Name: Song For Mathilda by florian juncker
Duration: 2 min 9 s
Description: After watching Leon from Luc Besson i made this little impro for Mathilda...

Here is the little track i recorded for my album "EARWORM!".

It is inspired by modern trumpet technique i picked up working on a "MACH" from Eres Holz. 

In May 2021 i was granted a work scholarship from Berlin senate to explore more and write a piece for solo trumpet aiming to be published and available for Students and Professionals to study and perform.

EARWORM! for solo Trumpet

Solo Improvisation

Composition for trombone, tape and live-electronic.

Now i´ts always after

Performed by Olivia Stahn [soprano], Mathilde Conley, Florian Baccuet, Paul Hübner, Chloë Abbott [trumpets], Samuel Stoll, Morris Kliphuis [horns], Wojciech Jeliński, Weston Olencki, Maxine Troglauer [trombones], Gunnhildur Einarsdóttir [harp] Matthias Engler [percussion], Max Murray [conductor]

Max Murray | Schaufeln | Brayen — Rain / for soprano, brass, harp, and percussion [2023 version]

After watching Leon from Luc Besson i made this little impro for Mathilda...

Song For Mathilda

High Hopes

Gurky Serenade

Pre-order 'Eternal Something' on Vinyl, CD from our store: http://www.erasedtapes.com/store/releasetracks/153/ERATP094
And digitally here: http://phonofile.link/eternal-something

"I started recording 'Kale Me' at my home studio while our washing machine was going wild in the bathroom. It sounded like a huge rave break. I instantly set up a microphone, recorded a full cycle and implemented it into the song. The washing machine stopped working right after the recording and never made any sound again. I was pretty lucky." – Daniel Brandt

Daniel Brandt, co-founder of Germany’s electroacoustic ensemble Brandt Brauer Frick, joins the Erased Tapes family with his solo debut album Eternal Something – released worldwide on March 24th 2017. 

What started off as a more simplistic idea soon evolved into something a lot more complex as the London and Berlin based music producer travelled across the world, experimenting with various other artists and different instruments. From his father’s cabin based in the German countryside with access to nothing but cymbals, to being surrounded by guitars in Joshua Tree, his unexpected journey soon progressed into what became his first solo album. 

Daniel played nearly all instruments himself with the only exception being fellow musicians Florian Juncker on trombone, Manu Delago on hang drum and Andreas Voss on cello. Using his Berlin studio as his main base for recording, Brandt created an album that encapsulates the idea that despite setting out with a particular creative vision, external influences and environments will always shift the process, and create an Eternal Something.

Words from Daniel, January 2017:

“The initial idea was to make a cymbal album. I wanted to surround myself with all types of cymbals. I locked myself into my father’s cabin in the woods for three days. That was the moment I realised it was not possible for me to make an album just with cymbals because other ideas and instruments imposed themselves on me. I had a clear sense of what I wanted to do now. The intention was to let the songs evolve by themselves and not edit too much, keep it raw and have an explosion-like energy to them. I wanted to create a different sound, songs that build up like dance tunes but don't feel like club music at all. Travelling around in California for two months gave me the possibility to deeply get into this concept outside my normal environment. Robert Raths, who served as a great motivator throughout the whole process (I guess he had listened to the record more than I ever had) came up with the perfect order for the songs. This record is about failing to make the original plan happen, but then the discovery of something I couldn't even think of before.”

Prior to being enlisted to create the album artwork, Iranian artist Shaz Madani coincidentally had also planned a trip to Joshua Tree where she documented her own experience of Eternal Something, forming the visual counterpart to the record.

TRACK LISTING

1. Chapparal Mesa 
2. FSG 
3. The White Of The Eye
4. Turn Over  
5. Kale Me
6. Eternal Something  
7. Casa Fiesta  
8. On The Move

Eternal Something

Daniel Brandt - Kale Me

New Piece for Solo Basstrombone, written in 2020 for Maxine Troglauer by the Berlin-based composer and saxophone player Jonas Schoen-Philbert.
The piece explores new techniques like multiphonics, slap tongues and rhythmic, percussive sounds, played with the right hand on the trombone body. 

Composition: Jonas Schoen-Philbert
Basstrombone: Maxine Troglauer
Sound: HansaHaus Studios Bonn, Nico Raschke, September 2020

Jonas Schoen-Philbert - Piece for Solo Basstrombone (2020)

The Soundtrack composed, recorded and mixed by me for some beautiful and atmospheric black and white photographies by Matteo Perazzo of a day at Leigh-on-Sea, UK.

full video: https://www.youtube.com/watch?v=-8PToPLnffM&ab_channel=MaxineTroglauer%2FBasstrombone

https://www.maxinetroglauer.net/
https://www.matteoperazzo.com/

A Day at Leigh-on-Sea, Basstrombone Soundtrack

Florian Juncker is a tromboneplayer and composer in the wide field of actual music forms. From Avantgarde, Free Impro to electronic Music and transcultural Music.

Song For Mathilda

florian juncker

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