SINGLES

The most currently relevant selections of the immediate now: it's new!

CONTEMPORARY MUSIC: SEPTEMBER 2020

Never Forget What Moving Your Body Can Mean

ITS NOT QUICKSCOPING IF YOU HAVE ACOG

Walking Wounded

Before Today

https://soundcloud.com/eeltankk + https://soundcloud.com/daemondaemon

https://embalminglately.bandcamp.com/album/neon-dawn

GRIP

EEL TANK - SOURCE FT. DÆMON

#polyendcontest

Polyend Challenge/remix contest from Benn and Gear, Sarah Longfield, and Polyend where we have to make a song only from Benn and Sarah's collaboration of sounds. This was a really fun and challenging project and it made me realize that making music is all fun again after being in a musical rut. Thanks to everyone, and you listener for listening my music.

Benn's live listening party(timestamped):
https://youtu.be/1Qnuxb5WKWU?t=6781

Winners announced!:
https://www.youtube.com/watch?v=n-vsxrqm2YQ

A comment from that video:
[user] Tekunikaru: "Who's the freak that made the tune at 1:53:00???" 

It's me, I'm that freak :)

Polyender

Download

Polyender #polyendcontest

bad ending

F20 / DÆ1R
https://youtu.be/b-yVwHLa6Ug
https://fitnesss.bandcamp.com/

https://soundcloud.com/daemondaemon
https://www.daemonxyz.xyz/

DÆ1R ft. DÆMON & SAJDAH

GHOST1

XXaCIDNEKoXX

Bandcamp

Sweet Dreams

Yawn

Spotify https://open.spotify.com/album/7o35XXcttnqCdZj8Xn75iC
Apple Music https://music.apple.com/us/album/sermon-4-anniversary/1528586612

Underground media hub Sermon 3 Recordings, founded by established producer and engineer The 83rd, turns 4 years old this August. To celebrate, Sermon 3 will be releasing a special anniversary compilation with a power circle of artists bounded together by its multimedia web.

‘Sermon 4’ bridges together artists from all over the world, as the release opens with a new track from Alice Glass who has laid the groundwork for her fellow mutants to come through. Ghetto house legend DJ Deeon samples Roddy Ricch’s ‘The Box’, Via App opens the chamber releasing the highly sought-after ‘Electromancy (Esh Umaim Version),’ whilst NEUTER//MRTRU3L0V3 flip the switch contributing a luscious deep house record.

Through community activism, DIY shows, underground raves and online forums, Sermon 3 has become a place where underground communities from around the world can find each other. These are the well deserved and overlooked voices that power mainstream society. The black, brown, inner city, queer, hyper-creative, boundary pushing artists that define generations have found a home with S3R. With Sermon 4, this home is also extended to Circa After Death affiliate Odete, deconstructed Latin club artists Meth Math, sound and art performance duo Scraaatch and Oakland visionary DÆMON.


Tracklist:
1. Alice Glass - NIGHTMARES
2. DJ Deeon - Bang Them
3. The 83rd - cleaver
4. NEUTER//MRTRU3L0V3 - bittersweet
5. Via App - Electromancy (Esh Umaim Version)
6. DÆMON - Stay Still
7. SCRAAATCH - u don’t kno until u come
8. Odete - O DIABO
9. Meth Math - aserje20202 

released August 28, 2020

Nightmares produced by Jupiter Keyes, Mixed by Ryan Kaul
Stay Still produced by housepett
Mastered by The 83rd, Track 5: The 83rd, Via App + Bookworms, Track 1: Joe LaPorta
Album Artwork: Jane Pain
Graphic Design: Rage.inald, The 83rd

DOWNLOAD

6. DÆMON - Stay Still

Schlish - Threats (Produced By Cheecho) (@DJTIPTRONIC EXCLUSIVE)

Wonder

Midlife Crisis

rangerover

rangerover (Vegyn Remix)

Nectar

Your Man

Track Premiere: 'Eco Fascist Dethroned' by @euglossine [@genotcentre]
Read more: https://paynomindtous.it/ecofascistdethroned-euglossine-genot
***
The prolific composer and multi-instrumentalist Tristan Whitehill from Gainesville, Florida, also known as Euglossine, is about to release yet another formidable record on the Prague-based Genot Centre outcome. Out on October 4th on digital and C34 tapes (limited edition of 55 + on-body printing), Blue Marble Agony erupts Tristan’s typical jazz-fusion-chill weirdness and bright minuteness in a 33-minutes cauldron of conceptual elevator muzak, at times intense at times carefree, suggestive, and challenging, instant and precious.

Euglossine’s electro-exotica has been consistently perfected over the last years by steadily releasing rich albums of texture explorations, theatrical sound solutions, and suspenseful histrionics. Among his vast production, it’s possible to mention the three separate appearances on the seminal Orange Milk Records from the US with Canopy Stories, Sharp Time, and Psaronius (2016, 2017, and 2020, respectively), devoted to the artistic and poetic investigation of the possible meaning and use of Music in 2020 – mainly focusing on the relationship between digital abstractions and analog materiality. Tristan’s body of work features many other releases (such as the ones on Beer on the Rug and Hausu Mountain, just to name a few) that enrich his visionary and variegated take on modern jazz improvisation and library music, losing itself in the smallest composition detail and crafting the perfect, limitless sonic journey.

Blue Marble Agony displays Euglossine’s vision in its finest, defining a peculiar style that Genot Centre’s founders aptly label as “high-definition cyber-prog“. The artist’s wide sample banks are expertly used to offer multi-layered progressions and complex improvisations served with no frills, immediate and never inaccessible. From the encyclopedic sound palette employed in Blue Marble Agony, one could discern all sorts of string instruments, traditional and synthetic percussions, folk flutes and digital wind instruments, multiple nature sounds, all paired with the heavy use of processed, recontextualized samples.

The labyrinthic tracks exhibit titles that have reportedly been associated with a variety of pressing environmental themes, whose complexity and urgency have been addressed via endless harmonic transformations, grave arrangements, and a consistent portrayal of ethereal scenarios and elusive sensations. The record requires all the listener’s attention throughout all the length of the tape, as it’s basically impossible to foresee the next move in the cinematic grandeur of the compositions, which are at times so overflowing that it makes you wonder if an actual arcane alien message could have been encrypted in the sound textures.

Today, we’re honored to share with you the Eco Fascist Dethroned track, the 7th on the cassette. The delicate composition, featuring a marvelous melody, rich stereo panning effects, and a percussive crescendo, sounds to us like an affirming, heartfelt call-to-action to promote awareness and actively participate in the current fight against forces of power that systematically refuse to be held accountable, among the most memorable episodes in the whole Blue Marble Agony. The tape, mastered by Angel Marcloid and designed by Lenka Glisníková & h5io6i54k, will be out on October 4th on Genot Centre’s Bandcamp and it’s now available for pre-order. Make sure you check it out!

Blue Marble Agony

Euglossine - Eco Fascist Dethroned [PAYNOMINDTOUS Premiere / Genot Centre]

Artist: @daemondaemon & @therealendgame
Catalogue Number: IM082
Album: DXE
Release Date: October 30th, 2020
Format: Digital

Following up his debut on Chino Amobi’s Intelligent Models with ÆOS, critical lyricist DÆMON teams up with Hyperdub’s affiliate and dark alchemist Endgame for a forceful collaborative EP that summons haunting ambiences with powerful passages and persuading rhythms.

Oscillating between the xenomorphic vocal capacities from DÆMON and the haunting club explorations of Endgame, DXE is a collection of industrial compositions that conceive an esoteric setting where two colliding forces unite for an intriguing and provocative exordium. A correspondence that inherits the divergent influences of the counter cultural soundscapes of Oakland and London - the artists hometowns - in a prodigious way.

The dark approach on the dancehall-inspired vocal performance from DÆMON is a highlight that contrasts with the experimental impressions of Endgame’s production, switching widely from punk to dembow motives within a contemporary take on overwhelming electronic explorations as a divergent complement that enrich the duo's exhilarating approach.

Introspective scopes define each track from the record. Let me breath is a crushing encounter for the prosaic verses of DÆMON, as his spoken word opens up a sonic void with overdrive motives. While the indulging energy of Queue shows off a more danceable side of DÆMON with a demonical dancehall inspired beat, in Eye Teeth, his bars match perfectly with the cybernetic warfare melodies from Endgame. Hearing him sing about being wounded within the act of liberation in Caged consolidates an acute poetry that fits thoroughly within a grinding techno beat, a devastating apocalyptic ballad culminates the record where an ethereal vocal from Deka repeats subtly on 530I.

It might be the presaging lines from DÆMON embracing the powerful and ominous production from Endgame that makes DXE a dark and a futuristic experience, envisioning a forward-thinking piece of puncturing yet suggestive experimental dance record.

Mastered by Fausto Mercier
Artwork by Francesca Landi

DÆMON & ENDGAME - Eye Teeth (IM082)

rooom impulse - Lucas Lex

Bad Things

She picture us together, please no pictures lady
I’m always in new countrys, I'm getting money baby
They got bottles on the house, & it's been so latley
I let the guap do it’s thing, and we 𝑔𝓊𝒸𝒸𝒾 baby

Money can'𝓽 tell whats right or wrong
Formal dinner st𝓲ll got fendi on
on a molly put my brud𝓭a's on
bust out a rolly, not my only on𝓮 

gotta watch your step, lego’s everywhere
money make you dance, music in my ear♫
where is swoopy teachers think i disappeared 
𝓅 𝓅 𝓅ockets filled we still gon bring the bag inhere

𝓢𝓪𝓶;
I’m rich ur rich let’s have a money, baby
New dsquared jeans every fuckin day
money come money go throw it all away
money come money go but it’s ok
I’ma make it back anyway, I’ma make it back anyway
As long as you say
𝒜𝓈 𝓁𝑜𝓃𝑔 𝒶𝓈 𝓎𝑜𝓊 𝓈𝒶𝓎:

just say that u want me too,
I'll do whatever u want me to
money, the benjamin franklin is blue
put Mihara Yasuhiro on my shoes

got the wock got the tris we could pour up 
Me and Swoop getting high on the sofa 
got a show i get paid just to show up 
in the club we could drink til we throw up 


•♬•♫•.@sglily @cyprinuscarpio •♬•♫•.

money baby 錢 +Sg lily (bizarius)

Pigeons & Doves

Pigeons & Doves (prod. Modulaw & Xzavier Stone)

BOOKING
fitnesss.asd@protonmail.com
ABLETON SOUND DESIGN
https://www.patreon.com/a_s_d

DÆ1R ft. DÆMON & SAJDAH

FITNESSS