Collaboration
Check out AnandaTuk's music
https://soundcloud.com/user-11396379/tracks

Hard To Communicate

Hard To Communicate -with AnandaTuk

mnOTR is Marie-Noëlle Reyntjens + Shane Watt

Music & lyrics by Marie-Noëlle Reyntjens
+ piano, lead and back-up vocals

Production and arrangements by Shane Watt
+ bass, guitar, drums, percussion, glockenspiel, keyboard, accordéon, back-up vocals

Back-up vocals on 5 by MoMeTi

Mastering by Fran Ashcroft

Artwork by Elléonne 

2 est égal à 3

Sincèrement vôtre

In another time another place
We measure our progress through our disgrace
And danced in the halls knew who we were
Escaped the race and gave it away

Now we are set and running late
Hard to believe we lived so free
Bent in the way -the branch swings
Caught in the grace of the Byzantines

Mosaic of color helps escape
The beauty of art starts taking shape
Inspiring those from under its wing
this modern world is fleeting 
remembering days of creating
Byzantine dreams run through my head
Sometimes  I live there instead
 Beautiful locks of abstract gold
Perfect icons and frescos 

Living off the dreams of the Byzantines

Dreams of the Byzantines

Cast of Characters:

Cgmaness – https://on.soundcloud.com/4a2IWOT8tUQL3pbqdc – Chris – acoustic guitar, composition, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify: https://open.spotify.com/artist/0RmKLMyiXe4eVeXa032MDV?
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say....

Better Not Say (Eclectic Collective with Nyla K)

we can get distracted by flashing lights,spectacular presentations,glitz and glamor ...It is important to seek out things/people/leaders with real qualities not false promises and slick pandering
lyrics

giant rosebush blood red bright
lilac tree deep purple delight
spectacular to see for sure
but what interests me the more
are the tiny flowers that you see
growing in the grass singly
not loud not bold not flashy not sassy
It doesn't take much to make them happy

flashy dresser latest styles
manicured nails and botox  smile
glitters in the dim daylight
attracting many to his site
but what I want, what I seek
is not someone that just throws off heat
but instead is simply warm inside
who doesn't need glitz and glitter
to be satisfied

like a moth drawn to a light
we often seek the cheap delight
and gather around in mindless worship
of something that it truly worthless
so when you choose a light to follow
be sure its source is not bare and hollow

choose wisely


Disciple of Pain

I wake up to the silence
To that memory of you
Entombed by bad decisions 
Crucified by your truths
I can not hear your footsteps
This change is like a chain
You were my religion
And me, I'm the disciple of pain

Now I pray for resurrection
As I choke upon my sin
The gospel of another
Has renewed your faith again
The blood, the body of our love
For you a fading stain
You were my religion
And me, I've become your disciple of pain

This sermon that I'm sharing
I'll be preaching it again and again
The hurt, the hope, the healing
The raw, the rage revealing 
Let's stand up and face it again

So if you feel a sadness
Engulf and empty you
Get off your knees and get to work
Let the hurt empower you
When you can not feel your future
It's still there but it's just changed
The end can mean beginnings
We all are disciples of pain
One time or another
We all are the disciple of pain




Disciple of Pain

Pues ahí está una cover muy bestia de la canción.

Regular John (QUEENS AND THE STONE AGE) Cover by DELAFLOR

Black Stones (Rehearsal)

listen in it's proper order  at Sonic Structure and Silent Stretches https://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharinghttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

album coming soon to Bandcamp!


instruments and voices: Jeff Gardiner and jo richter (and one outside voice generated via magix hub and some further artefacts that just manifested during the process)
further reading: How Forests Thinl: www.anth.ucsb.edu/sites/secure.lsi…Introduction.pdf
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

whilst I was looking
for some kind of semblance
of something somewhere in the tangled undergrowth of
silent thoughts and bellow-voiced persuasions
that might be well described as somewhat sidewinded akin
to the kinesthetics of the barnacles and brambles and
cliffside-dangling while still clinging, perspiration hope
I met the transcendental hobo drifter
down in the scalar fields , tied with a rope
to roaming notions of delusion
and love and love and running from a mistress,
his or mine, known to be crow of crowleyan dimensions

endowed with much renown among the locals
for telling truth and spitting frogs
and hailing hail and splitting rocks
and all the while the transsedential drifter
ate from his open can of beans upon the pitted fire

and whispered ruthless, patient, cunning, sweet
on repeat:

[in the sonic version, the following
icaro is overlaid by a voice-
over explaining the term "icaro"]

„the tunnel of dances
the funnel of trances
the fuel for chances
the focus of tidal glances
paint eyes on your forehead
wide eyes on your forehead
so the jaguar knows
so the jaguar knows
that you are not dead
not asleep and not dead
not asleep and not dead yet.“

and all I heard and all I got and all I simply understood
was to hush that voice, that voice within my head
to hush that voice, that voice within my head

it was then I noticed, not without bewilderment
the wooden spoon in his left hand
a spoon not made of silver
not silver and not gold but wood
and it was then I very nearly understood

scalar fields pt 4: talons heels(reloaded)-with Sonic Structures and Silent Stretches

OVERSEA SHIT

C'est La Vie / Mr. Incredible - no end

A Musical Journey of FlexHead
Best known as a local Northern California Funk Band, FlexHead and their sound have developed and grown in popularity since 2015. Influenced by the community, culture, and sounds of their hometown, they perform music that speaks to fans across the musical spectrum. Their signature style has become synonymous with a diverse collection of melodies and compositions. This Funk Band is on the rise, and nothing can stop them from achieving the success they work so hard for. 

Contact FlexHead at FlexHeadFunk@gmail.com