Client: EPTA refrigerator
SW: Ableton live 8, Logic Pro, Symphonic orchestra 
Agency: riseon, milan

Epta sound design - original soundtrack

Burned

New video for 'Intro / Embrace Me' out now
Watch here: http://smarturl.it/Intro-EmbraceMe

Debut EP ‘The Naked Eye EP’ out now  
Listen here: http://smarturl.it/TheNakedEyeEP

Follow The Naked Eye here:
Facebook: http://smarturl.it/TheNakedEyeFB
Twitter: http://smarturl.it/TheNakedEyeTW
Instagram: http://smarturl.it/TheNakedEyeIG
YouTube: http://smarturl.it/TheNakedEyeYT
SoundCloud: http://smarturl.it/TheNakedEyeSC

Burned

https://www.youtube.com/watch?v=evykChzaINE

Sunny

10 things i've learned surfing in australia - Original Soundtrack

I learned to fall - la follia vivaldi ( fixedform version )

Taken from his debut album 'Gravity' re-issued by Erased Tapes on June 10.

Order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP084
iTunes: http://snip.ftpromo.net/gravity
Spotify: http://snip.ftpromo.net/onlyinthedark
Bandcamp: http://snip.ftpromo.net/gravitybc
or any other good record store worldwide

In celebration of their latest signing, Erased Tapes are set to re-issue Ben Lukas Boysen’s compelling debut album ‘Gravity’, alongside new album ‘Spells’ on 10th June 2016.

‘Gravity’ was the first album Ben recorded under his own name, merging programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation.

From ‘Only In The Dark’ to the two movements of ‘Nocturne’, it’s a serious, solemn listen. And yet, with pieces like ‘To The Hills’ and ‘Eos’, ‘Gravity’ is an exploration of heights, cliffs and vertigoes. With piano lines and choir-like drones, this record suits its title in all its meanings, as the magnetic force takes us deeper towards the core. Marking a new beginning, this debut reveals a touching, and more melodic side to Ben’s body of work, which he previously only hinted at as HECQ.

Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered the album. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”.

His intricate, humanised programming – enhanced by drummer Achim
Färber, additional synthesisers played by Nils, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Gravity’ as well as its successor ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums.

As HECQ Ben has released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and
Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Gravity strips away the cloaked mysteries of electronic music production to expose the tender side of this musician’s mind." — Headphone Commute

TRACKLIST:

01. Only In The Dark
02. Nocturne 1
03. To The Hills
04. You'll Miss Us One Day
05. Gravity
06. Eos
07. Nocturne 2
08. The Behenian Gospel

Gravity

Only In The Dark

Buy LP/CD/DL

Ben Lukas Boysen - Only In The Dark

Taken from "Life playing tricks" EP
Produced, mixed and arranged by ProleteR

Licensed and released by Banzaï Lab Records

Available on all platform :
Multimedia link: https://lnk.to/proleteR-LifePlayingTricks 
Vinyl edition available here https://banzailab.bandcamp.com/album/proleter-life-playing-tricks-digital-vinyl
Bandcamp : https://proleter.bandcamp.com/
Facebook : www.facebook.com/ProleteR.beats
Youtube : https://www.youtube.com/user/proleterbeats
Instagram : https://www.instagram.com/proleter_official/

Mastering by Christophe Chapelle (www.sinetracks.com/)
Artwork by Sbuone (www.sbuone.com)

Stream/Download

ProleteR - Destiny

Podcast Electro Nov#16

www.michaelkiwanuka.com/
facebook.com/MichaelKiwanuka
twitter.com/michaelkiwanuka

Michael Kiwanuka - Bones

Mothas la Mascarade - Good Time feat Tonio Mc, Lomepal & Georgio

FIXEDFORM is a music composition and sound design studio founded and based in Milan. FIXEDFORM was born out of a belief that sound and image should elevate and contextualise one another to amplify emotion, engagement and recall. 

Our strength lies in translating a collective vision into a tangible piece of music or sound design.

We always look to enter the creative process as early as possible to achieve synergy of picture and sound from the conception of a film to its playout.

About the concept of organic music:
You must imagine sound design as a forest, a tempest, it can whistle and tear and shake, you can see light and shadows through it; this very small piece of art is universal. And afterwards of course, hand this to the audience, to share with the audience. It is more like a ritual.[...]

Now I felt myself become an organic “composer” again, as i did as a child, through a piece of paper.


Epta sound design - original soundtrack

fixedform

Related tracks