Unreleased Live

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haas-y break acid thing with dmx

Napping Under God

NUG 'IS UNDER THE BLANKET'

"for 0" is a radio show by usof where the most outward fringes of underground art are welcomed and brought together to create two hours of genderless musical submission.

OO0oϙ0O0O00O (@optovolokonniy and @oo_aa) on the first 1h15m w/ a special mix of 100% ukranian productions

"for 0" #30 w/ OO0oϙ0O0O00O | Rádio Quântica

KANT SZTAND THESE HOES! #Neohouse

SUBSCRIBE FOR MORE:
Beatport: https://www.beatport.com/artist/qual-freude/476895
Spotify: https://open.spotify.com/artist/1ptvDM1JBKxBrJZVFCNqQq?si=NkuKIiBFTrK7QYAOaPBfBw
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TikTok: https://www.tiktok.com/@qualundfreude?lang=de-DE

💥 ALSO SUBSCRIBE MY SECOND CHANNEL "Claas Dimanski" 💥
https://www.youtube.com/channel/UCUnbtRwDrY5pQdme59BOPZw?app=desktop
https://soundcloud.com/claas-dimanski
https://open.spotify.com/artist/2Bct9eIcguIN30DtW3khgz

Auf Beatport kaufen!

QUAL & FREUDE - Monochrom (Original Mix)

OsCiLlAtOr

Compilations

Lexicon (ft. Kazumi)

Steinvord - Untitled 9

https://www.discogs.com/release/16824-Universal-Indicator-Universal-Indicator-4-Green

1995 Green

Universal Indicator - Green - Untitled 08

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

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Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

Indefinite Lattices

Glyn Maier - An Indefinite Lattice (ENM08)

soundcloud:tracks:800406070

soundcloud:tracks:800287213

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