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(c) Lock Stock and Barrel Records 2007. All Rights Reserved.
Recording promoted on Soundcloud with full permission.

WHERE IS THE LOVE
Written by Ralph MacDonald and Will Salter
Published by Antisia Music/Cherry Lane Music

Remixed and engineered by Bruno E - Urubu Jazz Productions
Additional instruments: Bruno E – electric bass, Cláudio Faria – mute trumpet, Bliss Music

Dame Shirley's vocal recorded in 1996. Previously released on the album Show Must Go On.

Where Is The Love (Bruno E Urubu Jazz Remix) is from the album: Get The Party Started
Produced by Catherine Feeney and Nikki Lamborn

WHERE IS THE LOVE
Where is the love, Where is the love
Where is the love you said you’d give me
Soon as you were free, will it ever be
Where is the love
You told me that you didn’t love her
And you were going to say goodbye
But if you really didn’t mean it
Why did you have to lie
Where is the love you said was mine all mine
Till the end of time, was it just a line
Where is the love
If you had a sudden change of heart
I wish that you would tell me so
Don’t leave me hanging onto promises
You’ve got to let me know
Oh how I wish I’d never met you
I guess it must have been my fate
To fall in love with someone else’s love
All I can do it wait
Where is the love, you said was mine all mine
Till the end of time, was it just a line
Where is the love,
Where is the love,
Where is the love…

Shirley Bassey - Where Is The Love (Bruno E Urubu Jazz Remix)

Asking a 15 year old to listen to Jazz recorded in the 60s and before, is the same as asking a 20 year old to watch TV or a movie in black and white. Currently, thousand of classic Jazz tunes are unlistenable to the young generation because they have been bombarded with high-fi bass-music. There is so much to learn from Jazz but it sounds OLD. Jazz’n'Bass, developed by FJAZZ, aims to update the sonic palet of classic Jazz songs as to make them available and appealing to the new generations and bass-music fans. Credits: Producer, mixer, musician, sound designer, composer.

Água de Beber (Water to Drink) 170 BPM B Minor

Fernando Arruda ORGANIZES SOUND. As a multi-instrumentalist PERFORMER (saxes, flute, clarinet, piano, acoustic guitar, EWI4000s and synths), COMPOSER, and music PRODUCER, he merges live acoustic performances with heavily processed electronic music. His work focuses on diversity, technical quality, accurate emotional EXPRESSION and ORIGINALITY. He is an EXPLORER of the many facets of the music scene in the world. He worked as a jazz and session musician in Australia and New York (2004-2010), as an audio engineer, producer and sound designer (2010-present), touring the USA as a sax player and DJ (Neon Hitch, Ariana and the Roses, Dark Inc. 2011-2012), as a TEACHER (Dubspot, The New School, Skill Share, privately, 2011-present), as musical director and sound designer for THEATER (La MaMa, The New School, NY Fringe, 2009-present) and as a composer for film and concert music (2012-2014). 

An expert in music theory, history and performance (School of Music of Brasília; University of Brasília; Australia’s Performance Arts Unit; The New School for Jazz and Contemporary Music, Eugene Lang College), Fernando Arruda graduated both as a performer (B.F.A.) and as a HISTORIAN (B.A.). Currently he pursues a Master’s Degree (M.M.) at New York University’s Steinhardt for Film Scoring, Multimedia, and CONCERT COMPOSITION. 

He is the co-founder and baritone sax player of the acclaimed classical SAXOPHONE QUARTET Art&Sax. In 2014, Art&Sax will be releasing their debut CD Gare Saint Lazare: his first classical release both as a performer and as a producer. 

Fernando Arruda is also known as FJAZZ in the electronic dance music scene. As such, he released 3 solo albums (2011, 2012, 2013). As a sideman, audio engineer and producer, his discography goes BEYOND 20 official releases. He is also a voting member of The Recording Academy (Grammy), and partner/recording artist of Scotch & Murder Music.com, a COLLECTIVE of musicians, writers and music-lovers that function as a label, events organizer, and music review blog. 

As a freelancer composer, sound designer, session musician and mix engineer, Fernando found his new passion: he is currently working with music for MOVING PICTURE at New York’s creative audio studio Antfood. 

Some of his interests are: the origins of DIGITAL technology and its relation with World War II, Cold War, contemporary music and financial systems. Other interests include: POSTHUMAN art, audio sampling, ACOUSMATIC music and advocating for a healthier urban sonic environment. 

Fernando is currently available for freelance work on and offsite.
more at: fernandoarruda.info