The twenty sessions - Little birds  (1.68x)

written by Christina Cuesta Loeb & Blake Straus
produced by Blake Straus
drums by Jarred Tibbetts
vocal engineering by David Dudley Corwin
mixed by Gabe Van
mastered by Paul Logus
photo by Sandrine Lee 
for booking/licensing contact: desertpalmsmusic@gmail.com

i was robbed 
in the middle of the night 
i waited for you here
to say my goodbyes 

did they come 
did you see them there
did they tell you what to do
and where to go? 

could you teach me how to climb into my mind
and make it right?
i'll make the sacrifice 
into the skies

i'm running out of time
i'm running out of time

was it hard? 
does it make sense now? 
am i talking to myself
again today

i’m not scared 
you can show me how
i’ll being waiting for that hole 
to disappear 

could you teach me how to climb into my mind
and make it right?
could you teach me how to miss you 
before i 
i have to say goodbye
i'm running out of time
i'm running out of time
you're running out of time
we've run out, out of

Out Of

Nanami Ozone "NO" out March 15th, 2019 on Tiny Engines

Nanami Ozone - Something To You

Melbourne's Constant Mongrel (featuring members of Terry, Woollen Kits, Taco Leg and Nun) return with a new 7” via Upset The Rhythm in conjunction with their 2019 European tour. ‘Experts in Skin’ is the little sister follow-up to 2018’s ‘Living In Excellence’. The A side single holds the familiar post-post punk angst the band is known for, only building ever higher with a triple saxophone flurry and singer Tom Ridgewell’s mutters on the often awkward nature of mainstream consumerism. On the flip side the band turns to its pop sensibilities producing the tough but sweet sounding ‘Schnuki’. Bassist Amy Hill’s bouncing vocals contrast to the anarcho-punk growls below. Subject matter being another complaint about people that are really fake nice. Can I help you darling? Honey? Sweetie? Deary? Pumpkin?...... no thanks. Constant Mongrel have previous releases available on RIP Society, La Vida Es Un Mus and Siltbreeze.

Release date: 7 June 2019

http://www.upsettherhythm.co.uk/

Experts In Skin 7"

Constant Mongrel - 'Shnuki'

The Debut EP from Phantom Handshakes
Phantom Handshakes is Matt Sklar and Federica Tassano

All songs written, recorded and mixed by Matt and Federica at their respective homes in Brooklyn and Manhattan, April-May 2020
Mastered by Carl Saff at Saff Mastering, Chicago

Stop Shrinking

Same Old, Same Old

From Corey Flood's debut album Hanging Garden out September 4th on Fire Talk.

Pre Order: ffm.to/coreyfloodphl

There’s a vague sense of unease that permeates Corey Flood’s debut full-length, Hanging Garden, out September 5th via Fire Talk. From the surface, the record appears to break through the dark fog of the band’s 2018 EP, Wish You Hadn’t, but just below lay themes of ambivalence, uncertainty, and anxiety, layered elegantly in fuzz. Recorded in Philadelphia by Jackie Milestone, mixed by Natasha Jacobs, and mastered by Sarah Register, Hanging Garden pushes through feelings of discomfort and repressed emotions to discover what truly lies beneath.

Born in Philly circa 2017, Corey Flood began as the post-grad bedroom project of bassist Ivy Gray-Klein (formerly of Littler) and drummer Juliette Rando. A month after their first show with guitarist Em Boltz, the band signed with New York’s Fire Talk Records and turned four planned demos into a full-fledged, delightfully menacing debut EP. Now, after two years of intense growth and collaboration, the trio continues their “whirlwind trajectory” with the long-awaited, nine-track LP, Hanging Garden.

Inspired by Throwing Muses, Helium, Pale Saints, and Brix Smith-Start’s work with the Fall, Gray-Klein calls Hanging Garden “a reckoning with internal discord.” Through soft melodies, lush guitars and churning rhythms, the dual vocals of Gray-Klein and Boltz recall relatable experiences with gaslighting, imposter syndrome, and repetitive thoughts. Hanging Garden feels intimate and familiar but is strewn with playful surprises, like 70s krautrock guitar work and samba-influenced drum parts. Hanging Garden is a mature stride forward, and a bewitching amble towards the unknown.

Hanging Garden

Corey Flood - Honey

Private stream of Topographies' debut LP, Ideal Form. For promotional use only.

02 False Desire

Warwick

From Pure X's 'Rare Ecstasy 2009-2019 out October 16th on Fire Talk

Buy: https://ffm.to/rareecstasy

Rare Ecstasy 2009-2019 is a collection of unreleased b-sides, demos, and covers that span the more than a decade career of the Texas underground legends. Rare Ecstasy includes early tracks that reflect what Pitchfork once called the “druggy, wall-of-sound escapism that put them on the map,” as well as unreleased recordings from each album session that document the evolution of the Pure X sound. A must- have addition to the collection of any Pure X fan.

Rare Ecstasy 2009-2019

Pure X - One Day At A Time

Cool Ghouls - a band fledged in San Francisco on house shows, minimum wage jobs, BBQ's in Golden Gate Park and the romance of a city’s psychedelic history turns 10 this year. What better a decennial celebration than the release of their fourth album, At George's Zoo!

How did San Francisco's fab four arrive at George's Zoo? The teenage friendship of complimentary spirits Pat McDonald (Guitar/Vox) and Pat Thomas (Bass/Vox) serves as square one. The Patricks were munching on Eggo-waffle-sandwiches and downing warm Taaka in suburban Benicia years before McDonald would hear George Clinton address his fans as "Cool Ghouls". The boys played their debut gig as Cool Ghouls at San Francisco's legendary The Stud in 2011, but there's no doubt the musical moment cementing the band's trajectory was much earlier at the 18th birthday party for boy-wonder Ryan Wong (Guitar/Vox) - at the Wong household.

You might remember the Ghouls' earliest days... McDonald’s hair hung luxuriously past his waist, Thomas dreamt of no longer having to crash on friends' couches to call SF home and Wong looked forward to turning 21. Cool Ghouls' Pete Best, Cody Voorhees, thrashed wildly - but briefly - on the drums and Alex Fleshman (Drums), who still claims he's not really "a drummer", turned out to be a really good drummer. Thomas would sleep pee on tour. Those were golden days!

Flash forward to today and everything is up in flames. No shows, parties or bars. Cool people are streaming out of SF. It's been 2 years since the last time Cool Ghouls have even played. The STUD is gone, The Eagle Tavern is for sale and The Hemlock has been demolished for condos. Your boss is an app. Fascism is no-knocking down the door. There's a pandemic.

Fortunately for us, the ghouls got an album in before it all went to shit, and they made it count. At George's Zoo includes 15 of the 27 tunes they managed to eke out while simultaneously working through major life moves. It was a 5-month, all out, final sprint down the homestretch (to Ryan's moving day) with affable engineer Robby Joseph, at his makeshift garage studio in the Outer Sunset (pictured on the cover). Instead of recording the entire album over a few consecutive days - like they'd done with Tim Cohen, Sonny Smith and Kelley Stoltz for the first three LPs - the band took it slow by working through a few songs each weekend after rehearsing them the week before. Robby would cue up the tape, McDonald would throw some steaks on the grill and they'd get to work - much to the neighbor, George's, chagrin.

These guys have a real commitment to elevating as songwriters, musicians and ensemble players. It's always been for the music with Cool Ghouls and this long-awaited self-produced outing is a track by track display of the ground they've covered and heights they can achieve. Their vocals and trademark harmonies are front and center and out-of-control-good. Ryan's guitar solos are incredible. The horns by Danny Brown (sax) and Andrew Stephens (trumpet) hit in all the right places. Maestro, Henry Baker (Pat Thomas Band / Tino Drima), plays keys throughout. There's even a mesmerizing string section ("Land Song") by sonic polyglot, Dylan Edrich.

None of this growth is to the detriment of the fun, natural, feeling that fans have come to expect from the band. This is a fully realized Cool Ghouls album. It paints a remarkable portrait of SF's homegrown heroes and the many corners they've explored over the last decade. The songwriting, harmony and playing are nothing if not solid. The lyrics are keen. Robby's recording and mixing sound great start to finish and even better after mastering by Mikey Young. It's a triumphant addition to their catalogue. Recommended for Stooges and Beach Boys fans alike. Listen and see!