Composed 2021
Dortmund
Germany
Brian Ledwidge Flynn
Performed by the Engine Room Orchestra Electro-Acoustic Ensemble
Conducted by B L Flynn.

LIAISON • Second Interpretation

from https://oberlin.bandcamp.com/album/stone-valley-days

If Schooling Days Were Ruling Days

My own haiku inspired me to remix a recent track I'd made for another project. Played on a soft trumpet-like sound in Acoustic Shadows VST synth, with Spaced-Out added. 
Recorded and remixed in Reaper; mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Star - Like (naviarhaiku413)

Raymond's 'grim' haiku took me to a more experimental place than usual, and I dusted off a real synthesizer: Korg Minilogue XD. Improvised, as always, with minimal editing, so rather random. Held together by being played (more or less) in D Dorian. Recorded in Reaper. Effects (Frostbite2 and Seventh Heaven reverb) included in original take. Mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Relics (naviarhaiku414)

Another improvisation on a hardware synth - Korg Minilogue XD - this week, in response to my own haiku. Recorded and mixed in Reaper, with added effects: Airwalker reverb, Timeless2 delay, and Frostbite2. Mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

A Cool Breeze Blowing (naviarhaiku415)

This is Little Bees by Mōv Raptor. Strings by Peace Junky.

Original  track:
https://soundcloud.com/movraptor/little-bees?si=291ec57337c943cd9fb94d6e849ad62d&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

For the children of money

Little Bees by Mōv Raptor with Peace Junky

This haiku, by Santoka Taneda (1882-1940), inspired my improvisation on LABS (by Spitfire Audio). Recorded and mixed in Reaper. Mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

The Long Night (naviarhaiku426)

Multiple layers of synths, strings, samples come together to create a wall of sound that is intended as a soundtrack to the outer reaches of Space and beyond.

Telescopes

|-  E. y A. z  e.  x  ( z  =/=  (/)  
->  E! w  e.  z  E. v  e.  y  (z  e.  v  /\  w  e.  v )

This is a piece of music arranged from midi information extracted  from the Theorem "THE AXIOM OF CHOICE EQUIVALANT' and uploaded to the Metamath website in 2000. 

As stated on the site:
The music is faithful to the original proofs. For example, the five sustained (lower) notes you will hear in the Law of Identity match, in order, the five steps of its proof, while the faster notes represent the construction of the formulas used in those steps.

I took this information and arranged it into a composition. The first of a series of THEOREMS arranged in such a fashion.

Brian Ledwidge Flynn
September 13th 2022
Dortmund
Germany

𝚃𝙷𝙴𝙾𝚁𝙴𝙼 #𝟷 • 𝙰𝚡𝚒𝚘𝚖 𝙾𝚏 𝙲𝚑𝚘𝚒𝚌𝚎 𝙴𝚚𝚞𝚒𝚟𝚊𝚕𝚎𝚗𝚝

I grew up on a dead-end street. I failed to understand the metaphor.

backstory 5 [version 8 - celestas - to be played softly]

alchemist

My music is freely improvised, usually on VST synthesizers, sometimes fretless bass, guitar, occasionally electric viola or cello, with a variety of effects pedals. Solo music is performed live and recorded as 'FlownBlue'.  I am also in four improvising duos: 'Windfall Light' (with Jim Tetlow), 'Abstract Blue' (with Kevin Buckland), 'Light Fragments' (with Steve Escott), and Szukanie (with Michał Wojciechowski). I'm a member of the Quadelectronic improv group based in Leicester, UK. Duo music is all on Bandcamp - links below.

A Cool Breeze Blowing (naviarhaiku415)

FlownBlue

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