few afx loosies

Unreleased Live

manchester trk8

manchester trk6

manchester trk2

coachella wk1 trk1 2019

https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-1-2

I made this track a couple of years ago. I remember seeing a couple of girls on Sauchiehall street and being really attracted to them. I had the sensation that due to my low self esteem I would be literally incapable of approaching anyone I was that attracted to. It was a strange moment. I went home and made this track. I was spending a lot of time in bed and rushing essays at the time; Sleeping through all my classes.

I'm not in a very good place in my life at the moment. I've recently started working for a gardening company in Edinburgh after coming home from getting cheated on in North Carolina in Febuary. I'm stressed and keep fucking up at work. I'm in a band also, which doesn't give me enough time to work on my own music the way I'd like. Everything in my life feels rushed and fleeting, some mad scramble. I get depressed often and wish I could cry but I never can. 

All I want to do is create great music and share it with the world the way my idols have in the past, that's all i've ever wanted. But sometimes I doubt my ability to follow in their footsteps, even though I know I'm capable. It often feels there's just an endless sea of musicians these days; infinite competition. Everyone is trying to get their head above the surface to breathe in the air of success and recognition, even if only for a moment before someone else pulls them back down and replaces them. 

I don't want to work some pointless job I don't care about for the rest of my life. I'm already drained. I'm not very smart, or confident. My ultimate nightmare is giving up. If I stopped making music I'd be nothing. Sometimes I think it would be better just to make music alone and not share it, but the act of sharing art and making a connection with the wider world is really the point of the act. I want to belong, but I don't want to be something unnatural.

I want to release ID#2 soon. I think I'm going to put a few hundred pounds behind getting it promoted. I don't really know how to do any of that stuff though. I'm tired.

Glasgow G.

Via Discogs - …leaked to the internet on 2023-06-21 via Aphex Twin's new visualization app (for the concert on 2023-06-16 and the new single's cover).

https://aphextwin.warp.net/release/399837-aphex-twin-blackbox-life-recorder-21f-in-a-room7-f760

Aphex Twin - blackbox life recorder 20 ambient 760

3hep

"You cannot put your foot in the same river twice. Once ᴇʀᴏꜱɪᴏɴ ᴛʀᴀᴄᴇ begins, the listener is quick to draw comparison to previous Glyn Maier releases, as in ɪɴᴅᴇꜰɪɴɪᴛᴇ ʟᴀᴛᴛɪᴄᴇꜱ or the B-Side from the Jungle Gym release ʜʟɪɴᴄ. Instead, what happens is the truest descriptor of a “departure” in style and pacing.

Going back into the deeper catalog of Maier’s work you would likely cross influences of dub techno in the clicking and delaying bass tones, with sharp field recording rustling and chirps that create a fecund listening ecosphere.

This new album instead changes the pace to a glacial presentation, starting with a dark and sleek motif, generously pouring into rhythm and more subdued field recordings of the Appalachian wilderness. It almost seems like an album showcasing Maier’s ability to listen as much as it is his ability to produce. The finishing work with synth and string sections is a sublime reminder of his deft and capable craft in sound. We may not stand in the same water as before, but the river has the same name."

- David Coccagna

An Industrial Coast production

Recorded by Glyn Maier in White Mountain + Pisgah National Forests 2019-2022 - B2 contains source material from Joe Hisashi "Kikujiro"

Audio finalized by Glyn Maier

Artwork by Laura Arteaga Charlton (www.lauraarteagacharlton.com)

Erosion Trace

Emerald Pool

ferenz school

Somewhere between the ears and the eyes is a bridge of imaginary light. Somewhere in a dark room a bright cone of photons connects a slide projector to a wall. Dust motes drift like plankton in the glow. One thought overtakes another as the carousel clicks forward, shuffles; a new piece of celluloid drops into the projection slot, a new image illuminates the wall — visions of a recent past, filtered through what Mark Templeton calls the 'pink hue of mystery...' The ten compositions on Templeton's INNER LIGHT are reel-to-reel tape loop arrangements based on some 70s- and 80s-era meditation cassettes (found in a church library, with an archive of photographic slides which reappear in Templeton's supplementary photobook, A GUIDE TO INNER LIGHT).

Originally made to foster relaxation and well-being in a liturgical setting, the recordings now have a lysergic skew, as if heard underwater during the immersion of a baptism — a sonic lustration... An electric fan blows air onto an incandescent bulb hidden inside the machine. We hum along as the filament burns and we puzzle together a fantasy. We hear the inner light before we see it. The ears tell the eyes where to look, and the eyes look inward.”

- Mike Slack

Mark Templeton is a Canadian media artist and the founder of Graphical, an audiovisual label dedicated to publishing his own musical and image based experiments. Mark’s audio compositions are constructed from reel-to-reel tape loops and sampled cassettes that are contrasted with contemporary sound techniques. In his published photobooks, he incorporates his own 35mm pictures and found images, focusing on intangible fantasies and realities. During his audiovisual performances, he utilizes digital instruments while projecting his own photographs, VHS footage, Super 8 film, and other sampled video.

Since 2007, he has released material on various international record labels and photobook publishers, both as a solo artist and in collaboration with other artists.

Templeton has performed live and exhibited his work at art galleries, festivals and alternative spaces throughout North America, Europe, United Kingdom and China. 

---

Written and produced by Mark Templeton 2020-2023
Audio finalized by Glyn Maier
Photographs found and edited by Mark Templeton
Essay by Mike Slack
Design by Joe Bastardo

Inner Light

Mark Templeton - Languages (ENXEVP03)

There Were More Failures Than This

Whatever I'm Doing, It's Wrong

Brcked

Spooky drum and bass evreryday is halloween!

Witches Ride Out

🎶 Collettivo Undersound – Fractality United

✨ Fractality United with Capitol UN — whispering the change of our world. It’s a subliminal message, a hacker’s pulse beating inside the soul of Collettivo Undersound.

🕺 Anywho… back in New York City, Studio 54 days, my loudest friend used to shout in the middle of the dance floor — pure chaos, pure joy. That spirit still echoes here.

🎛️ We’re proud to present one of our weirdest productions. Yeah, we had to drag it out of bloody YouTube (🤮 puke here, puke there), but now it’s alive: a sfotechno track that bends genres.

⚡ Originally meant to be hard techno with a punk accent, but after a few puffs of the producer’s magical herb 🌿, the vibe shifted. Imagine: a giant, 7.4 feet tall, 460 pounds — not the kind of guy you argue with, LOL. So we rolled with it.

🎤 Who are we to decide what people like or dislike? You, dear listeners, are the ones who choose. So hurry up — plug in, trip out, and let the magik (with a K) flow.

🌸 Flower power, ✌️ peace, ❤️ love — what else do we need? Fractality united: impossible thoughts spiraling inward, almost a black hole sucking at our senses. Softly, it touches the sound, coding into an electric Philip K. Dick trip.
CID on IPFS 
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manchester trk6

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