Attention Italo and vinyl fans 🇮🇹 😎

Swan - Don't Talk About It (Flemming Dalum remix) is out soon on limited coloured 12inch vinyl 🔥 🔥

Worldpremiere here on SoundCloud 🥇🏆
Official remix of this legendary Italo masterpiece💣💥
Made with love & respect for the artist & original release👏👏
Originally released on Plexy Glass (Memory Records) in 1986 👌
Essential purchase for all italo fans ✅
Big thanks to the entire team at ZYX Music, especially Jörg Kunz😊👍
Official release date on ZYX Music is 17.01.2025.

Get it directly at ZYX Music:
TBA

On this release you will also find a remix by my friend DJ TinTin 👏👏
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All vintage synths played by Flemming Dalum
Drum programming by Flemming Dalum
Produced and arranged by Flemming Dalum

Swan - Don't Talk About It (Flemming Dalum remix)

Buy directly at ZYX

Swan - Don't Talk About It (Flemming Dalum Remix)

"Cuanto peor mejor para todos y cuanto peor para todos mejor, mejor para mí el suyo beneficio político"

LVST (pronounced Lust) doesn’t just play music — he builds immersive dancefloor experiences. Hailing from Puerto Rico, Geovannie González Rivera has spent over a decade shaping a distinctive sound that fuses the raw power of techno, the pulse of house, and the soul of disco. His sets are driven by tension, groove, and emotional storytelling — a signature that makes every appearance unique and unforgettable.

Having performed at major events like Electric Daisy Carnival, Movement Getaway, We The Future Festival, and Claptone at Vivo Beach Club, LVST has shared stages with iconic acts including The Prodigy, Roni Size, Goldie, and The Bloody Beetroots. His name on a lineup signals a carefully constructed journey: one that balances intensity with musical depth.

Early in his career, he was known as Cut Radio, performing across the island’s indie-electronic circuit with a sound rooted in Nu Disco, French Touch, and electro. That chapter laid the foundation for what would become LVST: a more refined, high-impact identity built for late-night clubs, open-air festivals, and deeper emotional resonance.

Now working closely with Paradisco, LVST continues to expand his reach and explore new sonic terrain. His approach blends technical precision with instinct, always aiming to create spaces where the physical and emotional meet through rhythm. Whether closing down a warehouse or opening up a coastal rave, LVST brings one constant: an unforgettable moment shaped by sound, sweat, and soul.

Artist, DJ, Producer, musician and record collector ... since 1980.

Releases on: ZYX, Blanco Y Negro, Best Record, DWA (Dance World Attack), Private Records, Disco Modernism, Flashback Records, Fresh Colour, Giorgio Records, Lusso Records, Special Groove Records,  Analog Language, Vintage Pleasure Boutique, Extravaganza Publishing Srl, Forest Jams, Mordisco records, Italo Moderni, Around My Dream Records, Disco Evolution, Magic Sound Records, Tonight Records, I.D. Limited, Fonogrammi Particolari, Mannequin Records, Pardonnez-nous, SP Records, No More Pop, Opilec Music, Radio Cosmos, Disco Segreta, Mecanica, Bordello A Parigi, Vielspaß, Archivio Fonografico Moderno, Mond Musik, Nadanna, Cyber Dance, Viewlexx, Moustache, Roller Disco, Red Laser, Flight Recorder, Rebirth Records, Panama Racing, Flexx, Mothball, Wuff records, Cargo Records, Centre Neptune, Magic Waves, Medellin Mixage, Space Sound Records, Maschina Records, I Am Private/Universal Music, Lucky Harvest Music Company, Paper Bag Records, Emerald & Doreen, CrunchyFrogDK, Power Dance.

Flemming Dalum, also know as King of the cut, discovered his musical journey at an early age. An interest based out of curiosity for electronic synthesizer legends emerging while he grew up. With his first synth, the Korg Polysix, a lifelong passion was born. He started playing in bands in 1982, experimenting with electronics and the new world of sounds and possibilities. At the same time he started experimenting with records and discovered a natural talent for mixing and blending synths with records, creating his own unique world of sound. In mind that the CD wasn't invented, neither was the HD recorder, the heart in Flemmings set-up was a simple cassette recorder. An invention that should soon add yet another angle to his musical universe. With snappy skills and imagination, the cassette soon became his most important instrument taking him to the next level. The world of mixing. With sampler, echomachine, decks, synths and a beloved cassette recorder, the first true mixes came out of his studio already in 1983. Mixes with so much detail, soon giving him the legendary name "King of the cut". In the same year, 1983, Flemming stumbled across Koto "Chinese Revenge", a discovery that should soon lead Flemming into a brave new world matching his own, with synths and electronics being the heart of the music. The passion became strong and shortly after the Koto discovery, brought him to his first trip to Milan, Il Discotto, Discomagic, Non-Stop, Merak etc. to investigate the Italo phenomenon in detail. The following years Flemming visited the Italian distributors 11 times which later proves to be one of the major reasons to the fact that he has one of the worlds most complete collections of Italo and Disco. Through the years, the synths has been replaced with computers and equipment matching the urge for mixing. Something that has kept the true Italo spirit alive and made Flemming Dalum a legend in mixing today.