A new collection of work titled 'Sodium Light' from myself has just been released on Lee Norris's excellent NeoTantra label. The work was inspired by a series of night walks my daughter and I took towards the back end of 2019; pre all the states we find ourselves in at the moment. It's an impressionistic work of night-time cityscapes. Mastered by Fraser McGowan.

Sodium Light

Night #2

'Night #2' - Taken from the release 'Sodium Light' - [Neotantra, 2021]

~ LAAPS 023 ~ [SEQ.03 - LP23]

artist : Seabuckthorn
 album : Of No Such Place
duration : 39.34 mn
 date : November 04th, 2022

edition :
-  vinyl : limited to 200 copies / solid silver LP / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : October 07th, 2022 / official release : November 04th, 2022
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Guitars, field recordings, clarinet, tongue drum, cymbals, effects and mixing by Andy Cartwright.
Double bass on 1,2,3,5,6 by Phil Cassel.
Recorded at home between March and April 2022 in Veynes, France.

Mastered by Ian Hawgood
Cover photo taken by Andy Cartwright in Le Dévoluy in Oct 2021.
 Design by Sprflxgrfzm

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Links :
https://laaps-records.com/
https://seabuckthorn.bandcamp.com/
https://seabuckthorn-music.com/

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℗ & © 2 0 2 2 - L A A P S - L A A P S  0 2 3

Seabuckthorn - Hand In The Upward Sky

Christian Balvig is a Danish composer known for his score for the Scandinavian drama series Cry Wolf [with the Copenhagen-based electropop group, When Saints Go Machine], as well as his work with orchestras like The Royal Danish Orchestra, Copenhagen Philharmonic and The Danish Chamber Orchestra. To be completely honest, this is the first time I am listening to Balvig [although I noticed him being credited on a few Efterklang albums], and it's exciting for me to discover his music from the upcoming solo debut, Night Poem. "The album is an ode to and from the night, a rebellion against constant stimuli, and a meticulous hunt for ghost notes and the almost imperceptible sound of piano keys." The piece I am premiering for you today, titled "Where All Is", features a closely mic'ed piano with all of its beautiful mechanic sounds, just enough bass to give it the platform it needs to sustain the sparkling synth arpeggios and backing acoustic percussion. This is a lovely track to wake up to in the early morning as the darkness quietly recedes to light, and we find ourselves faced with another brand new day full of possibilities and welcome prospects. All we have to do is float throughout it all and let it be, as the universe will set its course for us to follow.

Night Poem

Where All Is

TRACK PREMIERE : Christian Balvig - Where All Is

Coming soon on Fluid Audio...

Music: Fields We Found
Mastering: Ian Hawgood
Design: Daniel Crossley

Paths

Fields We Found - Retrieve

This album consists of unreleased tracks. Some were not suitable for labels or collaborations, others were just outtakes that I refused to include in any works.

When I listened to them again, they sound interesting. I think my subscribers will find them interesting as well.

Produced by Hidekazu Imashige
Cover Art by Hidekazu Imashige

The Forgotten Music

Levitation

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DR-88 : ARIA ROSTAMI - 'Siren' CD / DL
releases August 4, 2023 

Over the last few years, Rostami has been playing with new ideas using field recordings, improvised piano, and tape processing. Already having made a few records experimenting with these ideas, "Siren" sets itself apart as a concentrated approach to illustrate abstract environments and landscapes through sound. On songs like "Cold Stream" and "The Recent Past" you will hear literal field recordings of nature mixed with composed musical emulations of environments, whether it be a representation of running water or the quiet nostalgia of suburban life. Songs like "Landscape" and "Today and Tomorrow" take field recordings of field recording records played in Rostami's studio space along with multiple recordings of the same piano performance. The piano is recorded with a field recorder, as midi and as a D/I recording and woven together, in and out, blending the soundscapes of field recordings and studio recordings into an undefined grey area.

Music written and recorded by Aria Rostami
Cover image by Dylan Tushar
Mastered by Ian Hawgood
Thank you Pepper, Afshin, Abbas, Nasrin, Dylan Tushar, Daniel Blomquist, Ashkan, Evan Scott, David August, and Sean Raji
license

Buy  CD / DL

The Recent Past

Tracklist

01. Anthéne -  Balance (featuring Fields We Found)
02. Glåsbird - Kata
03. Old Amica - Signal
04. Tomotsugu Nakamura - Heliotrope
05. Will Samson - Beatrijs' Theremin
06. Far away Nebraska - Lei
07. Jason Calhoun -  Small Circle
08. 't Geruis - In Purple
09. Arovane - Endett
10. Sonmi451 -  Hyperbole
11. Shuttle358 - Meteor heart

349. Sleepy Sunday Podcast (Elm Records)

Hey, you remember the Icelandic independent imprint called INNI Music, yes? It opened up with Atli Örvarsson's You Are Here back in 2020, and then there was Rose Riebl's Do Not Move Stones in 2021, followed up with Jónsi, Sin Fang, Alex Somers, Kjartan Holm's Sounds of Fischer Vol. 1 a year after, all of which have consistently made to my Best of the Year lists, in every single year. Right. So, yes, this is the same Holm from that Jónsi (of Sigur Rós fame) collaboration, this time with a solo release. Hailing from Reykjavik, Kjartan Holm is a musician and a film composer with half a dozen scores under his belt. This album, titled HORIZON, was originally written for a same-named documentary about the late Icelandic painter Georg Guðni, "whose innovative interpretations of forms and ideas paved the way for a renaissance in Icelandic landscape painting." The music, as conveyed in a piece I am premiering for you today, is capturing the vast and sprawling atmospheres, blending abstract textures with ethereal melodies in pastel haze, shifting tones, and wide brushstrokes. You don't even need to look up the paintings to see the resemblance (but I recommend that you do). Lovely tonalities to get lost in on this one, and I recommend that you pick up the album, in just a few days...

HORIZON

Limitless Pt. II

TRACK PREMIERE : Kjartan Holm - Limitless Pt. II

choir2

Music inspired by the dystopian futures of Blade Runner, I Robot and all the wonderful Science Fiction of the Past and Future.

NEXUS: IN MY NEON DREAMS

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.