                                              [here's the catch]

I want to be seen by you
I want to be noticed
Oh, to be seen by you...

Watch
                           All
                                                    The
                                                                                  Moments

Rooms
                         For
                                                  Tools
                                                                  ...or...
                                                                                                           IMPROVEMENT

(improve me)

(improvement)

                                                          [here's the catch]


Watch
                           All
                                                    The
                                                                                    Moments

Rooms
                         For
                                                  Tools
                                                                  ...or...
                                                                                                              IMPROVEMENT

Too Free - ATM

SPR-032, Olivia Neutron John, out worldwide May 10th 2019 on Sister Polygon Records

http://sisterpolygonrecords.com 
http://on-j.com/

LYRICS:
Is this love?
Is this what you want?
I could walk it all night,
it’s all away from you.
If love is all,
then all is gone.
Is this love?
I can’t, I can’t, I can’t.
I could walk it all night,
it’s all away from you.
But it feels good at night.
Doesn’t make it right.

ONJ - MARCH

We're kicking off our compilation "Extra Creamy" is a smooth hip hop beat from @kmbsounds! This compilation is filled with some tasty electronic tunes that will melt the whipped cream in your hot chocolate. 

Full compilation out now! https://sundae-sauuce.lnk.to/ExtraCreamyCompilation

Sundae Sauuce Presents: Extra Creamy

Stream/DL

KMB - Fly

No Quit

Sin Is Crouching At Your Door (Radio Edit) 
Produced by Wovoka Gentle
Mixed by Sam Petts- Davies
Artwork by Olivia Norris
Released by Nude

FOLLOW WOVOKA GENTLE 
http://www.wovokagentle.com
https://www.instagram.com/wovoka_gentle
https://www.facebook.com/wovokagentle/
https://twitter.com/wovokagentle

Start Clanging Cymbals

Sin Is Crouchhing At Your Door (Radio Edit)

Sin Is Crouching At Your Door (Radio Edit)

facebook.com/onetwotrails
twitter.com/onetwotrails
instagram.com/trailsetc

Buy/Stream

DMMH

'A producer who makes dark, atmospheric tribal techno of the sort that’s already endearing the likes of Sasha, NTFO, Audiojack and Rodriguez Jr, there is little doubt that Moraze is a man with momentum on his side right now...'

Read More: https://whenwedip.com/2019/02/premiere-moraze-sabb-instance/

Follow: @sabb // @moraze-music // @instance-records

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Premiere: Moraze - Jemna (Sabb Remix) [Instance Records]

READ > inverted-audio.com/premiere-levan-fabryka-kosmetik

Resurfacing this year with their second VA after the 2017-released 'Collection Of Draft', Lyon-based record label @thirdtryrecords traveled to Georgia to garner some unheard house, techno and ambient delicacies that capture the spirit and soul of a much intriguing and talented new wave of artists, directly sourced from the Tbilisi area and its surroundings.

Levan - Fabryka Kosmetik [Third Try Records]

Resignasjoner I-IV

Resignasjon no. II

Haunted Items #1 (Release Date: March 13, 2019)

Spotify: https://u.subpop.com/Haunted-1_Spotify 
Apple: https://u.subpop.com/Haunted-1_Apple
Sub Pop Mega Mart https://megamart.subpop.com/releases/frankie_cosmos/haunted_items_1

Frankie Cosmos: http://frankiecosmosband.com/ 
Facebook: https://www.facebook.com/FrankieCosmos/
Twitter: https://twitter.com/frankiecosmos
Instagram: https://www.instagram.com/frankiecombos/?hl=en

Sub Pop Records: http://www.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
SoundCloud: http://soundcloud.com/subpop
MegaMart: https://megamart.subpop.com/
Podcast: http://subpop.fm/

Frankie Cosmos - Dancing

LIES-132
Cardinal & Nun-I Met the Devil
from the upcoming 4 track ep
to be released March 15th 2019

Buy Direct

Cardinal & Nun- I Met The Devil (LIES-132)

www.labrador.se
johan@labrador.se

Publicity
North America: shannon@girlieaction.com
Sweden: liza@border.se
GAS: jan.apel@brokensilence.de

SILVER

Pheeyownah - Gold

A new single from Monteagle. 

Stream & Purchase Monteagle's debut album "Midnight noon" firetalkrecs.com/shop/monteagle

Monteagle is the solo moniker of Justin Giles Wilcox - best know as chief songwriter in Nassau and now defunct Tennessee band Moonlight Bride. The later of which had some early looks, collapsing just on the brink of break out success. Paste Magazine calling Wilcox’s delivery in a “Best of What’s Next” feature “tremulous, bare-souled vocals, which are as haunted and alluring as the caves that riddle the rocky hills of the band’s hometown.” Monteagle, named for a mountain inside those hills marks a re-birth for the now well seasoned indie rock vet. Expanding on the more ethereal, dreamy inclinations of past work into something closer to the history of those hills.

Monteagle - Master (Hidden Valley)

Admiring traditions of jazz, funk, and Shona music while pulsing with post-genre nuance, the duo of old friends known as Honey Oat is drawing silk diagrams of oblique time through sound.

Honey Oat’s tiered walls of vocal layerings and blissful Wurlitzer glissandi condense into clouds of complex melodic residue. Gabe Stout’s evocative jazz drumming clusters together beats of improbability and wonder, a bedrock for his own tenderly leaping falsettos. In tandem, Janak JP paints timescapes with an electric piano, coursing through progressive jazz and keys-forward pop features with fluidity. In intimate cross-chatter, Honey Oat activates intensities ranging from knuckles-on-the-keys vamps (‘Wonder In Sights’) to delicate, youthful lullabies (‘Wallpaint’) and levels in between.

In and around core duets of Wurlitzer and traps, Honey Oat weaves a dotted arrangement of musical idiosyncrasies. On ‘Loopspool,’ between sustained synthesizer mid tones and a three-over-two hosho ostinato, a driving impulse emerges that conveys an ever-peaking and ever-evolving emotional state. The collaboration of rapper Maassai on ‘A Small Piece Of String’ disperses a sense of calm against ring-modulated synth leads that drone like the landing of a UFO. ‘Lizard Brain’ and ‘Wallpaint’ call out to Shona music, the Zimbabwean tradition Stout and JP have studied since they met in a marimba class at age 6. Today, continuing to write with the mbira and marimba helps Stout and JP to ground and celebrate their bond of mutual creative becoming, which has lasted nearly a lifetime.

Honey Oat’s debut album renders time wavering and unpredictable. The music sits still as much as it departs in oneiric spirals. Against the current of social media and its loops of endless replayability, Honey Oat’s music sits with hyperlocal remembrance, spontaneity: the mortality of the moment. (“I’m gonna find me a stranger from a past life and hope that you remember me / When you get gone”) What must be forgotten to remember? Pockets of crooked temporality bead into capsules of emotional clarity on the brink of annihilation: “I will not forget you / But you will forget me / When I disappear.”

Monteagle - Master (Hidden Valley)

Fire Talk