Your organization is so riddled with informers that nothing you decide is a secret for long.

Selected Works Spring 2021 vol. 11

The Lost Industrial Temples

THE MISTAKE

Turn your back on gold

Mastering : Tato Rascon (Enjanzea2)
Bajo : Wik
Soon on beatport

Lowiame Ft Pandiux  -Quiero (Original Mix)

ice voice >>> LenoRe from "Circonstances Aggravantes".

Mode  In GliANY - feat. LenoRe - Eis (original mix)

People, Let's Dance

The Big Combo - 21 Girls (1981)

dog's on acid

House Syndicate - Jam The Mace (Kenny Dope Gonzalez)

Thunder

From Lindstrøm's upcoming album release 'It's All Right Between Us As It Is' out worldwide October 20th via Smalltown Supersound/Feedelity Recordings.

Learn more here: http://smarturl.it/sts320

Lindstrøm - Bungl (Like A Ghost) feat. Jenny Hval

Axe Corner - Tortuga

From 'Boite Noire, vol. 1'
Coco Airlines 2019
https://cocoairlines.bandcamp.com/album/bo-te-noire-vol-1-ca-002

video : https://youtu.be/2NfEZYW_7Ns

Not Yet The Last

Bragolin is a two-piece post-punk / wave band from Utrecht, The Netherlands. The name is inspired by Italian painter Giovanni Bragolin, famous for his crying boy paintings. The band is led by songwriter/singer/guitarist Edwin van der Velde, with Maria Karssenberg on guitar and organ.

Bragolin’s sound contains a mixture of baritone guitars reminding of 80’s new wave bands, to 90’s reverb laden shoegaze guitars. Instead of the music which the guitar sounds resemble, the mixture with pounding drummachines and bass synthesizers creates Bragolin’s danceable wave sound. The songs vary from pulsating and addictive riffs in their first released music video ‘Into Those Woods’, to the apocalyptic atmospheres of ‘In Our Field Of Oaks’ which contains guest vocals by dark pop singer Adam Usi. The organ sound, the horror movie inspired lyrics and touching voice complete their unpredicted haunting sound.

In 2018 the band released their 8-track debut album ‘I Saw Nothing Good So I Left’ which was recorded by Van der Velde and former band member Isolde Woudstra who also takes credit for the mesmerizing album cover and vocals on the album’s title track. The release was produced by René Jongeneelen of Malochia and Contrast, and was released on Young & Cold Records. Maria Karssenberg joined Bragolin on guitar and organ before the release of the album, after which the two-piece played at various festivals and parties across Europe, among which Wave Gotik Treffen, Extramuralhas, Waveteef, Wavefest and Young & Cold Festival.

For their second album Bragolin teamed up with Adam Tristar to release the ‘Bragolin vs Adam Tristar’ album ‘Let Out The Noise Inside’. This is not a split release but a true cooperation featuring the danceable and electronic sound of Adam Tristar combined with the dark atmosphere and vocals of Bragolin. In the summer of 2019 the collaboration released their first single ‘The End Dwells In Us All’, a new uptempo dance floor killer featuring a hypnotizing arpeggiated synth, catchy bariton guitar riff, ghostly musical saw and melancholic vocals with serial killer inspired lyrics. During the year Adam Tristar has also joined Bragolin on stage for a limited amount of shows. After the single the full album was released on CD and vinyl, again on Young & Cold Records. The album features eight songs of which six are new and two songs where each band covered / remixed the other.

Hate Close To Love (Bragolin Cover)

ElectroMagnetic Pulse

Those Attractive Magnets   '' survivors ''

Nu:64 is the second single taken from Och's album 'II'

Och – II
----------
As a new decade dawns, the music obsessive inhabits a claustrophobic modern era of instant gratification in which they’re seemingly so spoiled by online options and easy access that transcendence can be paradoxically hard to find in the melee. With this in mind, it can be reassuring to be mindful of the manner in which a random discovery in the bargain bins of a second-hand record store or a charity shop can set off sparks of inspiration and untold fascination.

It was naturally just this kind of obsessive chasing of avenues beyond the commonplace and the easily explicable that led to the formation 
of the fabled Nurse With Wound List by habitual £1-bin-haunter 
Steven Stapleton in 1979. Within this assemblage of exotic monikers were an eternal coded gateway to worlds of experimentation and adventure that were all the more affecting for their mystery. 

A full forty years on, rare though it is to come across a new record in the here and now which conjures up the same sense of ‘other’ as the cryptic artefacts of yore, it seems that one is on the verge of crossing our transom. ‘OCH’ - Swedish for ‘and’ - are poised to release their first album for Rocket Recordings (following a self-released EP which saw the light of day six years ago) This trio - of whom little is known other than a kinship to their labelmates Flowers Must Die - have created a collection of beguiling soundscapes and audial epiphanies that can’t help but summon up the freewheeling ‘70s spirit, the small-hours headspace and the broader sense of adventure that has legendarily dominated the areas of the esoteric. 

Amidst these eight exploratory journeys, the listener can plot out a psychic course that traverses the likes of the meditative trance-states of vintage Popol Vuh, the chemically-altered mania of Guru Guru. Synth-driven propulsion akin to French iconoclasts Heldon and Lard Free, and naturally the bucolic raptures of the band’s erstwhile national forebears such as Träd Gräs Och Stenar and Älgarnas Trädgård, not to mention more recent exponents of the same lineage such as Hills and Dungen. Yet the entire vision the band conveys on this delirious travelogue is both timeless and paradoxically fresh.

Just as their name invokes an ampersand, so this record is no less than a gateway who knows where; proof positive that these dimensions beyond the everyday - at the hands of OCH - are as accessible in 2020 as ever they were, not to mention still more potent.

NU:64

Och – Nu:64

Sorry, I Know It's Late But…

Just Like Everybody Part Two

Return of the Dragon

Magizter - Das Kapital '93 Remix (Heap Version)

Watch Out!

You Can't Expect The Cars To Stop If You Haven't Pressed The Button

From 1987 until 1998 FistBar! was one of the most important reference for establishing alternative cultural trends in Barcelona, Europe, promoting decidedly avant-garde aesthetic on a visual and musical level.
Now we have a web site. Welcome.

Selected Works Spring 2021 vol. 11

Fist Bar!