this track is everything radio hits should be

The creation of ‘Chrysalis’ was a retreat from a seemingly
endless string of unfortunate events, a cocoon from which
Zanias could weave hope from hopelessness. In each of
its eight songs she has engineered unique worlds to
express alternate facets of the modern human experience,
from burnout and the toxicity of capitalism to processing
death and the inherent isolation of personal trauma.

Written and recorded between Berlin and the rainforest of
Queensland, Australia, the sound design of ‘Chrysalis’
reflects the rich biodiversity of the latter environment,
where she drew much of her inspiration. Her voice shifts
and morphs into ghostly, alien forms between catchy
hooks that plant this album firmly in the ‘pop’ genre,
without losing the underground rawness and lyrical depth
for which she is known.

With her third full-length album, Zanias is expressing her
truest form thus far, fusing her seemingly discordant
influences into a genre-defying electronic artpop, as dark
and evocative as it is ethereal and uplifting.

Credits: 

Written and produced by Alison Lewis
Bass guitar on ‘Lovelife’ by Laura Bailey
Mixed by Ewan Kay
Mastered by Alain Paul
Photography and artwork by Hidrico Rubens
Sigil by Nat Soba
Design and layout by Alison Lewis
Makeup by Eavan Derbyshire

Zanias - Chrysalis

From the album "Chrysalis", coming out on the 1st of May, 2023

Zanias - Burial

Neu-Romancer is the solo venture of Australian musician Laura Bailey, who’s razor sharp Italo production shines bright in her debut EP on Fleisch. Titled ‘Neue Romantika’, a nod to her Berlin relocation, these four tracks entangle the nostalgia of the New Romantics and the heartbreak of a not-so-far-off digital dystopia. ‘Neue Romantika’ brings oneself into the now, for a brief moment of synthesized beauty. The EP is closed out with an ethereal remix of the title track by ongoing collaborator and Fleisch custodian Zanias.

Superposition

The creation of ‘Chrysalis’ was a retreat from a seemingly
endless string of unfortunate events, a cocoon from which
Zanias could weave hope from hopelessness. In each of
its eight songs she has engineered unique worlds to
express alternate facets of the modern human experience,
from burnout and the toxicity of capitalism to processing
death and the inherent isolation of personal trauma.

Written and recorded between Berlin and the rainforest of
Queensland, Australia, the sound design of ‘Chrysalis’
reflects the rich biodiversity of the latter environment,
where she drew much of her inspiration. Her voice shifts
and morphs into ghostly, alien forms between catchy
hooks that plant this album firmly in the ‘pop’ genre,
without losing the underground rawness and lyrical depth
for which she is known.

With her third full-length album, Zanias is expressing her
truest form thus far, fusing her seemingly discordant
influences into a genre-defying electronic artpop, as dark
and evocative as it is ethereal and uplifting.
credits

Lovelife

FLEISCH

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