One of the tracks from the upcoming Zvuku LP on Heat Death.

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Zvuku - Coldsong

Ghost and Tape : quitar 
Anna Marjamäki : vocals 

Hior Chronik - Haunted Until You Feel Nothing

Dark ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

DARK AMBIENT - VALLEY OF TEARS

Commissioned by the Northwest Film Forum in Seattle as part of their Puget Soundtrack series, Madeleine composed and performed a soundtrack to Hitchcock's classic film, The Birds.  

Bodega Bay

Taken from the upcoming album 'The Epiphanies' by Bill Seaman...

The Epiphanies...

Composing memory
The backs of my hands
Headlights slowly turning, illuminating the branches
Skin (slow)
The folds of eros
Slow motion in darkness
Quietly touching
Slow moving fog
A quiescence of obsolescence
Dark wet trees and angled lines of light
The collapse of time
Hidden memories and breathing
Luminous silent stasis
An epiphany of epiphanies

..........

Seaman – Piano, non-location recordings, ebow guitar, DX7IIE, mellotron, samples, sample arrangements and Ableton Live abstractions. Production.
Owen Sidney Richardson — Contrabass and Electric Bass guitar library 
Craig Tattersall  — Synth Bass library  
Robert Ellis Geiger  — Trumpet, Cornet, Flugelhorn library  
Jonas Braasch  — Horn library 
Ciompy Quartet – Violin library 
Daniel Howe – Distant Guitar on 14
Design by Daniel Crossley
Photography by Nieves Mingueza
Mastered by James Plotkin

..........

I often work by making libraries of particular kinds of sounds or asking people to contribute a library. With the contributed library I often give the players simple verbal instructions, or sing notes I am interested in including. With the piano, I sit down and do a series of improvisations. I then go though these and edit my favorite parts, building a series of fragment libraries, some with little or no abstraction, some greatly abstracted with Ableton Live. I compose in a very sculptural manner with Ableton, dragging things in from the libraries and trying things out often exploring chance related juxtapositions. I often shift the time and transpose individual samples to make them work with the other material. I build up structures, cut/copy/paste complex layered sections, erase sections that are not working, loop things, and slowly construct a track going though many iterations. I often later cut away at the built up tracks, and edit the piece down, further articulating a structure. I often finish with having between 20 and 50 tracks. In the final set of passes I fully articulate the psychoacoustic space, working with panning, eq, distortion, delay, abstraction, and reverb. I further edit and structure the parts that begin to “work”. Along with the piano I make Libraries of DX7IIE sounds, electronic beats, mellotron, electronic micro-rhythms, non-location recordings from noises found on the internet, orchestral abstractions, midi instrument libraries— violin, cello, woodwinds, and I also employ highly abstracted piano. Additionally I build libraries of ‘abstract’ guitars, playing alternate instruments through synthetic and or real amps. This overall method allows me to work very quickly and intuitively. In this case, the music is more sparse than many of my other recordings.

The Epiphanies started with some long titles like An Epiphany Related to the Back of the Hand. I later came to the notion of just titling the album The Epiphanies, and making the titles shorter. When I searched the title I was excited to see that James Joyce had done a series of short poems with the same overarching name. - Seaman 2017

..........

- Special Thanks – Craig Tattersall, John Supko, Daniel Crossley and Fluid Audio

- This album is dedicated to the memories of Rick Tear, Ranulph and Aartje Glanville, Otto Piene and David Bowie.

..........

www.fluidaudio.bigcartel.com
www.billseaman.com
www.nievesmingueza.com

The Epiphanies

Bill Seaman - An Epiphany Of Epiphanies

Track taken from the upcoming album 'The Licence To Interpret Dreams' by Antonymes. ..

The album will be a 2 x CD of the original album, re-mastered by James Plotkin along with a remix CD from the following artists: 

Christoph Berg, Humble Bee, Tape Loop Orchestra, Olan Mill, Clem Leek, Antonymes, Ben Chatwin, Aaron Martin, P Jørgensen, Marconi Union, Bill Seaman, Hummingbird and Ian Hawgood.

Physical format will include: A deluxe double edition with a 6 panel blind debosssed outer on heavyweight GF Smith stock, 24 page perfect bound  photographic book along with vintage ordnance survey maps of the Lake District.

http://fluidaudio.bigcartel.com/mailing-list

The Licence To Interpret Dreams

Antonymes - The Womb Of The Great Mother (Tape Loop Orchestra Remix)

Track taken from the upcoming album 'The Topologies of Blue'...

Bill Seaman - Piano, Piano Libraries, Sample Compositions, Samples, Abstracted Percussion, Non-location Recordings, Electric Guitar Abstractions 
Wei Ping Lin – Violin Solos 
David Rothenberg - Clarinet, Bass Clarinet, Contralto Clarinet Solos
Sid Richardson – Upright Bass Libraries
Tim Bjorklund – Electric Guitar Libraries
Volkmar Klein, Sound Engineer for initial violin recording

...

Produced by Bill Seaman
Mastered by James Plotkin 
Cover design by Ian Hazeldine 
Overall design by Daniel Crossley

...

Special Thanks to all of the musicians + John Supko, Craig Tattersall, Volkmar Klein, Maura Walsh-Seaman, Dan Crossley & James Plotkin.

...

www.fluidaudio.bigcartel.com/mailing-list

The Topologies of Blue

Bill Seaman - Isolated Reflections / Dark Slippages / Falling Inward / A Collection Of Repercussions

Shivers. Awake. These are real emotions. Gala Dust.
Stream/download: http://smarturl.it/elskavon-galadust

Released on Piano Day 2019 - March 29th. @nilsfrahm
Featured on the Sonder House compilation, Recollections Vol. 2

www.elskavon.com
www.twitter.com/elskavon
www.facebook.com/elskavon
www.instagram.com/chris_bartels
www.instagram.com/elskavon

Gala Dust (Piano Day 2019)

Carried

Sparks

Cenes - Sparks

Track taken from the upcoming album 'Still Life', forthcoming on Fluid Audio...

Composed mixed and arranged by Edu Comelles using samples from rehearsals with Música Trobada Ensemble of Baroque Music. Samples feature harpsichord, violins and countertenor voice. Electric bass by Isabel Latorre recorded in Valencia in 2019.

www.fluidaudio.bigcartel.com/mailing-list

Still Life

Edu Comelles - Lament

This song is entirely based on vocal recordings that were processed by using a sampler, based on granular synthesis. All sounds that you can hear are our voices being stretched, squeezed, cut, pitched and sent into an fx chain.

@annamarjamaki

Taken from my recent record "Confidence".

Memum : Illuminate (feat. Anna Marjamäki)

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.