1979

Houzz 14

Tremor

Acid Dub Versions III

The Chase (Piezo Remix)

Voices (We Live to Celebrate)

Undo (Your Body)

Pre-order: https://idol-io.ffm.to/kareem-ali-feel-everything-all-at-once

Arizona-based producer Kareem Ali (@kmx19) returns with 'Renewal', his second EP on @noireblanche - a luminous blend of deep house, jazz, and Afrofuturism that captures both personal and collective transformation.

The EP unfolds into hypnotic rhythms with the warm, jazz-infused pulse of 'Feel Everything All At Once', inviting listeners to experience the full spectrum of feeling.

More exclusive music

Premiere: Kareem Ali 'Feel Everything, All At Once'

November 7th brings master electronic producer Patrick Holland to Chloé Caillet’s SMIILE RECORDS with his sleek new vocalised, cross-over dance floor single ‘Fly’. A hazy, bubbling late-night cut that drifts between introspection and motion, built around glowing synths, tight drum machine grooves, and a sense of lift that feels both emotional and physical, “Fly” shows Holland at his most expressive and free-flowing.

Landing as SMIILE continues its run of playful, open-hearted dance music, ‘Fly’ adds Holland’s signature warmth to the label’s growing catalogue. Out everywhere November 7 — tune in, turn up, and let it take you up into the skies!

https://soundcloud.com/ppatrickholland
https://soundcloud.com/smiilerecords

𝐇𝐔𝐑𝐅𝐂𝐋𝐔𝐒𝐈𝐕𝐄 ➟ Patrick Holland - Fly

Top Hits, Ballads, Etc...

https://www.instagram.com/tqamore

Amore @ The Lot Radio 11-14-2025

On the occasion of the 20th anniversary of our first album, let us tell you about the infamous “Gauloises Bleues” tour and share some archives with you.
Let’s go back to 2005, a time when you could be young and actually get sponsored by a cigarette brand for a tour deep in Germany.
So—2005, first album, which meant promotion, and promotion inevitably meant touring… even though neither of us had ever set foot on a stage in our lives, aside from a few smoky gatherings among very close friends.
Joakim and Panico, seasoned veterans of the road, were our tour buddies as we hopped on a tour bus for a handful of dates: Heidelberg, Munich, Stuttgart. Diesel fumes, cigarettes, cold beers and schnitzels.
The plan looked simple enough on paper: open the night with a DJ set. Except the whole “machine live click’n’cut” idea left us feeling rather puzzled, even if we were dying to try it.
A DJ set, then — but one we desperately wanted to treat as a communion, a journey, an evangelisation. Besides, why dance? Could the club not become the fertile ground for a symbiosis between human and music, its primal, almost mystical reception? The very real fantasy of a concord among people of goodwill?
On paper, it sounded like a great pitch. In reality, it was a complete disaster — but one that at least helped us approach our future live formats with a clearer sense of crowd psychology and of that almost animal level at which audiences receive music in concert. Intellectual intention is one thing; the physical dimension matters just as much.
A special shout-out to the manager of the Zapata Club, who leapt over the barrier mid-set to scream at us in German: „Was zur Hölle macht ihr da, ihr zugedröhnten Degenerierten – SPIELT TECHNOOOO!!!“
You can now listen to the ARPSET we recorded during that tour — and, in your own way, become part of the story of a foundational failure.


Arpset, 2005

Dark synths, dark minds. 

https://www.instagram.com/alexenglish 
https://www.instagram.com/starnoir 
https://www.instagram.com/dead_inside_society
https://www.soundcloud.com/khad!ja



Dead Inside Society with Alex English and Khadija @ The Lot Radio 12-01-2025

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