Copy of Aphex Twin - Unreleased Live Tracks 2016-2019 *Update 3

Unreleased Live

printworks trk2 _mini live set_ (partial) 2019

manchester trk6

brooklyn trk5 2019

brooklyn trk4 2019

brooklyn trk3 (coachella wk1 2019)

1syro u473t8+e [141.98] (live mix coachella wk2 2019)

#23 [_tassels_] [with efx] (ceremonia 2019)

s4lem X whitney (alobhe edit)freeDL

"You cannot put your foot in the same river twice. Once ᴇʀᴏꜱɪᴏɴ ᴛʀᴀᴄᴇ begins, the listener is quick to draw comparison to previous Glyn Maier releases, as in ɪɴᴅᴇꜰɪɴɪᴛᴇ ʟᴀᴛᴛɪᴄᴇꜱ or the B-Side from the Jungle Gym release ʜʟɪɴᴄ. Instead, what happens is the truest descriptor of a “departure” in style and pacing.

Going back into the deeper catalog of Maier’s work you would likely cross influences of dub techno in the clicking and delaying bass tones, with sharp field recording rustling and chirps that create a fecund listening ecosphere.

This new album instead changes the pace to a glacial presentation, starting with a dark and sleek motif, generously pouring into rhythm and more subdued field recordings of the Appalachian wilderness. It almost seems like an album showcasing Maier’s ability to listen as much as it is his ability to produce. The finishing work with synth and string sections is a sublime reminder of his deft and capable craft in sound. We may not stand in the same water as before, but the river has the same name."

- David Coccagna

An Industrial Coast production

Recorded by Glyn Maier in White Mountain + Pisgah National Forests 2019-2022 - B2 contains source material from Joe Hisashi "Kikujiro"

Audio finalized by Glyn Maier

Artwork by Laura Arteaga Charlton (www.lauraarteagacharlton.com)

Erosion Trace

Emerald Pool

There Were More Failures Than This

Whatever I'm Doing, It's Wrong

kinati x Iveline Rosell
analog live recorded 11.07.24

travelling_music<2/4> - live unichtozhenije

The first compilation from the ALLOY CHOIR label and platform, featuring 13 artists.

Mastering: Ashland Ristoff
Artwork: Bride

Tinkerbell - Fluttered To The Ground With An Arrow In Her Breast

This is the first track from my modular EP. 
Conceptually the song is meant to evoke the early free tekno movement  a raw, charged sound, which the modular system should reproduce in its full width.
To take my knowledge and skills to the next level, I created every sound from the EP by myself using my modular synthesizer, without using any external samples or software instruments. This process brought me even closer to my machine and to the Free Tekno movement.

Thanks for listening
Love ya! <3

Oscillate Nomades

Instagram : https://www.instagram.com/androcore_/
Spotify : https://open.spotify.com/intl-fr/track/09XsnPi6RqiGtyb8EZUJZe?si=dfa8c70d957348ec
Youtube : https://www.youtube.com/watch?v=o4DDmGlKa2U
Deezer : https://link.deezer.com/s/31QhtcLSCA9tT1wCrlw8c

I Hear Voices in My Head

Original song by Nyxtheshield! Go check him out, he's an awesome artist

Mismatch Rave Remix

Taken from the forthcoming album "Printemps-Ete" on In Paradisum, to be released April 11 2016.


After a couple of EPs, qoso reveals his first LP on In Paradisum, a label he joined in 2013 for the Like It Soft EP he cosigned with Low Jack. Charlie Janiaut opens up a third way between physical energy and experiments on sound textures. The producer originally from Franche Comté has dusted his fingers on battle scratch and his playing with computer is totally instinct driven. Playing techno from the viewpoint of rap music, qoso’s music is entirely based on samples and feeds on mistakes, frequency translation and a piling up of effects leaving space to randomness. The tracks on Printemps Ete were composed all at once and speak more to the body than the head - they’re rhythm tracks as stated by Emotional, which opens the record where most electronic albums like to put a nice ambient track. After being compared to Blawan or Levon Vincent by Resident Advisor, qoso is now leaving most references points behind with a syncopated sound that puts some fun into the raw.

manchester trk6

Flexesh

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