I played and recorded this one as usually in an one take.
Solo is played with self made solid body guitar equipped with Fishman Triple Play midi system. Sound: Blofeld.
All the other sounds is achieved using Conductive Labs NDLR arepeggiator.
Bass: Dreadbox Erebus V3
Pad and "percussion": Flame Mäander.
Midi controllers: Roland PK 5A, Nektar Pacer, Arturia Beatstep Pro and Blokas Midihub.

Witche`s Flight To Arctic

A jam in which we used 3 groups of 3 instruments each, but all 3 had to have the same arrangement. Timing and automation are thus the main things seperating the textures. They get seperated out just so I can throw 'em back in the blender again. Ain't life grand?

Meditation No.27 - Metamorphosis x 3

naviarhaiku479 – Summer night

Sotto la coltre verde della foresta esiste un`incessante attività della natura. Non solo statici e rassicuranti droni sonori, ma soprattutto impulsi ritmici e percussivi.
Under the green blanket of the forest there is an incessant activity of nature. Not only static and reassuring sound drones, but above all rhythmic and percussive impulses.

Clays Mallets and Keys.

Reaktor Ensembles:
TG-1S
TG-8H Live
TG-8H

14/03/2023

Ants Bees And Fleas (naviarhaiku479)

21Mar23

My naviarhaiku480 submission;
https://www.naviarrecords.com/2023/03/15/naviarhaiku480-filling-my-shadows/
:D

filling my shadows [naviarhaiku480]

naviarhaiku482

dark and light
balanced vernal equinox
marginal breath

Andy Perrin is a writer/photographer/cyclist/teacher who lives in southern Rhode Island in the U.S. He often explores the world around him on one of his bicycles and records moments of inspiration in photographs and words.

Much of his work is rooted in nature and recently that led him to begin to practice haiku. Andy enjoys tight writing that allows the reader to find room for themselves among the words and lines. His poetry and photography has been published by petrichor, Roi Faineant Press, Brimstone & Venus Literary, Full Mood Mag, Spare Parts Lit, Green Ink Poetry, and Quibble Literary Journal.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com

Deadline: 5th April 2023

haiku by Andy Perrin
picture by Wonderlane

Dark and light (naviarhaiku482)

17Apr23

My naviarhaiku484 submission;
https://www.naviarrecords.com/2023/04/12/naviarhaiku484-misty-daydream/
:D

misty daydream [naviarhaiku484]

Disquiet Junto Project 0594: Threemix The Assignment: Remix an asynchronously produced trio. More info on Disquiet Junto: disquiet.com/0594

This week I chose to work on @Campos-1(https://soundcloud.com/campos-1/a-loneliest-numberdisquiet0591), @halF-unusuaL  (https://soundcloud.com/half-unusual/half-loneliest-disquiet0591-collaboration-with-campos) and @NoodleTwister (https://soundcloud.com/noodletwister/half-feedback-disquiet0593-with-campos-and-half-unusual) track. 
Thanks a lot for sharing their works.

Initially I was thinking about processing it with modular, but when I imported the tracks I started working in Ableton and forgot my initial plans. Everything was already there so I just worked on textures and levels. @Campos laid the drums, @halF unusuaL became a watery/glitchy ambient and @Noodle Twister the crunch.

@halF unusuaL track was panned and split in order to use right channel only. I imported it in Ableton and duplicated the track. The two tracks have different warp settings (Textures and Tones), Auto Filter with bandpass, pitch hack (12 & 24 semitones up), phaser and Valhalla Shimmer. Tracks panned extreme L and R
@Noodle Twister audio effect rack with 2 lines, one heavily processed with GrainSpace, a m4L Formant and  GongAmp. The other is effected just with Formant. The rack is then processed with Color Limiter and Slink Pan
@Campos is effected with Drum Buss, Saturator, Glue Compressor, Auto Filter high pass and Beat Repeat, panned 20L 20R

4 1 #4 / (Campos - HalF unusuaL - Noodle Twister Remix) (disquiet0594)

naviarhaiku504 – Lazing in shadows
Lazing in shadows,
Conceding the drawing room
to moonrays

Hidden

Hidden - (naviarhaiku504)

This track was created for the Naviar Haiku group.
505
https://www.naviarrecords.com/2023/09/06/naviarhaiku505-in-search-of-a-name/

2023-09-07

In Search Of A Name  (Naviarhaiku 505 )

:::
my contribution
to
Naviar Records
Haiku Challenge 505

my interpretation of a
haiku
by
Mark Miller

.
.
.

in search of a name 
the torrent of rainwater 
down the canyon wall

t o r r e n t* ::: naviar haiku 505

This lovely haiku, by Ryōkan Taigu (1758-1831), inspired my solo guitar improvisation. Played on an Epiphone Casino guitar. Recorded in Reaper. 
UPDATE: I decided I didn't like my original version. This is a remix using Blue Cat's Axiom V2 instead of Guitar Rig 6.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

About A Leaf AXIOM REMIX (naviarhaiku506)

My music is freely improvised, usually on VST synthesizers, sometimes fretless bass, guitar, occasionally electric viola or cello, with a variety of effects pedals. Solo music is performed live and recorded as 'FlownBlue'.  I am also in four improvising duos: 'Windfall Light' (with Jim Tetlow), 'Abstract Blue' (with Kevin Buckland), 'Light Fragments' (with Steve Escott), and Szukanie (with Michał Wojciechowski). I'm a member of the Quadelectronic improv group based in Leicester, UK. Duo music is all on Bandcamp - links below.

About A Leaf AXIOM REMIX (naviarhaiku506)

FlownBlue

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