For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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Techno is a family affair.

Arriving onto the electronic scene with "I Believe", featured on the monumental (10 Records) compilation "Techno 2: The Next Generation" (alongside Carl Craig, Marc Kinchen, and Jay Denham) in 1990, Octave One is the brainchild of the phenomenal native sons of Detroit, MI (USA), the Burden Brothers. The core unit of the band, made up of Lenny and Lawrence Burden (with revolving members of Lynell, Lorne, and Lance Burden), have had the privilege of bringing their high energy live shows to many parts of the world, including Australia, Belgium, Denmark, France, Germany, Greece, Ireland, Italy, Japan, Netherlands, Portugal, Romania, Russia, Slovenia, Spain, Switzerland, UK, and the USA, among many other places.

The brothers have released groundbreaking dance anthems on their own Detroit based record label, 430 West Records. Including DJ Rolando's "Jaguar", Random Noise Generation's "Falling in Dub" (the other Burden brother moniker), Aux 88's "My A.U.X. Mind" (on the 430 West sister label Direct Beat), as well as their own Octave One recordings: "Empower", "Nicolette", 'The X-files", "Meridian", “Love and Hate”, “The Greater Good”, and 'Siege". They have remixed tracks for such artists as Massive Attack, Akabu (Joey Negro), DJ Rolando (Jaguar), Steve Bug, John Thomas, Aril Brikha, Vince Watson, The Trampps, Rhythm is Rhythm, and Inner City.

Booking : info@nicolashannig.com

www.nicolashannig.com
info@nicolashannig.com


Armada Deep, Well Done! Music, Der Turnbeutel, Karera Records, IndianaTones, WONNEmusik, No Definition

atra hosts contemporary, experimental, psychoacoustic & bruitist audio art, ritual protest music, composition, improvisation, field recordings, musique concrète, avantgarde, digital sonics, social & environmental art & extreme noise live-music. initially in zürich switzerland from october 2013 to november 2017 as 'atonal_zürich', atra now hosts live events in different cities.

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