Landscapes Music keeps focusing on the underground deepest side of Progressive embracing all aspects from Techno to Trance.

On this occasion, we wanted to go the extra-mile and have managed to provide you with both above mentioned styles and...ambient too!

You better check out Basic Guy return to Landscapes Music from the main door: his new EP consists of two dub-ish techno inspired productions which we, at Landscapes HQ, loved so much to make our specific versions.

So this is the background story of We Want Sun, a very special EP for Marko a.k.a. Basic Guy, and we wanted to honour it at the best with a list of remixes coming straight from Landscapes main heart.

Landscapes Music: We Think Underground.

MASTERS by: Narel

Get it via Beatport

Basic Guy - Darkness (Horizons Remix - Narel's Ambient Edit)

차원 너머에 존재하는 미지의 생명체를 찾아 떠나는 여정을 3가지 장면에 맞추어 그려낸 곡.

#1 횡단 
각기 다른 우주에서 출발한 둘은 또 다른 우주의 생명체와 교신을 위해 우주 횡단을 시작한다.
불특정 다수의 방향으로 신호를 보내고, 이들은 점차 각자의 존재를 인식하기 시작한다.

#2 간극
틈을 가로지른 교신 신호는 차원을 넘어 마침내 맞닿았고, 둘은 실체와 실체로 마주한다.
서로의 우주가 충돌하며 경계는 흐려지고, 각자의 차원이 불안정해진다.

#3 재귀
다중우주에서 만난 존재는 또 다른 우주의 '나'라는 것을 깨닫는다.
서로의 우주가 충돌한 뒤, 새로운 우주가 계속해서 열린다.

너머

Grimes - MUSIC 4 MACHINES (Netherimon edit)

Dreamcycles - Future Lights and Archetypes

https://sitequeeste.bandcamp.com/album/future-lights-and-archetypes
Available 1 May 2020 exclusively on Bandcamp. Available 29 May 2020 on all digital platforms.

Dreamcycles, the moniker of Irish-Canadian artist Jennifer Moore, emerges from the ashen present to deliver her conceptual debut mini-album Future Lights and Archetypes. Operating at the node between technological reality and speculative fiction, Moore transforms ethereal bedroom pop and monolithic electronics into uncanny soundscapes to explore what she describes as the “landscape of a future global economy.”

Moore’s imagination conjures a new order of global governance which uses data to assess the competencies, characteristics, and productivity capacity of its citizens. Predictive analytics are used to shuttle humans around the globe in a tightly choreographed dance of space, labour and capital. Spanning a perspective both personal and systemic, the Dublin-based producer guides the listener through her sober invention, anchoring its alienating events around simple longings for home.

Across six tracks, present-day sonics are repurposed to create warped atmospherics. “If I wanted to see the world, I’d have to imagine it,” says a disembodied voice on opening track ‘Memory (Temporary Access)’. Pitter-patter footsteps, playing children, and whirring device noises swirl around the words: harsh, familiar, and ultimately unsettling. ‘Fonn Abhaile’ follows—its vaporous synths matched by breathy vocals—but ‘Abrasive Routes’ reveals the haunting potential of Moore’s psychoacoustic constructions. News report snippets detailing the Dublin financial district jostle with screeching high-definition cars. “It’s become the most extraordinary contrast to everything else here,” recites a roving correspondent, cataloguing inequalities suffused into the electronic artist’s home.

As the mini-album progresses, the emotional intensity rises. ‘Memory Laneways’ pairs an elegiac refrain with industrial kicks before ‘Playing with the Concrete’ offers a moment of brightness. “You look good when you’re smiling,” sings Moore over a distant sinogrime melody, followed by her closing, and most affecting track, ‘Final Goodbye.’ Meditations on belonging are swept along by circular, trance-like synths whose closing destination is bittersweet: euphoria tempered by the artist’s sombre backdrop.

Moore describes Future Lights and Archetypes as a “post-extraction artefact.” Through its diary entries, radio clippings, and fragmented songs, the mini-album resembles an object hewn from a fully-realised world, like an Ursula K. Le Guin novel refracted through machine learning. Keen listeners might also detect a flicker of Grouper’s place-based musings or even the crumbling electronics of Actress. But this release melds intimacy with pulsating stimuli, Moore’s gaze oriented firmly towards the human cost of an omniscient technological future.

Future Lights & Archetypes

Dreamcycles - Memory Laneways

Acousmatic poem by the ambassador of unconsciousness and sound designer Asio Otus (@asiootus)

Recorded in Lisbon 28/03/2020

The artwork is a collab between @asiootus and @iq94

FR059 Asio Otus (Lisbon, Portugal)

Mix by : DANNY HEITH https://soundcloud.com/haunter-records-1

Originally poster-only PAMMIX release {via QR code}...
*Access granted* for 'Positive Messages' !!!

See more : perksandmini.com/positive-messages
Subscribe : eepurl.com/gXV-MH

POSITIVE MESSAGES #41 : DANNY HEITH "WE ARE IN TIME WHENEVER WE WANT"

f011 - bela

f013 - °w°s — jet set radio

Recorded in Köln/Karlsruhe by @luxxuryproblems & @france_98

SPA#13: Luxxuryproblems & FRANCE '98 for NTS Radio

Aired 04.09.2020 at https://radiorelativa.eu

Mix by @al_llll + @rovanrovan
Kahn & Neek - Shimmer
Perila - Room Inside
Dasychira - Parabiotic Dream
Mikey Enwright - The Word
Little Artist - Cancel Copenhagen
DJ NJ DRONE - Collapse Syn
ShyGirl - Want More
333 Boyz - Glass Boat
Rat Race - Intentionally Cold
Lanark Artefax - Ferthenheap

Mix by @_aircode
Vitor Joaquim - Thinking Moments
Anna Caragnano & Donato Dozzy - Starcloud
Lauren Duffus - Stir Fry
Err Walou & Zero R - Nouveau Monde (Prod. etherrealitee)
Loreng - Abyssixsixsix
FITNESS - DÆ1R ft. DÆMON & SAJDAH
elissa suckdog - Dudes Try (Naughty White Label Bootleg feat. King Princess)
Yak - Showdown
Mucho Sueño - Bandera Falsa
nevrland - back when I was yours
Bliss Signal, Mumdance - Endless Rush
Justin Timberlake - LoveStoned/I Think That She Knows Interlude

Dead Mall Radio — aircode (December 2020)

Recorded in Cologne/Dresden by @france_98 & @droneoperator

SPA#14: DRONE OPERATØR & FRANCE '98 for NTS Radio

Fake Rolex is a mix series, digital art catalogue and music collective from Santiago, Chile. 

Since 2018. 

info.fakerolex@gmail.com

FR059 Asio Otus (Lisbon, Portugal)

Fake Rolex

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