Name: Surrounded by dimensions ft. Dolores Cannon by flow71
Duration: 5 min 23 s
Description: taken from a Dolores Cannon Interview about "the convoluted universe"

David Whipple in conversation with Stephen Jenkinson

2021 April - The Whipple Effect Podcast, David Whipple interviews Stephen Jenkinson

Friday morning, 23rd July 2021. If someone had ever suggested to me to make a dawn recording at this location on a 'normal' Friday morning, I would have exclaimed: "Seriously, are you joking?". This place is so close to the city that a 'normal' Friday morning (and especially so during Winter, with its long nights and short days) would have meant, if exceedingly lucky, something like 70% heavy traffic noise and 30% dawn chorus (including not only birds but an array of various mammals as well).

But here we were, three days into a strict Covid-19 Delta lockdown... Of course, one gets curious. How much difference? After all, from the 'Nature' point of view, as opposed to the 'Human' point of view, it seems fair to say that what is 'normal' is what happens when the 'Human' is not around. In a lockdown situation, 'Human' is still very much around, but rather heavily circumscribed, for his/her own good. And this happens, also, to be beneficial to 'Nature'. So, what might that mean, in terms of 'acoustic ecology'? Well, as it turns out, it means 'a heaven of a lot'.

This excerpt from a much longer recording commences from 06:34, i.e., from mid-Winter's early twilight through to sunrise and after. (The longer recording begins several hours before first light.) Yes, there is some sporadic 'essential' traffic noise to be heard; mainly, as one would expect, in the lower frequencies; and the low-frequency rumble of the occasional 'essential' jet landing at or taking off from the local city airport. But, from this field recordist's perspective, Nature definitely owns this 'Delta' dawn. The overwhelming noise of mechanised humanity has been radically subdued by ... a microscopic virus. Of course, one feels great empathy and sympathy for humanity (after all, one is  human). But the Paradox naturally arises in one's mind, and one naturally reflects and meditates upon it...

If 'Humanity' is, as humans tend to allege, the 'pinnacle of all Nature', why is it that Nature, which utterly grounds and supports all of 'Humanity' and all of its entrepreneurial endeavours, is treated by 'Humanity' as some kind of expendable and disposable raw material, or as rubbish? Isn't it so poetically ironic that 'Humanity' is ultimately quieted not by discussions of 'ecological ethics', not by 'philosophy' - which, as Socrates once said, was born of a sense of 'wonder' at the kosmos - but by a self-concern for survival in the face of a virus that it cannot even perceive with its own natural perceptual senses? But is it really the individual's personal body and life that is of most concern here? Or is it not, rather, the current socio-political economy that is most at risk? Changing this global political economy and its behaviours is clearly not as easy as trying to change the individual body and its behaviours.

This leads to the thought, the question, the problem: What is good for human economy is not necessarily good for natural ecology, and what is good for natural ecology is not necessarily good for human economy. And so, what is to be done?

Such are some traces of the inner reflections and meditations of a field recordist, sitting damp and cold through the night, first light, and dawn, listening in sublimely grateful joy to Nature's 'beautifully musical' voicing of so many 'beautiful' voices... They are simply uttering their existence. They do not conceive of themselves as 'beautiful'. But their intrinsic 'beauty' and 'value', their intrinsic 'music', may be, and arguably should be, best understood from the perspective of a certain 'ecological aesthetics'... 

Best listened to with (good) headphones (with a flat frequency response).

Recorded on the land of the Kaurna people, which is now a Conservation Park.

2021.07.23 A Covid-19 Delta Lockdown Dawn. Winter.

taken from a Dolores Cannon Interview about "the convoluted universe"

Surrounded by dimensions ft. Dolores Cannon

The Buddha had a prescription to end suffering—the eightfold path. But can the Western tradition of psychotherapy build upon these essential steps? Here, Buddhist psychotherapist and bestselling author Epstein talks with Tricycle contributing editor Amy Gross about how the two realms of wisdom view the idea of self as both problematic and helpful. Drawing from his new book, Advice Not Given: A Guide to Getting Over Yourself, to discuss the ways meditation illuminates aspects of ourselves that we’re afraid or ashamed of, allowing us to let go of the identities that constrict us.

Mark Epstein: The Task Is Being You

Simple Meditation & Inspiring Talk for Kids

Taken from the upcoming album 'Oceanography' on Fluid Audio...

www.fluidaudio.bigcartel.com/mailing-list

Oceanography

Craig Aalders - Oceanography

“Sometimes it takes darkness and the sweet / confinement of your aloneness / to learn / anything or anyone / that does not bring you alive / is too small for you.” David Whyte is a poet and philosopher who believes in the power of a “beautiful question” amid the drama of work as well as the drama of life and the ways the two overlap. He shared a deep friendship with the late Irish philosopher John O’Donohue. They were, David Whyte says, like “two bookends.” More recently, he’s written about the consolation, nourishment, and underlying meaning of everyday words. Find the transcript for this show at onbeing.org. This show originally aired in April 2016.

On Being with Krista Tippett

David Whyte – The Conversational Nature Of Reality

Coleman Barks recites Rumi poem accompanied by David Darling on Cello and Arjun Brugeman on Tabla. Live at Omega Institute.

Coleman Barks, David Darling & Arjun Bruggeman: Rumi

Laughing Kookaburra - Dacelo novaeguineae

In 1968, Dr. Bernie Krause was leading a booming music career. A prodigiously talented musician and early master of the electronic synthesizer, Krause was busy working with artists like the Doors and the Beach Boys and performing iconic effects for blockbuster films. Then Warner Brothers commissioned him to create an album incorporating the sounds of wild habitats, so he headed into Muir Woods with his recording equipment. What he heard changed his life and triggered a fifty-year odyssey.

Then and there, Krause decided that he wanted spend the rest of his life recording and archiving the music of wild animals and wild places. He quit Hollywood and began traveling the world. The soundscapes he recorded were full of epiphanies about the origin of our own culture and music, about the profound connectedness of creatures, and about the unseen tolls of human activity. Previous wildlife recordings isolated the calls of individual creatures, but Krause recorded habitats as a whole. He soon proposed a new theory of ecosystem functioning: that each species produces unique acoustic signatures, partitioning and occupying sonic niches such that the singing of all of the creatures in a healthy ecosystem can be heard, organized like players in an orchestra. 

Today, Krause’s astonishing archive contains sounds made by more than 15,000 species. It is, as The New Yorker aptly put it, “an auditory Library of Alexandria for everything non-human." Fifty percent of the recorded habitats no longer exist due to habitat destruction, climate change, and human din. We spoke with Krause about the beauty of and perils facing wild music, the extraordinary science of soundscape ecology, and how sound impacts the welfare of animals. The music in this episode is from Wild Sanctuary (www.wildsanctuary.com).

Surrounded by dimensions ft. Dolores Cannon

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