All releases can be found on my website www.billieraymartin.com
Some on   bandcamp store. https://billieraymartin.bandcamp.com/
Contact and booking www.billieraymartin.com
"The singer is Billie Ray Martin and she’s one of the living legends in modern music history and one of the best voices on planet earth."    		
DJ Hell

"Billie Ray Martin is an absolute revelation."
Ken Hollings, The Wire

"She’s one of the most intelligent, unique and principled artists to have graced the charts.”
Stewart Who, QX 

Billie Ray Martin describes herself as “a kid from Hamburg’s red-light district, who wanted to be a soul singer, but ended up playing repetitive machine music, while still trying to be a soul singer".

Belgian DJ, Producer and Jacksquad label owner Tom De Neef has relentlessly reinvented himself through a myriad of production monikers, but the name Tom De Neef is well established in house circles as a go-to remixer and DJ. He has a solid reputation for great quality house music and has collaborated with and remixed for Laidback Luke, Roger Sanchez, Alan Braxe, Stonebridge, Brand New Heavies, Kylie, Kings Of Tomorrow and many more.   Last year Tom’s been very busy in the studio, amongst other things remixing Shapeshifters, X-Press 2, Grum,Tiger Stripes, Nalin & Kane, Roger Sanchez, Slacksons & Tom Jones and of course the monstrous ‘Hey Hey’ by Dennis Ferrer for Defected, all alongside working on his own productions. 
2011 looks to be even bigger, remixes are in the pipeline for Tiger Stripes, Vivian Lee and Ray Roc and new productions collabs are also on with house icon Robert Owens and also Kathy Brown. 
His new track ‘Yupiter’ was single of the month in Tillate Mag UK and the track was also remixed by Lifelike and X-Press 2!
Expect new traxx for the summer, including 2 new ep's and some great collabs!

Bookings Tom De Neef 
Supraton
info@supraton.eu


Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

Flb Productions is following