Where have Motoro Faam gone? I miss them so. . .<3 :(

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FLAU - 31/07/2023

Karmelloz - Paradise Island (1832) [HS020]

Kumi Takahara - The Old Dreams (aus Remix)

Temper (For Clarinets & Shaker)

Order 7"/DL here: www.erasedtapes.com/store/index/ERATP073
or via iTunes: http://snip.ftpromo.net/lifestoryloveandglory

Erased Tapes artists and friends Ólafur Arnalds and Nils Frahm have separately carved out a musical career that defies genres both with their unique live shows and a loyal fan base that’s always eager to hear what their prolific output will bring. 

Their latest collaborative 2-track release ‘Life Story Love and Glory’ is a live improv affair on two pianos, recorded in 2012 at Nils’s Durton Studio in Berlin. Fans may wonder why they have waited until 2015 to release these tracks, but having revealed a new website www.arnaldsfrahm.com you may think this may not be the end to their musical story this year. 

“We would meet in Reykjavik or Berlin with the intention to share some days off work, hiking, swimming or eating pizza. That is great for a couple days, but after a while we would always end up back in the studio, fiddling with synths or pianos.” – Nils Frahm 
“You can hear in the beginning of ‘Life Story’ how I have already started playing the piano whilst Nils is still moving microphones around and preparing everything. It was all kept in!“ – Ólafur Arnalds 

‘Life Story Love and Glory’ will be released as a 7” on Erased Tapes – exclusively through record stores only on August 21, 2015 ahead of its digital release later on – as an ode to this classic and beloved format. 

More info: www.arnaldsfrahm.com · www.erasedtapes.com

Life Story Love And Glory

Life Story

Buy 7"/DL

Ólafur Arnalds & Nils Frahm – Life Story

Veteran Erased Tapes recording artist Peter Broderick set to release new studio album 'Partners' on 19th August 2016.

Order it on LP/CD/DL here: www.erasedtapes.com/store/index/ERATP088

In an email to Robert on February 3rd 2016: 

Dear Robert.

There’s a lot I’d love to tell you about this music.

The inspiration really came when I decided to learn to play John Cage’s In A Landscape on the piano . . . I listened to a recording I had over and over again, five seconds or so at a time, picking out every single note. Then cross referencing what I’d learned with other versions of the piece as well as the original score. The feeling of playing this piece really brought me close to the piano again, and brought new life to my own piano songs.

Beyond Cage’s music, his life and practice have interested me more and more, after having read about his love for foraging wild foods and using chance operations to compose music, in a sense taking his ‘self’ out of the music. I love his so-called ‘mesostics’ and began to write several poems using that method, around this phrase:

I    
N

A

L
A
N
D
S
C
A
P
E

When it came time to record in the studio, I rolled two dice to decide how many poems to read. I rolled 5. Then I assigned a number to each poem and rolled the dice to see which five poems would be read and in which order. That’s the first track Partners, which is also the last word of the last poem I selected through this chance-based process. Track two is my version of In A Landscape. I love playing that piece so much. Carried  is a piece I wrote in Berlin which I’ve played live from time to time. There was a soft vocal loop playing out through an amplifier in the room while I played the piano.

Under The Bridge is my first ever chance-based composition, written by assigning different numbers to different notes and then rolling dice to decide in which order to play those notes. Conspiraling is another piece I’ve been playing for a while. Actually a version of this was recorded in the session that became ‘How They Are’, but it didn’t quite feel right. I like to pretend my voice is like a synthesizer in this song. Then there’s Up Niek Mountain which is a piece I finished composing while in residence at a farm in the Netherlands back in 2010, and is named after one of the family farmers there, Niek, who passed away shorty after I was there. We miss you Niek. The last song is a cover of Brigid’s Sometimes. Brigid to whom I dedicate this recording.

And then there’s Tucker, Mr. Martine, who agreed to record this album without me ever hearing the mixes. We talked about all the sounds and he set up several devices with which to manipulate the sound live, as it was being recorded and mixed down to tape. Francesco also agreed to master the record without me hearing it. I like to imagine maybe one day, five or ten years from now, I’ll walk into a café or roadside diner and hear it for the first time, playing as background music while people eat.

OK surely that’s enough for now! Sorry for blabbing, Robert. Your support has really meant a lot to me. I’ve loved having you in mind while working on this project, knowing it could very well have a home on your sweeeeeet label. Hope all is well.

With love,
Peter

Partners

Sometimes

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Peter Broderick - Sometimes

Fábio Caramuru - tico-tico

qu-bit Chord... october garden

taken from the Selected Experimental Works
https://flau.bandcamp.com/album/fragments

アルバム『Fragments』のCDをご購入くださいました皆様に先着特典でMOTORO FAAMが舞台／映像作品などに提供してきた未発表楽曲をまとめた「Selected Experimental Worksのダウンロードコードをプレゼント。
CD buyers at initial order get a special code for an extended digital download for "Selected Experimental Works"  (17 tracks).

MOTORO FAAM - O Mar

Lotte Kestner - Pink Moon

Somi

Fenne

experimenting with the chords on the Akemie's Castle FM module. this is a 4 operator chord patch with about 6 modulations going on as well as 4 loops on the make noise morphagene being switched around as a background layer.

a little rossum morpheus filter thrown in for resonance...

a lot of nice, bell-like tones from Akemie's.. it is, after all, an actual Yamaha FM synthesizer chip in a module...

july 12, 2017 (fm experiments)

Classic ’60s surf-rock channeled into hazy ambient zones... 

LA's Jake Muir constructs a poignant sound world crafted from samples of a well loved American pop group smudged with aqueous field recordings made everywhere from Iceland to the beaches of California. 

In nine succinct scenes, the results loosely limn a wide sense of space and place with its fading harmonic auroras and glinting, half-heard surf rock melodies rendered in an abstract impressionist manner that suggests a fine tracing of in-between-spaces, perhaps describing metropolitan sprawl giving way to vast mountain ranges and oceanic scales. But for all its implied sense of space, ultimately there’s a paradoxically close intimacy to proceedings which feels like you’re the passenger in Muir’s ride, and he patently knows the scenic route...

A1. High Tide
A2. Lapis Lazuli
A3. Shoal
A4. Yaupon
A5. Peacock's Tail

B1. Green Eyes
B2. Buoy
B3. Drifter
B4. Lanterns Below

Limited edition of 300 copies pressed up on clear vinyl. 
Mastered by Lawrence English at Negative Space, cut at D&M Berlin.

https://boomkat.com/products/lady-s-mantle

https://sferic.bandcamp.com/album/ladys-mantle-5

Jake Muir - Lady's Mantle (sferic003) [Preview]

Never Rarely Sometimes Always (Original Motion Picture Soundtrack)

Bus To New York

“Sloup” is a poem written by Neal D. Retke. This piece worked on the phonetical and musical possibilities of the language. The initial reading material was generated by a reading program.

S - Lou - P!

FLAU is a record label based in Tokyo, Japan.

general inquires: flau@flau.jp
press: press@flau.jp

Motohiro Nakashima/Kumi Takahara/Seigen Tokuzawa & Masaki Hayashi/Kazumichi Komatsu/FEM/Spring In A Small Town/The Future Eve feat. Robert Wyatt/Same Waves/Cicada/Madegg/Henning Schmiedt/CRYSTAL/Rayons/Nemui PJ (kidkanevil & noah)/Noah/Submerse/Radicalfashion/Stefan Jós/Cuushe/Rima Kato/Machinone/Ulises Conti/Danny Norbury/Sparrows/IKEBANA/Ensemble 0/Masayoshi Fujita/El Fog/Liz Christine/Twigs & Yarn/MayMay/Cokiyu/Jean-Philippe Collard-Neven/Kanazu Tomoyuki/The Boats/Kumisolo/Novisad/aus/Dale Berning/Part Timer/Colophon(Jefre-Cantu Ledesma)/Geskia/Orla Wren/Sylvain Chauveau

events:
julia holter / ólafur arnalds / julianna barwick / sharon van etten / grouper / james blackshaw / kira kira / deaf center / rachel grimes / masha qrella / pascal pinon / ryan francesconi & mirabai peart / otto a totland / erik k skodvin / rauelsson / dustin wong / safety scissors / tape (häpna) / serafina steer / florencia ruiz / grand salvo / aspidistrafly / caroline / federico durand / f.s.blumm / springintgut / the mistys / sophie hutchings / spartak / celer / en / rachael dadd / tomi lebrero / takuji aoyagi | 青柳拓次 (kama aina) / tenniscoats | テニスコーツ / tujiko noriko / 内橋和久 | kazuhisa uchihashi / トウヤマタケオ | takeo toyama / bun / fumitake tamura / saphhire slows / shuta hasunuma / gutevolk / squares on both sides / patten / ian hawgood / smile down upon us / pan am scan / the young group / mitä kuuluu / 大谷友介（オオヤユウスケ）/ 伊藤ゴロー |ito goro / mama!milk / 石橋英子 | eiko ishibashi / 阿部海太郎 | umitaro abe / organ-o-rounge / tatsuhiko asano / kyo ichinose / miki / predawn / mmm / 曽我大穂 (cinema dub monks) / 坂田学 / popoyans / 青葉市子 / 麓健一 / 扇谷一穂 / 王舟 / 青木隼人 | aoki hayato / sawako / trico! / miko / ikebana / rayons / minakumari / カラトユカリ | karato yukari / yok / rima kato / oh' yoko / 惑星のかぞえかた / voq / 小鳥美術館 | nagisa shima /

MOTORO FAAM - O Mar

FLAU

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