white silence

A regularly updated seasonal selection of ambient, modern classical, and electroacoustic works (closed on March 5, 2023). 

Photo by Sasa Pliso via Unsplash
Source: https://unsplash.com/photos/T714EOIXVtU

Field Journal Companion - Winter 2022/23

enfokate

SPIRITUAL/TRIBAL/

Sudden Softness

EVASION/VOYAGE LUNAIRE

Echoes in the Valley, Vol. 3

Morgenfrisk

Tao of Healing

Gentle Season

Yes, I have already premiered two tracks this week (see Plïnkï Plønkï and Resina), and yes, this is another premiere of a track, and yet it is immensely needed, wanted, and necessary during these somewhat anxious times. “Rjóður” comes from the Icelandic composer Snorri Hallgrímsson, whom I’ve profiled on many occasions before (see also his In the Studio with… feature), as well as celebrated for his film music, which has been backed by the wonderful Moderna Records (home to many fantastic modern classical and solo piano composers, such as Jacob David, Ed Carlsen, Tim Linghaus, Tambour, and even yours truly). This particular piece appears on Hallgrímsson’s second EP titled Landbrot II – the first having been released last November with five pieces, and now, a year later, with five more. “The collection takes its name from the location of Hallgrímsson’s family cabin in rural Iceland, which he describes as his ‘happy place’. Landbrot translates to erosion or ‘land fractures’, and from this, we can imagine the search for inner calm and acceptance amongst the many obstacles of daily life.”

Read more about this release here: https://hcdi.gs/Landbrot

Landbrot II

Rjóður

TRACK PREMIERE : Snorri Hallgrímsson - Rjóður

Written and Produced by Andrew Tasselmyer and Michael Tasselmyer
Mastered by Taylor Deupree
Photography by Alexander Kopatz
www.go70north.com
ARCHIVES76 // ARCHIVESCD57
Archives | 2021

Gray Acres - Another Language

I’m taking another quick break in the midst of my Best of the Year feature to premiere this beautiful piece, and then, I promise, I’ll finish up publishing all of these year-end lists [only one more to go!] before the end of this week. Meanwhile, let’s all spend some time in the company of Vanessa Wagner, a French pianist who’s, in my humble opinion, doing something for the modern classical scene, what Martha Argerich did for the contemporary classical in the 20th century. It was indeed the debut recital of Argerich’s 1961 performance that thoroughly captivated me in her execution of Liszt’s Piano Sonata in B Minor [I still think it is the best rendering of that beautiful piece]. And it is Wagner’s solo piano virtuoso performances of music by Philip Glass, Nico Muhly, Suzanne Ciani, Harold Budd, and yes, even Brian Eno & Roger Eno, on this upcoming release on InFiné is what’s raising the bar for the next level of music appreciation from these present classical composers of the ambient and electronic music scenes. The imprint had previously showcased Wagner’s talent when she partnered with Murcof for Statea in 2016. Three years later, we were graced with Inland, on which Wagner played music by Bryce Dessner, Moondog, and Emilie Levienaise-Farrouch, among many others. For The Study Of The Invisible, Wagner continues her exploration of the minimalist repertoire, with many rare and unpublished pieces, some that have never been performed on the piano before. In today’s premiere, I’m sharing a composition by Ezio Bosso, an award-winning Italian composer who sadly passed away in May of 2020. This is a gorgeous minimal piece that resonates in the quietude of early morning and leaves behind the traces of melancholy, yearning for hope, and ultimately the acceptance.

More details, plus a video here: https://hcdi.gs/Before6

Before 6

TRACK PREMIERE : Vanessa Wagner - Before 6 [Ezio Bosso]

In a sonic world which currently appears to be saturated with meditative and reflective music, it seems too hard to meditate and then reflect upon the meaning of this saturation. Is it the fact that we’re all receding into quietude and need a bit more space for all our mental health, or is it simply the machinery behind the scenes that works like a suggestive algorithm to feed us more of what we want? I suspect the truth lies somewhere in between because it’s a little bit of both. Thankfully, I think I can see right through the latter, and bring you closer to the former because there are a few artists, and more importantly, record labels, that really focus on aesthetics, delivering music that connects every listener, and not just dilutes them with more of the same. In this particular case, I am speaking, of course, of Moderna, which since 2015, has been offering us beautiful gems. With their latest release, this Montreal-based imprint is introducing us to a Polish composer and pianist, Piotr Wiese. Building upon a successful string of film soundtracks, singles and albums, Wiese is currently working on a new LP for the label, but today we can get a sneak preview into his world with a charming title track, taken from his upcoming EP in September. “Coming Home” is a lovingly executed solo piano piece, with roots in European romanticism and newly-born branches in contemporary classical and reductionist minimalism genres – exactly how I like it. It’s a poetic melody that comforts and quilts, reminding me so much of those meditative and reflective pieces that I love so much to console in, even if they come from a turbulent mind of my own.

"Coming Home is all about a journey – the one you undertake to get to know your true self. Sometimes a lot of time has to pass to get to the place where you live your own life, rather than the lives of others. And then when you get to that place it feels like ‘coming home’ from a long journey. There can nonetheless be sadness because there are people, often loved ones, you have to leave behind to live in peace with yourself amidst the joy of the return to self."

Coming Home

TRACK PREMIERE : Piotr Wiese - Coming Home

Support and follow @Wickerbird on Bandcamp here: https://wickerbird.bandcamp.com/album/the-sea-weaver

Wickerbird is the atmospheric dream-folk project of Blake Cowan, started in the wild foothills of Mt. Rainier. It began as a means of relating the understanding he found wandering the woods, told in distilled daydreams and wrought within the distant strands of tranquil, wistful guitars and cavernous, haunting harmonies.

His prior work includes The Crow Mother (2012), The Westering (2013) and The Leaf Maker (2015) — collections of music that are steeped in allegories of disillusionment and transition, casting personal insights under layers of natural metaphor and mythical imagery. 

Where this past work concerned itself with forest-bound introspection, examining the forces of change in their capacity for growth, Wickerbird’s upcoming full-length record The Sea Weaver shifts its perspective outwards to the horizon, reckoning instead with the destructive aspects of change. 

While his vantage remains lodged in those same diminishing natural spaces, The Sea Weaver instead explores his relation to the rapidly unraveling human context that envelops him and in doing so, contends with a haunted acceptance of being bound to its fate. It is a collection of threadbare elegies for the end, as overheard through the walls of a crumbling house. 

With gauzy, liminal atmospheres, stark finger-picked melodies, reverberant choirs, and mythologized natural imagery, Wickerbird makes an accounting of what emotions remain – when the anger and fear of a stolen future have long burnt off.”

The Sea Weaver

in altar wine

Wickerbird - in altar wine (from The Sea Weaver)

I find it absolutely fascinating and, at the same time, truly inspiring thought, that with the untimely passing of Jóhann Jóhannsson in February of 2018 (wow, almost four years ago now!), he still really lives on through the music he made. And not just through his own. And although he left an incredible void, it's not like someone just stepped into his shoes. Instead, a significant number of collaborators and followers that he touched through the years continued to carry his legacy through their own unique sound. His light didn't go out - it just exploded into hundreds of thousands of fragments of many other lights, that are now expanding, forming their gravity, and with time growing larger. And I sort of wonder if that would have happened if it didn't happen the way it already has. That is an absolutely fascinating and truly inspiring thought with which I opened this write-up. In today's track premiere, we have precisely just that. Danish composer Jonas Colstrup worked closely with Jóhann throughout the years, collaborating on scores for the Japanese films Blind Massage (2014) and The Shadow Play (2018). Inspired by the late musician's approach to neo-classical minimalism carried forth with the cinematic elegance, as well as the incredible score by Ryuichi Sakamoto, Alva Noto and Bryce Dessner for The Revenant (Milan, 2015), and contemporary compositions by William Walton and Arvo Pärt, Colstrup gently sculpts a sonic chrysalis of emotion, in which one wants to wait out all current angst. And if this was a blind listening session, you may have even thought I'd uncovered an unreleased Johannsson track, with those scaling chord progressions and the beautiful arrangements performed by the Budapest Art Orchestra and Theatre of Voices. But to be clear, once again, this is not a copy, made from a mould lifted from Jóhann's work. It is an unmatched gorgeous sculpture, on which you may find his imprint, still warm to the touch.

At The Crest

TRACK PREMIERE : Jonas Colstrup - At The Crest

Buy/stream: https://kompakt.fm/releases/pop_ambient_2023

A contemporary product of relentless capitalism has been a trend called slowness for several years now. In order to counteract the perceived fast pace of the times in which we live with a little deceleration, sustainability and relaxation, phenomena such as Slow Food, Slow Travel, Slow Fashion or even Slow Cruising, the tourist sailing of the world's oceans with somewhat smaller cruise ships "away from the mainstream", have been introduced into the world. 

That slowness is more than the opposite of speed, that elements, things, sounds that move as if in slow motion unfold a special power, precision, aesthetics and beauty, doesn’t need to be explained twice to ambient musicians. The 23rd edition of the Pop Ambient compilation, compiled as always by Wolfgang Voigt, is no exception, but instead provides the proof. Already with the first tracks of Leandro Fresco/Thore Pfeiffer, Gen Pop (Burger, Pfeiffer, Würden), Morgen Wurde feat. Tetsuroh Konishi and Max Würden up to Triola's gloomy and melancholic "Kupferblüte", the feeling of a slowness and calmness not experienced before, of an exceedingly lively standstill, creeps over us. A mental state that resembles dreams, in which we follow strange events as if paralyzed, yet awake and sensory. 

The Cologne-based Sono Kollektiv, an association of experimental artists Annie Bloch, Stefanie Grawe, Joel Jaffe, Alex Linster, Luis Weiß, Moritz Riesenbeck, Lukas Schäfer, Emily Wittbrodt and Max Würden, is represented for the first time with two contributions on Pop Ambient. The two works, the fragile "Bolzano Sessions IV" and the rather light-flooded "Bolzano Sessions V" (only available on CD and in the digital version) nestle perfectly into the musical whole of this year's compilation, not only in terms of their majestic leisureliness. 

In Jens-Uwe Beyer's "Nero", melancholic guitar chords reduced to the bare minimum are carried away by the wind like leaves, the reverberation holding the last note so long that it almost comes to a stop in the ear. If you like it synesthetic, look at the once again ravishing cover artwork by Veronika Unland right at this moment. Colors and shapes in which there is both everything and nothing to discover. Both feel equally right. 

The final third of Pop Ambient 2023 begins with Reich & Würden's herbaceous "Receiver," a track so dignified and carried by pads reminiscent of the sound of bagpipes that it would have perfectly punctuated her majesty the Queen's 8-hour funeral ceremony - a wonderful example, by the way, of the spiritual confluence of deceleration and precision that eventually turns into trance. 

The slowness is joined by togetherness at the end: Pop Ambient veteran Joachim Spieth cooperates with American sound artist zakè on his literally weightless "Air", Thore Pfeiffer co-produced the wonderful "Instinct" with Scottish brother duo Andy and Mike Truscott aka Kinbrae. California duo Patrick Hills and Morgan Fox aka Blank Gloss close out the vinyl version with the yearning "Down At The Heel," while that honor falls to debutant Ümit Han on the Pop Ambient CD. "Sieg über das Ungute" (victory over the unpleasant) in all its beauty brings us painfully back to reality.

Pop Ambient 2023

Joachim Spieth / zakè - Air

Affin releases a new album called "Reshape" which contains musical interpretations by Alva Noto, ASC, bvdub, Warmth, Markus Guentner, Simone Giudice, zakè and Głós. The works are related to original pieces from Joachim Spieth's past creative phase and thus form a musical conclusion to the 15th label anniversary of Affin. Monument premieres Alva Noto`s remodel of the track "Sparsha" which will be released on the 16th of December.

Buylink: https://joachimspieth.bandcamp.com/album/reshape

@alvanoto
@joachim-spieth
@affin

MNMT Premiere: Joachim Spieth - Sparsha (Alva Noto Remodel)

~ IIKKI 019 ~

music : Observatories (Ian Hawgood & Craig Tattersall)
photography : Tereza Kozinc & Klavdij Sluban
album : Our Recently Acquired Knowledge (book: 07 AM)
duration : 35.56 mn
date : January 2023

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All music Ian Hawgood & Craig tattersall

Mastered by Ian Hawgood
Artwork by Tereza Kozinc & Klavdij Sluban
Design by Sprflxgrfzm

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edition :
vinyl: limited to 300 copies / natural clear LP / hand numbered  / selective varnish / hand numbered
cd: limited to 200 cd (glass mastered) / hand numbered
book: limited to 700 copies hand numbered / embossed / hand stamped / Swiss binding

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pre-order : December 12th, 2022 / official release : January 19th, 2023

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Links :
https://www.leavings.co.uk/
https://www.folkreels.com/
https://terezakozinc.com/
https://lemasterklass.com/klavdij-sluban/
https://iikki.bandcamp.com/
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/

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℗ & © 2 0 2 3 - I I K K I - I I K K I 0 1 9

Observatories - Our Recently Acquired Knowledge

track 1 from "a wake in shadows" by @Hilyard

https://hilyard.bandcamp.com/album/a-wake-in-shadows

a wake in shadows

Hilyard - mantle of memories

Taken from the upcoming album 'Längd' - containing over 70 minutes of unreleased material from Hummingbird...

www.fluidaudio.co.uk

Längd

Hummingbird - Längd

Get it!

PREMIERE : LeoPan • Alaitisal [Spiritual Nomad Records]

Listen to 1 Hours Version: https://youtu.be/hT3IyBckU0U

DAY 1 of NĀDA :: 30 Day Sound Healing Journey. Today's frequency is 256Hz.

256Hz is the frequency that resonates with our Primary Chakra (energy center) - The Root Chakra. Sound vibrations are one of most effective tools to bring chakras to balance. When listening to this healing frequency, bring all your focus to the Root Chakra center, which is located at the base of the spine. Imagine that sphere growing as you breathe in, and as you breathe out, it sends out this life energy to every cell of you body. As you focus more and more on this center, you will start to feel the this center resonating with the sound vibration.  We always recommend playing this sound on speakers, not very loud, and not very low. 

Music in this track : This sound scape has been designed using tibetan singing bowls, marimba, reverbed flutes and rainstick ambience. 

Download and Stream this track, without interruptions and ads in our app : https://meditativemind.page.link/mmapp
Premium subscribers get access to autoloop and timer, to play this track in sleep mode.

Copyright © 2022 Meditative Mind®

⌘ TRACK INFO ⌘
Track: DAY 1 : 256Hz - Root Chakra Sound Healing
ISRC: AUTMZ2310001
SKU: hT3IyBckU0U
Music: Dilpreet Bhatia

NĀDA - 30 Day Sound Healing Journey

Listen 1Hour Version ▶

NĀDA :: DAY 1 : 256Hz | Start New Year with Focus & Presence | Root Chakra Sound Healing

From Hideo Nakasako's Collected Sound Fragments, available for pre-order now on cassette tape and digital:
https://muzaneditions.bandcamp.com/album/collected-sound-fragments

Hideo Nakasako - Nami

Blurstem: https://campsite.bio/blurstem
Andrew Tasselmyer: https://www.andrewtasselmyer.com/

ABOUT THE ALBUM

If the majority of “lockdown albums” in 2020 were marked by introspection and solitary effort, Chris Bartels (Blurstem, Elskavon) and Andrew Tasselmyer (Hotel Neon, Gray Acres) took a different path in creating 'Duets.'

Looking beyond their own four walls for inspiration, they began a dialogue with musical fragments – specifically, a file folder of late night felted piano recordings from Bartels in Minnesota that eventually found their way into the samplers, loopers, and digital tools of Tasselmyer in Pennsylvania.

Over several weeks, these 'Duets' eventually grew from a set of loose ideas and improvisational concepts into a unified album of seven songs, all made originally from homemade piano recordings but embellished to varying degrees with violin, synthesiser, and voice along the way.

Analog mastering from Ian Hawgood preserves the raw, immediate nature of the original home recordings that began the conversation.

'Duets' makes its home with the ever popular 'Book Editions' series. Vintage books dissected, re-assembled and re-structured into book-bound CD covers...



Originally released on custom CD by Fluid Audio in October 2022.

Artist: Andrew Tasselmyer & Blurstem
Mastering: Ian Hawgood
Print layout / edits: Craig Tattersall
Design: Daniel Crossley
Label: Fluid Audio

Limited Book Edition:
Made by hand,
1 x vintage (circa:1894-1953) hardback clothbound book (re-assembled into CD covers)
2 x mastered CD
10 / 15 pages of writing / images
2 x page inserts from 1920's vintage piano score book
10 x limited edition A6 prints on luxury paper 250grm designed by Craig Tattersall
1 x stamped library card
1 x vintage photograph (circa; 1902-1941)
1 x vintage book-mark
1 x rare 8mm cine film reel strip: New York Worlds Fair (circa.58)
1 x vintage 35mm glass slide (1950s family cruise)

Scented
Stamped / hand numbered
Download code (includes audio, 15 PDF prints, library card)
Limited to 100 copies

Made with love...

Duets

Heron

Taken from the upcoming album 'Endless Vacation' forthcoming on Fluid Audio...


Music: Grotta Veterano & Musci For Sleep 
Mastering: Andrea Porcu 
Design: Danierl Crossley

Grotta Veterano & Music For Sleep - If Only Anything Could Change You

Pachelbel - Canon in D - Study Music, Work Music, Relaxing Piano Music

Buy Deforestation on vinyl or digital:
Bandcamp: http://smarturl.it/deforest-bc
Norman (UK): http://smarturl.it/deforest-norman
Darla (Distribution): http://smarturl.it/deforest-darla
Spotify: http://smarturl.it/deforest-spotify

Artist Website: http://kaelsmithmusic.com
Artist Facebook: https://www.facebook.com/MuteForest

Packaging:
• 180 Gram vinyl in a gatefold tip-on jacket w/resealable sleeve
• Lacquer cut by Roger Seibel at SAE Mastering 
• Mastered for vinyl and digital by Taylor Deupree
• Bandcamp DL code on card: Formats: FLAC, 320K MP3
• Physical copies only receive a free download of the Reforestation EP, including remixes from Kiln, Ten and Tracer, Western Skies Motel, Mombi, Spheruleus, Porya Hatami, plus two bonus songs from Mute Forest.

In a seemingly ceaseless acreage near his childhood home in the Rockies of Colorado, Kael Smith (Mombi, Khale) takes a deep breath and listens critically to the forest. It is not the same sound he remembers as a youth, when he’d disappear for hours deep into these woods. No, the sound he hears today is unfamiliar and vapid. Muted, really.

Since Smith’s departure to the city of Denver; the Mountain Pine Beetle has moved into these woodlands and decimated the trees; devouring their insides and leaving empty husks in its wake. It is among these thinned out swaths a word keeps repeating back to him, over and over, incessantly…Deforestation. 

Painstakingly written, recorded and mixed at his home studio in Denver, 'Deforestation' (Out November 13th on Lost Tribe Sound) sprawls across nine sonorous and meticulously wrought tracks containing elements of minimal electronic, ambient and folk. Large cavernous beats, micro-ambient deconstruction and nylon guitar all swirl into a coherent palate left for Smith’s poignant, intimate words. 

Mastered specifically for vinyl by Taylor Deupree (12k), and with the additional step taken to create lacquers and metal stampers by Roger Siebel at SAE Mastering, 'Deforestation' sees a gatefold 180-gram release from Lost Tribe Sound that, like the material, takes no shortcuts. Both the album’s acetate and test pressing were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed high-end audio dealer and vacuum tube specialists, Arizona Hi-Fi. Concluding the deluxe package and connecting intimately with the material within are stark, disintegrating images courtesy of renowned minimalist photographer Christy Romanick (Rivulets, Chihei Hatakeyam).

Deforestation

Various Lake Contents

Buy Album

Mute Forest - Various Lake Contents

Use Headphones and keep the volume half way

Binaural Beats - Creativity And Focus

My father died on 16 March 2011.  His body had battled emphysema for years.  After complications caused by a bout of pneumonia he finally succumbed.  In the aftermath of these events I turned to my piano for solace and escape.  The resulting record attempts to address the emotions experienced during the 7 days between his death and funeral.  In collaboration with Ed Hamilton, who brilliantly tapped in to my experience and emotion, and with contributions from Christoph Berg, this record is about, and in memory of, my father. - Euan

............

Glacis is Euan Alexander Millar-McMeeken with Ed Hamilton

All pieces written and performed by Euan Alexander Millar-McMeeken and Ed Hamilton

Violins on tracks 1, 5 & 7 performed and arranged by Christoph Berg

Violins on track 6 performed by Christoph Berg, arranged by Ed Hamilton

Piano recordings by Ana Roman and Alex Galler at the University of Edinburgh

Produced and mixed by Ed Hamilton

Mastered by James Plotkin

Art by Todd Umhoefer
www.oldearthcontact.bandcamp.com

Writing by Ali Millar 
www.readthesupplement.com

Released through Fluid Audio (May 2016)
www.fluidaudio.bigcartel.com

............

Thanks, and thanks, and ever thanks
 
In memory of Euan's father, Sandy McMeeken 6 November 1937- 16 March 2011

............



Glacis - From One Room To Another (So You Leave Me Now)

The Crimson Wing: Mystery Of The Flamingos

Arrival of the Birds

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

🎥 VIDEO

Gymnopédie No.1 - Satie

Earlier this year, Icelandic composer, producer, and multi-instrumentalist Snorri Hallgrímsson released his debut album on Moderna, titled Orbit. I’ve spent more than just a few hours with this wonderful album, often reminding me of more vocal works from Ólafur Arnalds, with whom Snorri has collaborated on many occasions (the album was primarily recorded at Arnalds’ studio in Reykjavik). It was still on the list of albums to share with you, my readers, when an opportunity to premiere this beautiful rework presented itself. Orbit Reworked is an upcoming four-track release on Moderna, featuring remixes and re-imaginations of pieces by Luke Howard, Tom Adams, Slow Meadow and, the focus of this exclusive premiere, London-based cellist, Peter Gregson.

At some time, between all the firm work, and his very own release on the esteemed Deutsche Grammophon, titled Recomposed By Peter Gregson: Bach – The Cello Suites [stay tuned for an in-depth write-up on that, folks], Gregson found a moment to add his beautiful cello touch to the already gorgeous “… og minning þín rís hægt” track (which loosely translates to “and your memory rises slowly” from Icelandic), with its moody swaying passages lamenting over the sparkling piano glimmer. And at only a bit over three minutes in length, this gentle piece manages to capture the weather and the scenery of the internal brewing storm, even without the words to prompt us of the story.

"… the songs on Orbit explore the difficulties of living in and moving between vastly different places: from Mexico’s sunny days to Iceland’s long winter nights and their emotional toll. Orbit is also about people met along the way, of friends and family whose absence is bittersweet. The concept of ‘home’ is replaced by an ‘orbit’ the composer circles from place to place.”

While the full-length was mastered by Ian Hawgood, Orbit Reworked is backed by a touch from Taylor Deupree at his 12k Mastering studio. The artwork is courtesy of Elín Elísabet Einarsdóttir   who also produced the cover for the Orbit. The release is out this Friday, and I highly recommend that you pick up the album as well. You can pre-order it now on Bandcamp.

Orbit Reworked

…og minning þín rís hægt (Peter Gregson Rework)

TRACK PREMIERE : Snorri Hallgrímsson - …og Minning Þín Rís Hægt (Peter Gregson Rework)

The Ambient Zone Just Music Cafe Vol 4

Weightless

my faculty recital at LVC, fall 2012, with Jeff Lovell on piano

Spiegel im Spiegel (Arvo Part)

Direct Download 
https://bit.ly/3hJnqpY

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https://smarturl.it/iaq1oo

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We welcome Skyline Project and RafleSTone to Progressive Dreams who both create really luscious, beautifully crafted music, and we are delighted to showcase their talents 

Skyline Project brings us Mountain Ride that is full of gorgeous melodies, really well produced progressive elements and a genuinely fresh-sounding storytelling production.  

RafleSTone is on remix duty, and he delivers a wonderous chill out cut that's so blissfully enchanting, with huge luscious scapes and a joy to close your eyes to and listen to. 

This is a fantastic addition to our collection, and we hope you enjoy

● Connect with
Facebook facebook.com/skylineprojectmusic
Soundcloud @tobik80

● Connect with
Facebook facebook.com/
Soundcloud @rafles_sc


● Channel Artwork - DeanStudio
bit.ly/2FU8hmo

Skyline Project - Mountain Ride (RafleStone Remix)

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.