The debut album from BarrelHaus.

BarrelHaus are:

Marc Challans: vocals, guitars, drums, & production.
Ian Mitchell: vocals & guitars.

Tracks 1, 3, 4, 7 & 8 written by Marc Challans.
Tracks 2, 5, 6, 9 & 10 written by Ian Mitchell.

Recorded, mixed and mastered by Marc Challans.

Special thanks to Grace and Alice.

The Pushback

@afilatov
This time around, we have put together a cassette tape of works by artists from Japan and all over the world.The label is proud to announce the release of Secret Stairs vol. 2, which features the work of several up-and-coming producers including Anitta, Funktor, A/Filatov, Jaquarius, CH415, as well as Methodd, JIN-CROMNYON, lee, and Caramel Chameleon, who have all released or remixed on the label, and Yuki Tosaya,Yuki Tosaya will also participate.The acid and electro based tracks are sure to inspire you.Designed by SUNTRA, as in Vol. 1, the content is even funnier than last time, and is a wonderful addition to the collection that you will want to have in your home.

Secret Stairs vol​.​2

buy cassette

A5. A/Filatov - 1602

Out now as part of my “Halcyon Maze” EP release on Intellitronic Bubble.

Available on 10” vinyl and digital ⬇️
https://intellitronicbubble.bandcamp.com/album/halcyon-maze

https://soundcloud.com/intellitronic-bubble

Halcyon Maze

Vinyl + Digital

Hanging By A Thread

a motorola duet

Feature-Reel here: www.instagram.com/reel/C9GOZJ_ABse/

There is a certain beauty in additive synthesis. I can compute it with my early-8-Bit-Synthesizer, powered by an 68000 Motorola.

Working from zero frequency, there is an early starting point, when the algorithm takes over the numbers, the frequencies and delivers a sonic representation of their calculations. 

To us, there seems to be life in this. Especially, when imagining, that this only sound, could be calculated one time.

So, I did the same as the Fairlight and took the first approach of my improvised playing. I reduced the takes to only 1 – no retakes, no overdubs, no midi.

A kind of a duet concerning both singular attempts and open outcomes.

Due to computing times of about 5 seconds in between the – nearly not hearable – changes of sound, I had to place 2 little cuts.

Why compute? Maybe because it opens an untold gate to a special resonance and understanding a little about ourselves.

+++
More on the 651st weekly Disquiet Junto project, Why Compute? — The Assignment: Respond to a prompt from George E. Lewis — at Disquiet Junto Project 0651: Why Compute? – Disquiet

a motorola impromptu (disquiet0651)

A clash of sense, a break of calm

Fantasia III [Inside the Artificial Mind]

14Nov24

Experimenting with Robert's track, 'clearly not sturdy'
https://soundcloud.com/robertknote/clearly-not-sturdy
:D

Robert Knote - clearly not sturdy [sm re-imagining]

Fstyle

"We can make it if we try" is the second single from CMD+JAZMINE's upcoming second album, You're not in trouble.

Written largely over the spring of 2025, her second project explores deeper club sounds, after a year of multiple single and EP releases, while holding onto her decade-long roots as a narrative documentary producer and sound designer. Her love of low-end thump remains, as the story of a shifting life unfolds over eight songs.

You're not in trouble trades in the computerized metaphors and dubbed disassociation of previous records towards a directness inspired by dancefloor vulnerability and deep conversation in club booths. Vocal samples and lyrics atmospherically shimmer over shifting drum patterns that range from "Disrespect"'s jungle breaks, the Jersey club bounce of "Escape hatch", and ballroom's skitter on "Seeking affection". The hard techno catharsis from "We can make it if we try" gives way to the sunrise of the second half of the album. "Origami" shines in trance and bright electronica, while "Finding footing in the chaos" is one last kick drum frenzy before heading to coat check. "Crimson" is a deep inhale of fresh air through gritted teeth and wobbly synthesizers, and closer "You can come back to my place if you want...?" is a deep, burning slow jam that slinks with muted drums and warm pads.

You're not in trouble is a journey of emotions that come from the club, and the personal reflection when you get home, deeply looking in the mirror as you put on a face mask.

All tracks produced, arranged, mixed, and mastered by Jazmine (JT) Green.
Consulting production provided by Gavilán Rayna Russom.
Cover photo by Rona Akbari.
Artwork by Jazmine (JT) Green.

Download

We can make it if we try

Track: Archy
Artist: Tino Trøster
Label: boisha
Catalog: BOI012
Release Date: 10.10.2025
Format: Digital
Genre: Electronic
Style: Techno
Mastering: Warnung
Artwork: boisha

Artist links: 
Soundcloud: https://soundcloud.com/tinotrster
Instagram: https://www.instagram.com/tinojtroester/

Label links:
Soundcloud: https://soundcloud.com/boisha
Bandcamp: https://boisha.bandcamp.com/
Instagram: https://www.instagram.com/boisha_/

Pre-Order Link: https://tr.ee/tinotroster-merge 


GTG Premiere | Tino Trøster - Archy [BOI012]

Official Music Video | Clip officiel : https://www.youtube.com/watch?v=cTCBbfheUOc

Produced and arranged by Shane Watt and Marie-Noëlle Reyntjens
Mastered by Fran Ashcroft
Music and lyrics by Marie-Noëlle Reyntjens except for "secretly": written by Len Arran and Skin

Marie-Noëlle Reyntjens: vocals, back-up vocals, piano, keyboard, glockenspiel and percussion
Shane Watt: bass, acoustic and electric guitar, drums, percussion, glockenspiel, keyboard, programming and back-up vocals
Blaise Watt: electric guitar and back-up vocals

No heart feelings

algo precioso

Record Label for electronic music based in Tokyo.

New release : FLKG13C Various Artists - Secret Stairs vol​.​2 (Cassette and Digital)
https://florklang.bandcamp.com/album/secret-stairs-vol-2

Vinyls in stock:
Juno Records UK
http://www.juno.co.uk/labels/Florklang/

Contact : k.florklang at gmail.com

A5. A/Filatov - 1602

Florklang Records