Preview of: Italoconnection – Neon Disco (Flemming Dalum remix)

Italoconnection is back on Bordello A Parigi with a remix EP of the song ‘Humanize’, which appeared on their critically acclaimed Metropoli album in 2017. Accompanied with the beautiful voice of Francesca Gastaldi an all-star team of producers got on remix duties. On top a bonus track with a new version of ‘Neon Disco’ by the King Of The Cut!

Release date: 12th of February 2018

https://bordelloaparigi.com/shop/upcoming/italoconnection-feat-francesca-gastaldi-humanize-remixes-ep/

Humanize remixes EP

Italoconnection - Neon Disco (Flemming Dalum Remix)

La Biche & Le Renard 
BAR SHOP MUSIC
14 rue de Gand, Lille

labichelerenard.lille@gmail.com

Weze delivers a deep groovy upbeat sound packed with melodic samples, disco motives, cunning use of arpeggiators, and a mighty bass to get even the most reluctant skeptics to leave their hearts on the dancefloor. In other words, Weze plays a mesmerizing mix of Indie Dance, Dark Disco, SynthWave.

Sometimes he can show his most unexpected side by playing hypnotizing Downtempo and Organic House that perfectly fit into Weze's sets, enriching them and making the sound more complex.

Géneros musicales: High Energy, NuDisc, Italo Disco, Progressive, Progressive House,Techno, House, TechHouse, Minimal Techno, MinimalTechHouse, DeepHouse, Break beats, Newbeat, SynthPop, Rock y algunas rarezas.
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Analog guy in digital world. Half Italian blood... Fast cars, planes and boats. 80's forever

Online Interior Design, Styling & Decorating

Artist, DJ, Producer, musician and record collector ... since 1980.

Releases on: ZYX, Blanco Y Negro, Best Record, DWA (Dance World Attack), Private Records, Disco Modernism, Flashback Records, Fresh Colour, Giorgio Records, Lusso Records, Special Groove Records,  Analog Language, Vintage Pleasure Boutique, Extravaganza Publishing Srl, Forest Jams, Mordisco records, Italo Moderni, Around My Dream Records, Disco Evolution, Magic Sound Records, Tonight Records, I.D. Limited, Fonogrammi Particolari, Mannequin Records, Pardonnez-nous, SP Records, No More Pop, Opilec Music, Radio Cosmos, Disco Segreta, Mecanica, Bordello A Parigi, Vielspaß, Archivio Fonografico Moderno, Mond Musik, Nadanna, Cyber Dance, Viewlexx, Moustache, Roller Disco, Red Laser, Flight Recorder, Rebirth Records, Panama Racing, Flexx, Mothball, Wuff records, Cargo Records, Centre Neptune, Magic Waves, Medellin Mixage, Space Sound Records, Maschina Records, I Am Private/Universal Music, Lucky Harvest Music Company, Paper Bag Records, Emerald & Doreen, CrunchyFrogDK, Power Dance.

Flemming Dalum, also know as King of the cut, discovered his musical journey at an early age. An interest based out of curiosity for electronic synthesizer legends emerging while he grew up. With his first synth, the Korg Polysix, a lifelong passion was born. He started playing in bands in 1982, experimenting with electronics and the new world of sounds and possibilities. At the same time he started experimenting with records and discovered a natural talent for mixing and blending synths with records, creating his own unique world of sound. In mind that the CD wasn't invented, neither was the HD recorder, the heart in Flemmings set-up was a simple cassette recorder. An invention that should soon add yet another angle to his musical universe. With snappy skills and imagination, the cassette soon became his most important instrument taking him to the next level. The world of mixing. With sampler, echomachine, decks, synths and a beloved cassette recorder, the first true mixes came out of his studio already in 1983. Mixes with so much detail, soon giving him the legendary name "King of the cut". In the same year, 1983, Flemming stumbled across Koto "Chinese Revenge", a discovery that should soon lead Flemming into a brave new world matching his own, with synths and electronics being the heart of the music. The passion became strong and shortly after the Koto discovery, brought him to his first trip to Milan, Il Discotto, Discomagic, Non-Stop, Merak etc. to investigate the Italo phenomenon in detail. The following years Flemming visited the Italian distributors 11 times which later proves to be one of the major reasons to the fact that he has one of the worlds most complete collections of Italo and Disco. Through the years, the synths has been replaced with computers and equipment matching the urge for mixing. Something that has kept the true Italo spirit alive and made Flemming Dalum a legend in mixing today.