Flow Machines has been releasing experimental electronic pop since 2008.

The first release was a radical reworking of The Human League b-side Hard Times, in an extended 12" style format.

Flow Machines has since released three albums, Every Last Drop, Hi-Res and All Of Life Is Stories, and an EP, We Are Starlight.

Flow Machines surfaced in late 2008 with a major reworking of The Human League’s classic b-side ‘Hard Times’.

Flow Machines has remained an entirely studio-based act, receiving acclaim in Time Out magazine and the NME for its remixes of Cornershop and The Lost Cavalry respectively. Flow Machines tracks and DJ sets have been played on radio stations in the UK, Europe and the US.

This Soundcloud page serves as a sandbox for works in progress, unofficial remixes and selected archived tracks and DJ sets.

Further tracks are available on Spotify and Bandcamp.

<strong>Downloads:</strong>
<a href="https://www.flowmachines.com" target="_blank">https://www.flowmachines.com</a>

I use Ableton live suite 11 to make house music (different styles) and i make remixen! i love to use my juno 106 and ensoniq eps 16+ and i have bought a juno X  great synth with super good sounds

Rituals is an LA based Electronic band.



Hi
My name is Emma.
The songs i will post here is a few songs fron different projekts I´m working with, hopefully to become a better producer, sonwrighter and to improve my mixing skils.

Check out onebyoneband and DomAndra  for som other things I am up to!


Das Spezial is a daring UK-based independent record label, founded in 2019 by music producer Shahab Notghi, with the vision of curating a collective of musicians and artists dedicated to crafting bold, genre-defying music that disrupts convention and redefines the landscape of the UK independent music scene.

Rooted on the South Coast and nurtured across creative hubs in Bournemouth, London and Bristol, Das Spezial operates as a collaborative hive with Notghi at its core. Over the years, Notghi has been mentored by and worked alongside some of the industry’s most acclaimed veterans—including Steve Dubbs (The Chemical Brothers) and Clive Deamer (Radiohead)—experiences that continue to shape the collective’s innovative direction. The project now brings together producers, acclaimed musicians and vocalists —including Stew Jackson (Massive Attack), Ewan Pearson (Goldfrapp, Chemical Brothers), and others—each contributing their artistry to create immersive, cinematic soundscapes designed for both underground resonance and main-stage spectacle.

Their output showcases a fearless range: from orchestral crescendos and melodic ballads to punk-tinged lyricism and brooding electronica. Past projects and EP releases highlight their restless creativity, with string arrangements by Royal Academy alum Drew Morgan and contributions from a diverse roster of collaborators.

Das Spezial is more than a record label—they are cultivating a new wave of collaboration and creativity within the UK independent music scene, pushing boundaries through innovative production, world-class musicianship, and a vision that merges genres, influences, and disciplines into something truly unique.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Have got songs for more than an album.

"... pray — grant thou, lest faith turn to despair."

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