Jezebel (Sade cover)

Soundsplorations (2017-2019)

Fax’s Brother Cragmont Had Run Away With a Trapeze Girl

Sweet_folk_music

Landscape

method: virtual instruments and voice, no ai
narration: this poem refers to spider grandmother
image: self-gimped

poem / copyright jo richter:
(as published in A Single Loop of Fortunes)

They teach fashioning
dream-snares to all ages
alike - for dreams foster
the young, guide the adults
and endow the aged ones
with understanding wisdom.

Dreams, after all, have to be 
lived and enacted and
confronted as real - for
they shape perception
as much as any tangible

environment does. Weave,
they say, your threads well
to complement the pattern.

koyangwuti

#dance #house #handpan
 #music #beat #drum

Hang [original] Universal90

The Thinks you say VS  Goldfrapp Dave Gahan The Ocean.
https://twitter.com/DarkPlace1313
https://twitter.com/EireenViolet
Illuminatri Mix
Für meine Japanerin !

Fanyi🦋🦇🖤Depeche Mode-Goldfrapp 🌸Love Mix DerWilde333 Für meine kleine Japanerin

Written and performed by David Cooper.

There’s a shooting star in the sky
There’s a shooting star flying by
Heading off towards deeper space
Trying to find a happy place
My, My, My let’s end this story now


Drive a chariot of fire
Riding round the sun getting higher
Never know what it will bring
Flying too close burns my wings
My, My, My  I’ll never know what it means

Chorus

Lay me down to sleep oh mother earth
On a bed of stars
Lay me down and keep me safe and warm

Solo

Don’t know what to do with myself
Don’t know what it’s like to be someone else
Can’t seem to get off the floor
I don’t want to do this anymore
My, My, My please stop the clock of time

Chorus x 2 to end

Shooting Star

Thinking about those cold winter days......brrrrrrrr

Winter's Day

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Réalisé par Dominique Blanc-Francard (Labomatic studio)
Basse / Contrebasse : Laurent Vernerey
Batterie : Raphael Chassin
Textes / Compositions / guitare / Claviers / Interprète : Lilee
Prises voix / Mixage : Maxime Pauwels
Edtiting : John Haezeleer
Masterings : Pieter de Wagter / Equus Studio
©Lilee/Toimeme2020

12 - Lilee - Rengaines

compositions : Instrumental music, Rock Alternatif, blues, jazz...

Sweet_folk_music

FL

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