Unreleased Live

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Napping Under God

NUG 'IS UNDER THE BLANKET'

"for 0" is a radio show by usof where the most outward fringes of underground art are welcomed and brought together to create two hours of genderless musical submission.

OO0oϙ0O0O00O (@optovolokonniy and @oo_aa) on the first 1h15m w/ a special mix of 100% ukranian productions

"for 0" #30 w/ OO0oϙ0O0O00O | Rádio Quântica

EndgamE’s Precious Metals lines up the latest in the sounds of the underbelly: drill, auto-tune serenades and dancehall. 808 snares rattle like uzis, deep synths sing out like a foghorn through the spray – both grime and hip-hop, tunes for the club and tunes for the car. Lock in. therealendgame@gmail.com 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/preciousmetals/episodes/preciousmetals-29th-january-2025

Precious Metals w/ EndgamE & DA 445.CEO 290125

take control

Compilations

Lexicon (ft. Kazumi)

Big Soup

Reality Check - Luke Vibert

Steinvord - Untitled 9

https://www.discogs.com/release/16824-Universal-Indicator-Universal-Indicator-4-Green

1995 Green

Universal Indicator - Green - Untitled 08

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

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Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

Indefinite Lattices

Glyn Maier - An Indefinite Lattice (ENM08)

soundcloud:tracks:800406070

soundcloud:tracks:800287213

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