elite classics

A cello quartet arrangement of the second movement from J S Bach's Orchestral Suite No. 3 in D major, BWV 1068.
Cello arranged and performed by Deryn Cullen
Mix and mastering by @dan-cullen

J S Bach - Air on the G - String

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The Path. The Heart Decides - Nocturne, 03 Jun - Piano Solo

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deryncullen.bandcamp.com/track/je-te-veux-erik-satie
Cello quartet arranged and performed by Deryn Cullen

Erik Satie - Je Te Veux

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Our first video is out!!! ;) Carol of the Bells. We wish you a Merry Christmas!!!

Here is our first full song on youtube, we hope you like it, share it, subscribe us and mainly that you enjoy the listening to the music we play! ;) 
THANK YOU FOR LISTENING!!!

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Original music:
Shchedryk (Public Domain Licence)

Production:
Blue Lune Production - http://www.youtube.com/TheBlueLune

Recording:
Studio Georde Lukas

Mastering/Mixed by:
Alexandre Guiraud
https://soundcloud.com/alexandreguiraud

Shchedryk (Carol of the Bells)

This song is mastered by Signal Touch Mastering.

Only You - The Platters

My mellow attempt on this famous piece. Home recording using Tascam im2 for iPad/Garageband/Adobe Soundbooth

Jean Sibelius - Étude Op.76 no. 2 (A minor)

Amelie Soundtrack - Yann Tiersen

Yann Tiersen - Porz Goret

14- Shubert OP 100- Andante Con Moto- Barry Lyndon Original Soundtrack

C'était ici

Le Banquet (Live)

"La Valse des Monstres" played by Trio de Rue!!! ;o)

Listen also on YouTube:
https://youtu.be/8UYrg6aYSuQ

recorded at studio reset:
www.reset.cz

produced by Blue Lune Productions:
www.TheBlueLune.com

This track is composed by Yann Tiersen, and this is our noncomercional cover, that means that all rights belongs to its original author or his representative. This is meant as Fair Use.

La Valse des Monstres

La Valse des Monstres - Trio de Rue cover (composed by Yann Tiersen)

Erik Satie - Once Upon A Time In Paris

Éric Alfred Leslie Satie (signed his name Erik Satie after 1884) (17 May 1866, Honfleur -- 1 July 1925, Paris) was a French composer and pianist.

These Three Gnossiennes were composed around 1890 and first published in 1893. A revision prior to publication in 1893 is not unlikely, the 2nd Gnossienne may even have been composed in that year (it has "April 1893" as date on the manuscript). The piano solo versions of the first three Gnossiennes are without time signatures or bar lines, which is known as free time.

These Gnossiennes were first published in Le Figaro musical No. 24 of September 1893 (Gnossiennes Nos. 1 and 3, the last one of these then still "No. 2") and in Le Cœur No. 6--7 of September--October 1893 (Gnossienne No. 2 printed as facsimile, then numbered "No. 6").
The first grouped publication, numbered as known henceforth, followed in 1913. By this time Satie had indicated 1890 as composition date for all three. The first Gnossienne was dedicated to Alexis Roland-Manuel in the 1913 reprint. The 1893 facsimile print of the 2nd Gnossienne contained a dedication to Antoine de La Rochefoucauld, not repeated in the 1913 print. This de La Rochefoucauld had been a co-founder of Joséphin Péladan's Ordre de la Rose-Croix Catholique et Esthetique du Temple et du Graal in 1891. By the second publication of the first set of three Gnossiennes, Satie had broken already for a long time with all Rosicrucian type of endeavours.
Also with respect to the tempo these Gnossiennes follow the Gymnopédies line: slow tempos, respectively "Lent" (French for Lento), "avec étonnement" ("with astonishment"), and again "Lent".
A sketch containing only two incomplete bars, dated around 1890, shows Satie beginning to orchestrate the 3rd Gnossienne.

elite classics

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