Buckaroo Banzai - End Credits

Written for an indie game.  The player enters a cave. As he/she explores deeper into the cave they come across an underground river with moving boulders.  Harp and xylophone create the sound of dripping water in the background and drums a sense of falling rocks in the distance.

Cave

what's first 10.17.25

💔☣(╬▔皿▔)╯⁂©All Rights Reserved 11-2025
©Lyicist, Mixer, Mastering, Creator, & Pro License: Lady ElectroTrek
***This track is Protected by Page Defender/'
https://distrokid.com/hyperfollow/electrotrek/generations-in-the-ashes

TITLE: GENERATIONS IN THE ASHES
__________________________________________________________________
LYRICS:
(Verse 1)
How many echoes does it take to fade
The voices of anger that history made
A cycle of pain spinning in the wind
Where does it stop where does it begin

(Chorus)
Generations in the ashes of blame
We keep lighting fires and feeding the flame
What has it built but walls of fear
Why must we live with dread each year

(Verse 2)
The shadows of yesterday cling to the light
They whisper their stories in the dead of night
What have we learned from the tears we’ve cried
If the scars of the past never subside

(Bridge)
A child is born with no hate to hold
The heart starts clean it’s not yet cold
But we teach the divide we draw the lines
And the cycle turns again with time

(Chorus)
Generations in the ashes of blame
We keep lighting fires and feeding the flame
What has it built but walls of fear
Why must we live with dread each year

(Outro)
How many steps till the circle breaks
How many hearts till forgiveness wakes
It’s not too late to turn the page
To end the tears to end the rage

Walls Of Fear & Dread Of Cold Hearts

Generations In The Ashes

"Girl from the North Country" (occasionally known as "Girl of the North Country" is a song written by Bob Dylan. It was recorded at Columbia Recording Studios in New York City in April 1963, and released the following month as the second track on Dylan's second studio album, The Freewheelin' Bob Dylan.

A large amount of writing and journalistic research has been devoted to trying to ascertain the true identity of who the "Girl" from the North Country might be, and has often been associated with one of Dylan's early girlfriends. It continues to be debated as to whom this song is a tribute. Some claim former girlfriend Echo Helstrom, and some Bonnie Beecher, both of whom Dylan knew before leaving for New York. However, it is suspected that this song could have been inspired by his New York girlfriend, Suze Rotolo" .

Mastered Track: Distrokid Mixea
Image: Josh Hild

Girl From the North Country-Bob Dylan (Cover)

This song was created and written by: 
J J Samuel
The production, music and vocals were done by: 
J J Samuel 

#Glam/Art pop #Rock #Cello #Introspective #Vulnerability #Dreamy #Theatrical #AnxietyAwareness #MentalHealth 

 “Misunderstood” – my new track,

🌑💔 Feel the raw vulnerability as this story unfolds…
A journey of someone battling severe anxiety 😰🖤 – their daily fight to break free from its suffocating grip.
Fear spirals until they can’t leave the house, trapped in a bottomless black hole 🕳️.
They ache to step out, to show the world what they’ve GOT 🔥✨ – but judgment and overthinking every stare hold them back.
🎧

The coverart 🖼️ is meant to look like “David Bowie”  This song is dedicated to him, I tried to recreate his vocals using AI, he is national treasure and legend. I wasn’t his biggest fan but that doesn’t mean he wasn’t a great artist.  He was baritone singer able to register in the vocal range of B1 to Eb6, he was able to hit high falsetto’s using Tenor agility. He had a Very rare and unique singing style. 🎤 🎶 


Lyrics, 

[Verse 1]
I’m a humble man
with simple intentions,
I’m not perfect
And I find it Hard to fit in! 

[verse2]

Ooh, I’ll shake the sleep dust from my eyes
As a starlit dreamer, I’ll pierce the skies
Shouting my words — I’ll break free!
Let the real me shine for all to..see!

[Pre-Chorus]

Ooh, this modern circus —  
Blinding me!  
My mind’s lost —  
Can’t catch the astral tide!

[Chorus]

Ooh, I’m so misunderstood!
I feel like a stranger in starlight [Pause]
I wish they would hear the shout in my soul,
as inside I’m trying to break free!
Behind this mask — is the real me!

[Verse 3]
They’re staring again, with eyes like eager vultures
They think I’m strange, an embered pulse in a lonesome post
No, no, no, it’s not as it seems!

[verse4]

Ooh, I retreat to my home,  
Away from their harm and circus schemes.  
I won’t walk through oil-covered fields,  
Alone in my sorrow, where fear feeds,  
Swallowed by a black hole’s cosmic scream!

[Pre-Chorus]

Ooh, this modern circus —  
Blinding me!  
My mind’s lost —  
Can’t catch the astral tide!

[Chorus]

Ooh, I’m so misunderstood!
I feel like a stranger in starlight, [Pause]
I wish they would hear the shout in my soul,
as inside I’m trying to break free!
Behind this mask — is the real me!

[Bridge]

Anxiety — let me go!  
I’ll break your hold!  
Dancing to the comet’s call —  
Astral flame, set free!

[ Final Chorus]

Ooh, I’m so misunderstood!
I feel like a stranger in starlight, [Pause]
I wish they would hear the shout in my soul,
as inside I’m trying to break free!
Behind this mask — is the real me!

[End]

MISUNDERSTOOD

🧛🏼‍♂️⁂©All Rights Reserved 11-2025
©Mixer, Mastering, Creator & Pro License: Lady ElectroTrek
***

Unwarranted Blood Curse

Unclear Night

I am delighted to be doing another collab with Glen, and much Joy that he shared my love of this soulful Van Morrison song, and created such magical instrumentation!
Many thanks Mr R.M for this beauty!!
Glen Granthem - All instrumentation, arrangement and mixing/mastering
Lizzie Taypen - Vocals
Lizzie Pentland - Cover photo

INTO THE MYSTIC  With Glen Granthem  (Van Morrison)

This piece features sustained electronic and processed orchestral drones, primarily from piano and strings, with no sharp transitions or rhythms - just a continuous, soft flow of sound. A quiet melodic theme weaves in and out of the background like a half-remembered dream, encouraging emotional connection and peace.

This track is ideal for deep meditation, mindful rest, or creating a serene space at the beginning or end of your day. Let it guide you gently back to the stillness that lives within.

From the album "Embers of the Inner Fire" available for FREE on Bandcamp: https://joewebster.bandcamp.com/album/embers-of-the-inner-fire

Buy on Bandcamp

Remembering Peace Within

Lyrics:
Twenty floors up, just you and me,
You look amazing, wild and free.
I smell your scent, it drives me wild,
A sensual tease for an elevator ride.

You assess my ass, eyes burning bright,
Leather and tattoos, You’re pure delight.
You lean in close, your breath on my skin
You touch my waist, let the fury begin.

(Chorus)
In this elevator, under the crude lights,
Your kinky smiles, my desire ignites.
Dirty words, your devilish fingers,
Moments like these, forever lingers.

I’m overwhelmed, panties at my knees
The mirrors reflect our tangled bodies
I wave and moan as the world fade.
In this metal box, our love displayed.

We kiss deeply, I  fondle your nipples
Between my thighs, your hand stipples.
Impressionist orgasm, a master piece.
Our reflections multiply my bliss.

(Bridge)
We’re caught in our rush,
oh, that heated blush.
Bring this orgasmic lush, 
Get ready for the gush.

(Chorus)
In this elevator, under the crude lights,
Your kinky smiles, my desire ignites.
Dirty words, your devilish fingers,
Moments like these, forever lingers.

The doors open, unleash our heat,
I pull up my panties, red as a beet.
My friends’ flat is on the right,
The doors close, you take flight.


Elevator Love

METEORA - ΜΕΤΕΩΡΑ

Email: enquiries@asinine.co.uk
Asinine is the independent label representing our current projects:  BPD and Gepetto Trio.
↓↓↓↓↓↓

Please contact us if you're interested in publishing this music. If you're an aspiring artist requiring help with distribution or marketing, let's talk.

If you're a scammer posing as an 'agent' for 'Sony' etc.  and you want your account deleted, please feel free to DM me 😘

One hot summer’s day in the early 1980s, a troubled young schoolkid was being supervised alone in the music room for some forgotten misdemeanor. He spent the period playing a drum kit for the first time in his life, and when he was ready to go, the student teacher who had been supervising signed off his report card with the fateful words: “excellent drummer!”

Throughout the ’90s and ’00s, I played drums in “happy-clappy” churches up and down the country, as well as in college, where I toured with a band named Kurios. I’ve always had music in me. I never properly learned to play a “real” instrument — but why would an undiagnosed autistic kid with ADD want to pluck strings or blow through reeds when he can just hit things?!

These days, as I’m getting older (55) and increasingly disabled (I can no longer manage a full drum kit), I’ve finally found ways to get the music out of my head and into yours through the wonders of technology. I record everything in my home studio using a humble Arturia Minilab 3, a PC running Reaper, and a whole range of tools and plugins.

Now, on the use of AI, let me be absolutely clear:

I do not support the swamping of streaming platforms with “AI slop.” However, as an IT professional with fairly extensive knowledge and experience of AI, I also do not support the indiscriminate dismissal and castigation of any and all use of AI in music production — or any of the arts, for that matter. And as a drummer, I suppose I got over it years ago, back when we were being replaced in studios by computers from the late ’80s onward..!

For me, AI is just another tool in the artist’s toolbox — one that helps me massively shorten and simplify my workflows, and one that’s helped to elevate my craft to something much closer to professionally produced work. I don’t sing (very well), but with AI tools such as Ace Studio, Audime, or Suno Studio, I can turn my own voice — or even simple musical notation — into just about any vocal I can imagine.

I don’t play guitar (at all — I’ve got tiny sausage fingers), but with AI I can turn any melody hammered out on my MIDI controller into a lead guitar, bass riff, or just about any other instrument. I’m a musician, but I’m also an engineer, and I hope those skills — along with my hard work and passion — come through in my music and set it apart from the AI slop which is becoming so prevalent . 🙏🙏🙏 (And yes, I did have ChatGPT proof read this Bio, which is why it's full of em-dash symbols 😅)

As for the lyrics in my songs — the stories they tell — those are all me. They come from my life experiences, and from the obsessive scribbling of the angsty autistic teenager who still lives in my head and believes his poetry is so deeply profound. 😅

Buckaroo Banzai - End Credits

Asinine

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