Name: Fading Shadows Of Dusk - Siavash Amini - from Absence shipping Feb 8 by Flaming Pines in my
Duration: 6 min 4 s
Description: From Absence a compilation of Iranian experimental music curated by Arash Akbari. Pre-order now: https://flamingpines.bandcamp.com/album/absence

Score I was commissioned to write for an interactive film for Miru.  

Interactive film: http://miru.menicon.com/tosee/

Uninteractive film: http://www.youtube.com/watch?v=piPQtz_ChJs

Directed by Rob Chui | http://robchiu.com/
Produced by Stink Digital

Keith Kenniff - To See

A Threat Emerges

Alternate version of https://soundcloud.com/keithkenniff/keith-kenniff-to-see

All rights reserved. 

http://www.unseen-music.com

Photo by my brother Colin Kenniff

Keith Kenniff - To Be

This demo was primarily composed with the virtual instrument: "Epic Taiko Ensemble" by www.8dio.com - demo composed by Troels Folmann from www.8dawn.com

http://8dio.com/?btp_product=epic-taiko-drum-ensemble

Follow us on Facebook: https://www.facebook.com/8dio.productions, https://www.facebook.com/8Dawn
Follow us on Twitter: https://twitter.com/8dio
Follow us on YouTube: http://www.youtube.com/user/8dioproductions

8Dio Epic Taiko Ensemble: "Castles of the Sun" (dressed) by Troels Folmann

Improvisation 12 am. 

http://www.unseen-music.com

Keith Kenniff - Breaking

La fin de la visite

Skyscapes 2

Taken from Kostas Maskalides’ ninth studio album Soundscapes, For Every Lost Hope blends ambient textures with subtle experimental layers, creating an atmosphere that feels both immersive and deeply emotional.

Carefully sculpted sound design and expressive detail invite listeners into a world where calmness meets intensity, harmony flows into chaos, and every note carries meaning.

Soundscape

For Every Lost Hope

This assignment fitted with the track I was working on at the time, a single-take improv on a recent Naviar Haiku Challenge track. I simply added some reverb to mask a couple of misjudged moments and a “space” version courtesy of Abstract Chamber. I enhanced the fade-in and fade-out which were a bit faint.

The title is from Ray Bradbury’s “The Fog Horn”

“I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life."

----------------------------------------------
There is just one step this week. You’re now recording music under the name Dense Fog Advisory. Record a new track, appropriate to your name.

More on the 716th weekly Disquiet Junto project, Dense Fog Advisory — The Assignment: That’s your band’s name; now record something — at https://disquiet.com/0716/


More on the Disquiet Junto at: https://disquiet.com/junto /

All of the fog that ever was [disquiet0716]

From Absence a compilation of Iranian experimental music curated by Arash Akbari. Pre-order now: https://flamingpines.bandcamp.com/album/absence

Fading Shadows Of Dusk - Siavash Amini - from Absence shipping Feb 8

Commissioned by the Northwest Film Forum in Seattle as part of their Puget Soundtrack series, Madeleine composed and performed a soundtrack to Hitchcock's classic film, The Birds.  

Visiting A Friend

The Evpatoria Report - C.C.S Logbook

French pianist / composer Emilie Levienaise-Farrouch returns with the stunning 'Époques', her sophomore album for FatCat's pioneering 130701 imprint. Witnessing an increased assurance and dynamism in both Emilie's playing and composing, 'Époques' marks a big step forward for the London-based artist. A bold and adventurous album that alternates between passages of emotive, sinuous solo piano; stirring compositions for viola and cello and some beautifully sprawling electronics, it has been masterfully pieced together to further reveal a unique and intelligent sense of artistry, and a composer who really does deserve your full attention. 

'Époques' is a deep, forceful, at times difficult, listen - a true shifting through the various registers of emotion, from dark to light. Whilst fans of artists like Max Richter, Dustin O'Halloran and Jóhann's Jóhannsson ought to surely find much to love in this album, and parallels may be found to a progressive new breed of female peers like Claire M Singer, Lucy Railton and labelmate Resina, it is a record that genuinely sees its maker finding her own space, fully formed and conclusively set aside from peers and influences. No mere background listen, 'Époques' is a proper journey of an album – a  record to immerse yourself into; that stands up to and rewards repeat listening, revealing itself more and more over time.

Époques

Fracture Points

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Emilie Levienaise-Farrouch - Fracture Points

Listen / Purchase: https://lnk.to/marshdrones

The marsh land areas of western Jutland in Denmark can be flat and non-distinct to the visitor who only takes a quick glance at it. But when you are born and raised in those parts, and when you travel away to live, work, raise families, play music, anything to escape the rainy flatlands, you think about that landscape differently. On Marsh Drones, the weirdness of this landscape is reimagined in a kind of giddy, absentminded way, as though they try to recall not only the broad topographical scheme of the land (cultivated, industrialized, farmed, soggy with seawater, a breach of the ditches that pours cold north sea water inland, the farms and waterways overflowing), but only the detailed, grainy realness of sediments and layers of soil, of the hazy and salty light (Saltlys) that wraps the landscape in a kind of palpable inertia.

Many of the ideas on the 'Marsh Drones' emerged from field recordings from the area around the Tønder marshlands recorded by various members of the band. They provided a backdrop to the loops and long guitar session of guitar, bass, synthesizers, and samples that were slowly mangled and rearranged into counterpointing and fugue-like melodies, insistent on repetition while odd atmospheres of distant drones and noise works to modify and shift the composition into new shapes. The music is minimal, restrained, but rich in detail like the landscape it attempts to resonate with. There are remnants of folk music, melodies that are almost recognizable, but dub music and something distinctly digital intersects itself into the woodwork and authenticity.

Cover art by Martin Sønderlev Christensen

Marsh Drones

Klev

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Skyphone - Klev (from Marsh Drones)

If I Had A Gun <cover>

“01Duo” is working on live audio performances, audiovisuals, installations, game sound design and performance arts. “01Duo” was formed in Tehran, Iran, 2018 by two sound artists Farbod Maeen and Deniz Tafaghodi. 

Farbod Maeen Born in 1985.02.11, Tehran, Iran. Graduated in Power and electricity engineering and interior design architecture. Started his career in music as a Jazz and Blues guitar player with Bahman Nasri in 2001, Composing Music and sound designing for dance performances, theaters, films , games since 2009.

Deniz Tafaghodi Born in 26.08.1997, Tehran, Iran. Studied B.A in Music, Azad Art and Architectures University of Tehran. She started playing the piano since 2003 and composing music and Sound designing for theater, contemporary dance , games, performance arts since 2012.
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"33 1/3"
This quadraphonic piece for two computers and a turntable is made by mixing the pure and processed sounds of locked grooves (the inner groove on a vinyl record in the form of a closed loop, which traps the tonearm and needle, preventing it from entering the label area).
These loops are not exactly the same each time they are played, because of some condition changes(grooves damage, dust,cartridges,needles,etc.)
So this piece will change in each performance, even though it has a specific music sheet in ABAَ form.
The poly-rhythmic part turns into an ambient space, then back to the variations of the first part.

01Duo - 33 1/3

Soon: Hiraeth by tarxun and Siavash Hakim out Nov 5
Latest:
Oblique by Corder & Yantis out Sept 17
Sounds of Mmabolela - Nikki Sheth - out Sept 3
The Yearning - Liz Helman
A Long Wait - Paula García Stone

Fading Shadows Of Dusk - Siavash Amini - from Absence shipping Feb 8

Flaming Pines

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