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The Code of Federal Regulations (CFR) is the official legal print publication containing the codification of the general and permanent rules published in the Federal Register by the departments and agencies of the Federal Government. The Electronic Code of Federal Regulations (eCFR) is a continuously updated online version of the CFR. It is not an official legal edition of the CFR.


These are the definitions for terms used in this part. Different definitions may be found in Federal statutes or regulations that apply more specifically to particular programs or activities. These definitions could be supplemented by additional instructional information provided in governmentwide standard information collections. For purposes of this part, the following definitions apply:


The specific requirements and responsibilities of Federal agencies and non-Federal entities are set forth in this part. Federal agencies making Federal awards to non-Federal entities must implement the language in subparts C through F of this part in codified regulations unless different provisions are required by Federal statute or are approved by OMB.


OMB will review Federal agency regulations and implementation of this part, and will provide interpretations of policy requirements and assistance to ensure effective and efficient implementation. Any exceptions will be subject to approval by OMB. Exceptions will only be made in particular cases where adequate justification is presented.


Inquiries concerning this part may be directed to the Office of Federal Financial Management Office of Management and Budget, in Washington, DC. Non-Federal entities' inquiries should be addressed to the Federal awarding agency, cognizant agency for indirect costs, cognizant or oversight agency for audit, or pass-through entity as appropriate.


The non-Federal entity or applicant for a Federal award must disclose, in a timely manner, in writing to the Federal awarding agency or pass-through entity all violations of Federal criminal law involving fraud, bribery, or gratuity violations potentially affecting the Federal award. Non-Federal entities that have received a Federal award including the term and condition outlined in appendix XII to this part are required to report certain civil, criminal, or administrative proceedings to SAM (currently FAPIIS). Failure to make required disclosures can result in any of the remedies described in § 200.339. (See also 2 CFR part 180, 31 U.S.C. 3321, and 41 U.S.C. 2313.)


For discretionary Federal awards, unless prohibited by Federal statute, the Federal awarding agency must design and execute a merit review process for applications, with the objective of selecting recipients most likely to be successful in delivering results based on the program objectives outlined in section § 200.202. A merit review is an objective process of evaluating Federal award applications in accordance with written standards set forth by the Federal awarding agency. This process must be described or incorporated by reference in the applicable funding opportunity (see appendix I to this part.). See also § 200.204. The Federal awarding agency must also periodically review its merit review process.


Non-Federal entities are subject to the non-procurement debarment and suspension regulations implementing Executive Orders 12549 and 12689, 2 CFR part 180. The regulations in 2 CFR part 180 restrict awards, subawards, and contracts with certain parties that are debarred, suspended, or otherwise excluded from or ineligible for participation in Federal assistance programs or activities.


Federal awarding agencies and recipients are subject to the regulations implementing Never Contract with the Enemy in 2 CFR part 183. The regulations in 2 CFR part 183 affect covered contracts, grants and cooperative agreements that are expected to

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For example, under the Services dialog, Shift-Command-L was mapped to Search With Google on my MacBook, which I believe is a default system setting (just disable it). Check in the App Shortcuts dialog, also, in case there are any conflicting entries there. Alternatively, you can map a new shortcut for Bitwarden in the App Shortcuts dialog, if you like (e.g., Option-Command-L).


I came across this because I also have intermittent issues with Shift-Command-L not working. I disabled the system shortcut as suggested by David H but nothing changed for me. However, I discovered something which may be a bug.


both Bitwarden and Safari use the same shortcut cmd+shift+L, the former to autofill passwords and the latter to open and close the sidebar. Is there anyway to fix this, besides changing browser? I really would prefer to not change browser, nor change password manager.


The keyboard shortcuts for the Safari browser extension still use the old 1Password X ones--e.g., "Cmd + Shift + X" to show 1Password in Safari, and "Cmd + Shift + L" to lock 1Password. Can we customize these just like in the other browsers? Or at least mirror the custom shortcuts we have in the desktop app?


Also, the keyboard shortcut I set up for locking the 1P 8 Early Access app doesn't work anymore. I tried changing it, etc. When I'm on the Mac desktop, for example, the system reads my keyboard shortcut just as if I had pressed any letter. (For example, if you're on the Mac desktop screen and press a letter on your keyboard, it will select the first file/folder on the desktop that corresponds to the letter. In other words, there's some kind of bug that's causing the Mac to not send the command to lock the 1Password app. It over-rides it?)


I am not aware of a way to customize the shortcuts. I'll have to check with the extensions team on that. I also replied to your earlier topic on the locking behavior. I experience the same. I have let the developers know.


Thanks for your feedback here. As Tommy mentioned, there currently isn't a way to configure the keyboard shortcuts in 1Password for Safari, but this is definitely something we want to improve on, so I've added your feedback to the internal issue we have on the subject.





The problem with cmd+shift+L for locking is, that the default sidebar show/hide shortcut in safari is the same and we have no way to change this. Please use the shortcuts from the desktop app, since this is also additionally confusing.


I would really like to be able to customize this shortcut as "Cmd + Shift + X" is a very important shortcut for a tool used internally at Apple and having 1Password take over this shortcut seriously hinders my productivity


@k3liutZu you can customize the shortcuts in the 1Password desktop app and extensions settings in all browsers except for Safari. In Safari specifically, there is a limitation which prevents us from allowing this shortcut to be customized or removed. We have an internal issue open about this, and our developers are looking into how we can make some improvements in a future update to 1Password, along with our friends at Apple. I apologize for any interruption in your workflow caused by this.


For context, I created a utility shortcut for myself to send the current Safari tab to Chrome by pressing ^c. I did this a few years ago with an Alfred Workflow, with a Hotkey trigger scoped to com.apple.safari and a simple AppleScript to get and reopen the front tab's URL.


I've run across this post on StackOverflow that addresses this. Basically, there's no central repository of all the shortcuts created because, in the end, the application isn't required to register the event with the system.


If you're searching for a particular shortcut you'll have to go through each running app manually to find it. So, as stated in

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"Having a civil rights facility in a college is very much necessary because due to what is going on politically, things such as this will wane away or disappear completely if we don't grasp it completely."


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Upon request by the JURI Committee this paper describes the European Law Institute/UNIDROIT Project for a text establishing Principles of Transnational Civil Procedure and subsequent efforts to establish a European set of procedures that would transcend national jurisdictional rules and facilitate the resolution of disputes arising from transnational commercial transactions. It is a rolling programme of rules, with comments designed to produce soft-law.


The papers selected for this special issue represent a good panel in recent challenges. The topics of these papers are connected with the computational intelligence methods and their application in civil and hydraulic engineering. An investigation on different metaheuristics abilities for engineering problems was studied by O. Adekanmbi and P. Green. They utilized the third version of generalized differential evolution (GDE) for solving practical engineering problems. GDE3 metaheuristic modifies the selection process of the basic differential evolution and extends DE/rand/1/bin strategy.


The purpose of this study was to implement a user-centered design process to develop the SAS, a soft ankle support garment to serve as a supplemental solution for children with mild to moderate ankle weakness who use AFOs. The Functional, Expressive, Aesthetic, Accessibility (FEA2) consumer needs model was used to guide the design process in order to develop a wearable that could meet the broad needs of end-users. This study developed the SAS to serve as a supplemental solution for children who use AFOs due to mild to moderate ankle weakness. Participants perceived the SAS as being similar to or better than their existing orthotic solution. This study serves as an example of how user-centered design efforts can be used to develop improved rehabilitation devices for people with disabilities.





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By the end of 1919, Mussolini stood in a general election as the Fascist candidate but lost in a Socialist sweep. Two days later, Mussolini was arrested for allegedly collecting arms to overthrow the government. He was released without charges the next day.


Minimum 105 GB available hard drive storage space required as of November 10, 2020. Storage requirements subject to increase. After November 10, 2020, see www.destinythegame.com/size-requirements for current requirements prior to purchase. May require additional storage for set-up, features and updates, including to download mandatory in-game updates to continue playing. Users responsible for fees for broadband internet, which is required. Additional charges may apply for online content and features
 
Destiny 2 may contain flashing patterns and images that may produce adverse effects for a small percentage of people sensitive to them.

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The President of the United States of America and the First Consul of the French Republic in the name of the French People having by a Treaty of this date terminated all difficulties relative to Louisiana, and established on a Solid foundation the friendship which unites the two nations and being desirous in complyance with the Second and fifth Articles of the Convention of the 8th Vendémiaire ninth year of the French Republic (30th September 1800) to Secure the payment of the Sums due by France to the citizens of the United States have respectively nominated as Plenipotentiaries that is to Say The President of the United States of America by and with the advise and consent of their Senate Robert R. Livingston Minister Plenipotentiary and James Monroe Minister Plenipotentiary and Envoy Extraordinary of the Said States near the Government of the French Republic: and the First Consul in the name of the French People the Citizen Francis Barbé Marbois Minister of the public treasury; who after having exchanged their full powers have agreed to the following articles.


And that the different questions which may arise under the preceding article may be fairly investigated, the Ministers Plenipotentiary of the United States Shall name three persons, who Shall act from the present and provisionally, and who shall have full power to examine, without removing

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You could technically call Analogue: A Hate Story a visual novel, but that would be a little like saying a panther was 'just a cat.' Analogue doesn't so much evolve the largely linear, information drip-feed structure of visual novels as mutate it wildly, chop it up into chunks then offer it up to you in a tin you can pluck the parts out of as you like. It's a detective story first and foremost, with you as the detective. A sort of space-Poirot if you like, but one whose only forms of communication are picking a left or a right answer to someone else's questions, rather than Belgian bon-mots and moustache-stroking.


The tale primarily revolves around two families of Korean extract, each of which was at one point seen as noble bloodlines among the population of indeterminate but apparently vast size on board the colony ship. How does their history of arranged marriages, quests for heirs and inter-familial arguments tie into the fate of the Mugunghwa?


It's not truly a science-fiction piece, however. The death of the Mugunghwa's population is essentially a framing device for an acutely close-up look at a society that believed men are born to rule and women are born to obey. That is not a fictional society: Analogue's gradually-revealed backstory is based upon Korea's five centuries-long Joseon Dynasty, and particularly its shocking oppression of women. On the ship, before everyone died, its female populace were little more than slaves and breeders, with their only meaningful communication conducted via private letters.


Fortunately, the escalations of and experiments with the visual novel form (and indeed Digital's design) make up for this, transforming Analogue into a many-layered onion of a narrative. It is inevitably headed in one overall (yet splintered) direction, whose full story only becomes clear as a result of your own deduction and reasoning, and of multiple playthroughs. Oh, and you even get some well-observed (in its deliberate slowness and frustration) pseudo-Linux terminal action to try and stave off a mid-game disaster.





Analogue is the missing link between visual novels and adventure games, with a touch of RPG-style NPC relationship-juggling thrown in, and while I suspect it's more a glorious aberration than a watershed moment for a genre many gamers have quite understandably struggled to understand the appeal of, it's certainly a great leap forwards for Christine Love. Yes, I do personally question the wisdom of using that visual style, on both a commercial level and in terms of atmosphere, but, putting that aside, Analogue is a sit-up-and-take-notice achievement in storytelling, in interface, in research, in mechanics and in moral ambiguity.


What the title says, so tired of story lines, long cut scenes, dialogue. It's cringe, just let me kill something or whatever. Didn't use to bother me but nowadays I can't filter anything by popular or high rating because everything is "the art is beautiful", "the soundtrack is amazing", "the story is so gripping".


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Maybe you get a story that has 10 examples, well we can split it here. Now we have two stories in the backlog ready to go. If for some reason some managers still need story points, grand we c

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 is a 1996 Indian Hindi-language romantic drama musical film. The film was directed by Sanjay Leela Bhansali in his directorial debut.[2][3][4] The film stars Nana Patekar, Salman Khan, Manisha Koirala and Seema Biswas.[5] The film was a debut of Sanjay Leela Bhansali as a filmmaker.[6] A box office bomb when released, the film has over the years gained cult following and cited as one of the best films of Hindi cinema.[7][8][9][10]


Mariamma (Helen), her grandmother, introduces Annie to the melodious sights and sounds around her. The tunes soon turn famished and the musical notes fade away from her life with Mariamma's death. But, the heart of a Bhansali film lies in its music. Khamoshi is filled with beautiful compositions like 'Aaj Main Upar' and my favourite, the melodious 'Baahon Ke Darmiyan'. The songs, much like the film, finds its extravagance not in any visual grandeur but in its spirited and soulful tunes.


Considering save for Black, all the movies of Bhansali have been musicals, this epithet before the name may sound strange. But it may have to do with making his film stand apart from the other Khamoshi that came before - the 1970 Asit Sen film which also had some great songs ("Woh Shaam Kuch Ajeeb Thi", for example).


The key word here is idea. The Hindi film, the French film and the German film have the idea of the deaf-mute parents and the musical daughter in common but the plot mechanics are completely different. So how does an idea drift across continents is the question?



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