yo thank you for sharing this mix of fly selections

What’s the song at 27:18 (“I saw a mountain flying, I saw a river crying, but it never meant nothing, til iI saw you”)?

B.P.T. Radio 036: Tornado Wallace

<b>Retrouvez chaque samedi soir le rendez-vous cosmic-disco de Tim Sweeney en exclusivité sur les Radio Campus</b>

BIS Radio Show #723
From WNYU 89.1 FM (NYC)

http://www.jamiexx.com/
https://soundcloud.com/john-talabot
http://theyoungturks.co.uk/

Beats In Space #723 (Pt.1) w/ Jamie XX and John Talabot

Given hip hop's position as pop culture's new musical lingua franca in the 21st Century, it's not a stretch to suggest Gil Scott-Heron is one of the most influential recording artists of the past 100 years, given his role as the progenitor of the genre. The Chicago-born poet electrified R&B, disco, jazz & later electronic productions with no-nonsense street reportage, and critiques on the ills of a broken America. He inspired a legion of artists with his militant faith in his own beliefs.
This 2 hour compilation brings together the breadth of Heron’s work, combining soul, blues and jazz, with comedy, spoken word and a piercing insight into race relations in 20th century America.

This show has been compiled by Robbie Warin and is dedicated to Henry Miller, who first introduced him to Scott-Heron’s music.

https://www.nts.live/shows/in-focus/episodes/in-focus-gil-scott-heron-10th-december-2019

In Focus: Gil Scott-Heron 101219

One of the truest stylists in DJing.

Although leaving behind only a small repertoire, sadly cut short by an early and unexpected passing, what we have left as evidence of his deep dedication to the pleasures of music is so unique and designed with such charming consistency, that when listened to, can only be Zecky’s selection.


Since the late 2000’s we studied the few mixes we could get our hands on obsessively, to the point where for example: we will never be able to hear Pats and Pat “Tobago” without the expectation of “City Lights” to be mixed in next, courtesy of the 2008 Ebisu Bar Jam recording. To us, Zecky became a sub genre of music — "Zecky style tracks" — something in the realms of what we might consider as Balearic, but still somehow blurring the borders of acceptable Italo-disco, and then coming way out of left field with something contemporary like Simply Red...and somehow it all made perfect sense. A lot of these tracks may seem obvious now, but keep in mind this was mid 2000’s, a lot of these tracks were still not known, discogs was not what it is today: contextually, the calliber of his research was heavy. Imagine living in a time when the idea of what a good DJ should be doing is minimal techno yet you’re a Japanese guy going to Italy to look for completely expired Italo material, one can only imagine the facial expressions and dialogues that might have emerged between Italian record store owners and Zecky throughout his digging travels.


The role that talent plays in the DJ "profession" can sometimes feel fuzzy, especially in the post social media/CDJ era. In our humble opinions however, listening to Zecky’s oeuvre gave this mystery a good amount of inspiring clarity. The aesthetic precision of his selection supported by his simple but flawless mixing created compositions so striking that the mixes became new stories or soundtracks to beautiful movies no one had ever seen before. It really felt like he was making something larger than the music he was using to compose these moments. A common (and disturbing) cliche one often hears when people go about describing a DJ’s work is the idea of being a “story teller”. To us Zecky genuinely put forth this idea on a meaningful level, his stories were some of the nicest of all.

We learned so much from Zecky.


Thank you for the music and happy birthday — Zecky would have been 54 today.


Thank you to Daisuke, his party partner, for making this possible ❤️
_
DJ 界での真のスタイリストの一人。
残念ながら、予期せぬ早すぎる死によって残されたレパートリーはわずかですが、音楽の楽しみに対する彼の深い献身の証拠として残されたものはとてもユニークで、魅力的な一貫性をもってデザインされており、聴くとZeckyのセレクションを感じざるを得ません。
2000 年代後半から私たちは手に入れることができる数少ないミックスを執拗に研究し、例えば、2008 年の恵比寿バージャムのレコーディングのおかげでパットとパットの「Tobago」を聞くと、次に「City Lights」がミックスされることを期待せずにはいられなくなりました。
私たちにとってZecky は音楽のサブジャンル、つまり「Zecky スタイルのトラック」になりました。これは、私たちがバレアリックと考えるものの領域に属しながら、それでも許容できるイタロディスコの境界を曖昧にし、その後 Simply Red のような現代的なものによって予想外の形で登場しました... そしてどういうわけか、すべてが完璧に理にかなったものでした。これらのトラックの多くは今では当たり前に思えるかもしれませんが、これは 2000 年代半ばのことであり、これらのトラックの多くはまだ知られておらず、discogs は今日ほどではありませんでした。文脈上、彼のリサーチの質は高いものでした。優れた DJ が行うべきのことはミニマルテクノであるという考え方がある時代に生きていると想像してください。しかし、あなたは完全に期限切れのイタロの素材を探しにイタリアに行く日本人男性です。彼のレコード探しの旅を通して、イタリアのレコード店のオーナーと Zecky の間に生まれたであろう表情や会話は想像するしかありません。 DJ という「職業」において才能が果たす役割は、特にソーシャル メディアや CDJ の時代以降は、曖昧に感じられることがあります。しかし、私たちのささやかな意見としては、Zecky の作品を聴くとこの謎がかなりはっきりと理解できました。彼の選曲の美的精度と、シンプルでありながら完璧なミキシングが、非常に印象的な作品を生み出し、そのミックスは新しい物語や誰も見たことのない美しい映画のサウンドトラックになりました。彼は、これらの瞬間を作曲するために使用した音楽よりも大きな何かを作っているように感じました。人々が DJ の仕事を説明するときによく耳にする一般的な (そして不快な) 決まり文句は、「ストーリーテラー」であるという考えです。私たちにとって、Zecky はこの考えを本当に意味のあるレベルで提示しており、彼の物語は最も素晴らしいものでした。私たちは Zecky から多くのことを学びました。音楽をありがとう。誕生日おめでとうございます。Zecky は今日 54 歳になっていたはずです。これを実現させてくれたパーティーパートナーの大輔に感謝します❤️

H.A.N.D. MIX 065 : Zecky – Metro 1st

Recorded live March 21, 2025 @ a special place in Brooklyn.
This place will remain nameless to respect the privacy of the space. 

I will say that this is 1 of the best sound systems I've ever heard or played on!

Thank you to the folks over there that had me & to everyone who came to dance. 

We need more DIY spaces like these going forward...not just clubs & bars.

Somewhere in Brooklyn

New radio business. Nice eclectic selection, new & old. Enjoy x 

Shades Of Sound Radio - June 2025

Sounds of the Dawn is a monthly two hour session through new age, ambient, environmental, meditation and relaxation cassettes from the seventies to the nineties. Tune in and zone out. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soundsofthedawn/episodes/soundsofthedawn-12th-july-2025

Sounds Of The Dawn w/ Marcancion 120725

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions.

There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again.

Parrish's debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations. Recorded live at fabric last December as part of RA's party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon. 

The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2000). A capture of the Sound Signature boss on the dancefloor is hard to come by.

Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride.

On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. It's Theo through and through. Once again, he proves that anything and everything is possible with the right records.

@theoparrish @fabric @soundsignaturedetroit @crownruler

Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Theo Parrish

Midland and me misbehaved last night and recorded this super nice show....Hope you enjoy it as much as we did.

Gideön & Midland B2B - SohoJams Show (28/07/17)

About the mix

I’ve been thinking about a concept for a mix titled “As the city sleeps” for some time. Soundtracking one of my favourite times of day, between 4-5am, the witching hour, when you fall in love, spend time getting to know the things about your friends you never knew and when towns and cities feel like your own.
When I was asked to contribute an hour of music to the inaugural “Monolithic Installation" (more info below), an immersive light installation in Bristol at Motion this summer it was the perfect catalyst to finally record the mix. I have gone back in and worked on it since and am happy to share it with you now.

"As featured in the Monolithic Installation, 5,376 suspended LEDs, an immersive light installation at Motion Bristol's recent day party by Squid Soup & Ben Price, hear the other mixes here and look out for it on the road this year" - http://bit.ly/2mrsYLo

Read more about it on Crack Mag - http://bit.ly/2D2yDAN

Tracklist 

"La Haine” Intro/Outro
Ian William Craig - Doubtshapes
Bruised Skies - Low
>>> Steve Reich - Come out
Benoit Pioulard - An Image Apart from Ourselves 
Oneohtrix Point Never - Behind the Bank
Body in the Thames - Brexit Music for a Film
Dj Rum - Projection
Vito Ricci - Inferno (Pt 2)
>>> Dorian Corey - Excerpt from Paris is Burning
Arthur Russell - Answers Me
Suzanne Kraft & Jonny Nash - Hanging Glass Structure 
Kraftwerk - Ananas Symphonie
Demdike Stare - Black Sun
Andés Zacco - Leit
Luke Abbott - Ovals 
Cluster -  Sowiesoso
Sun Ra - Cosmo Drama (Prophetika 2)
Cala Del Forno - Fast Moving Cars
Radiohead - Meeting in the Aisle 
Mark Pritchard - Give it Your Choir (feat Bibio)
Nick Drake - Horn 
Mark Hollis - The Colour of Spring

As the city sleeps, a mixtape [January 2018]

A few years back, my friend Otis did a mixtape called ‘a time for peace’. It’s an effortless mix of melodic & vocally driven music which became a source of some of my favourite records that I was yet to discover. There was never a tracklist for it, but over the years, have found them serendipitously in record shops and had a few joyful moments when finally the needle drops on one of the tracks from this mix!
The past week has given me an opportunity to reflect on some of the records that I return to constantly, can get lost in & consider something else for a while. I hope that perhaps someone out there might find something in here that opens their ears to something new, can get lost in and one day have that needle drop moment too! Thanks to everyone who put me onto these records in one way or another.

Dialogue Between Dreamers Pt. One

https://www.floatingpoints.co.uk/

 hello@floatingpoints.co.uk

Dialogue Between Dreamers Pt. One

Floating Points

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