Hallo zusammen.... Ich darf euch jetzt den zweiten Teil der Zusammenarbeit mit O Zero vorstellen. Wir haben, so glaube ich einen Weg gefunden, wo wir uns musikalisch gut ergänzen. Ein Video ist in Planung, kann aber noch dauern. Hört euch das Stück in Ruhe an und fallt dann mit euren Meinungen über uns her. Wir freuen uns darauf... Wir wünschen gute Unterhaltung und bis zum nächsten Mal.... Gruß Robert und Jürgen

Hello everyone... I am now pleased to present the second part of our collaboration with O Zero. I believe we have found a way to complement each other musically. A video is in the works, but it may take a while. Take your time to listen to the track and then let us know what you think. We look forward to hearing from you... We hope you enjoy it and see you next time... Best regards, Robert and Jürgen

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Tillmann & O Zero - 02 - The other Side of Silence

Recorded in Modesto, Ca. Featuring King Chico vocals from The Philippines. Selmer Alto Saxophone solo. Vibraphone solo, Gibson L5 Jazz Guitar Rhythm. Steinway & Sons Acoustic Piano solo. EKO Acoustic Stand-up Bass. Yamaha Acoustic Full drum set kit. Steinway & Sons Acoustic Piano Rhythm.

Make My Move

Dreamland

This Way

what's first 10.17.25

Lullaby for Breakfast

Sleep

# Herbst

“Sheen”
Positive LOFI track, from my LoFi Lab.
Youtube: https://youtu.be/HNZnu_w-vrk?si=-w7ku5M1fl-6VVM5
Cover: Arpad Kajel
Another great pictures like cover photo: www.instagram.com/bergarpi

Sheen

Tamarack Array

Re-routed extended version of https://soundcloud.com/user-146692255/crosstown-dash-in-2-minutes?si=34f388cb0a784932993876db0e53823b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Photo: Sheffield from a hot air balloon (NM)

Crosstown Detour

we'll see part 2 11.7.25temp

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

what's first 10.17.25

Chris Bright

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