Dramatic Classical and Classical Bangers

Track taken from the upcoming album 'Between The Leaves', forthcoming on Fluid Audio.

Music: Pepo Galán & Shinji Wakasa
Mastering: Lee Yi (Rottenman Editions)
Print design: Craig Tattersall
Packaging design: Daniel Crossley

www.fluidaudio.co.uk/mailing-list

Between The Leaves

Pepo Galán & Shinji Wakasa - Violet Rain

DR-76 : The Green Kingdom - Empyrean CD / DL
Due out on July 18th
dronarivm.bandcamp.com

'Empyrean' is the third in a trilogy of albums on Dronarivm. Whereas Expanses might be evocative of vast landscapes and Harbor the feeling of floating on gentle waves, Empyrean seeks to transcend the Earthly realm altogether. The album differs slightly from the previous two in that piano plays a larger role in many of the tracks, bringing an ethereal modern classical feel to the Green Kingdom sound at times. Although the mood ranges from pensive to lighter pieces, the intent was to provide soundscapes that elevate one's midstate to the clouds above.

mastered by Ian Hawgood

Buy CD / DL

THE GREEN KINGDOM - With You

Johann Sebastian Bach, Vol. 1

Toccata and Fugue in D Minor BWV 565

I sometimes publish album reviews that somehow turn into special premieres. I also exclusively feature some tracks that somehow turn into album reviews. In either case, it’s irrelevant to bucket this into some special column and make it more about the music, which is the point behind this whole endeavour which I’ve been on for over fifteen years now (damn). So today I am happy to share with you a beautiful rework of a beautiful piece from two beautiful artists. What else do we need more to say? “For Now We See Darkly” is an original track by Frances Shelley, from her album, Songs Of Possibility which I have featured in my Best of 2021 list, Music For Being Together Alone. Exploring loss and its transformation into acceptance and even hope, the original is a muted modern classical piece, featuring Shelley on the piano with reverberated echoed treatments of industrial nature, combining the gentle with the rough for a spanning soundscape. For his rework, London-based composer Adrian Leung focused on the textural ambience of the piece, adding bass, arpeggiated synths, and glitchy elements for a cinematic arc that carries the piano melody into another territory, reimagined through the lens of Drexler and his sonic world. It’s a flattering account of the tale which started with the sounds of Frances Shelley and ended in the space of Drexler’s touch, and my only wish [as usual] is to hear this rework for a prolonged time.

For Now We See Darkly

TRACK PREMIERE : Frances Shelley - For Now We See Darkly (Drexler Rework)

I find it absolutely fascinating and, at the same time, truly inspiring thought, that with the untimely passing of Jóhann Jóhannsson in February of 2018 (wow, almost four years ago now!), he still really lives on through the music he made. And not just through his own. And although he left an incredible void, it's not like someone just stepped into his shoes. Instead, a significant number of collaborators and followers that he touched through the years continued to carry his legacy through their own unique sound. His light didn't go out - it just exploded into hundreds of thousands of fragments of many other lights, that are now expanding, forming their gravity, and with time growing larger. And I sort of wonder if that would have happened if it didn't happen the way it already has. That is an absolutely fascinating and truly inspiring thought with which I opened this write-up. In today's track premiere, we have precisely just that. Danish composer Jonas Colstrup worked closely with Jóhann throughout the years, collaborating on scores for the Japanese films Blind Massage (2014) and The Shadow Play (2018). Inspired by the late musician's approach to neo-classical minimalism carried forth with the cinematic elegance, as well as the incredible score by Ryuichi Sakamoto, Alva Noto and Bryce Dessner for The Revenant (Milan, 2015), and contemporary compositions by William Walton and Arvo Pärt, Colstrup gently sculpts a sonic chrysalis of emotion, in which one wants to wait out all current angst. And if this was a blind listening session, you may have even thought I'd uncovered an unreleased Johannsson track, with those scaling chord progressions and the beautiful arrangements performed by the Budapest Art Orchestra and Theatre of Voices. But to be clear, once again, this is not a copy, made from a mould lifted from Jóhann's work. It is an unmatched gorgeous sculpture, on which you may find his imprint, still warm to the touch.

At The Crest

TRACK PREMIERE : Jonas Colstrup - At The Crest

iTUNES - http://smarturl.it/mth-create-a-cure
MERCH - http://riserecords.merchnow.com/search/?q=My+Ticket+Home

To Create A Cure

Atlas

My Ticket Home - Atlas

The eponymous album from Vox Moduli is an 85-minute kosmische voyage where vintage organ-driven soundscapes meet the experimental edge of modern modular synthesis. The debut project from New York duo Tom Derwent (Vox Continental organ) and Noah Davis (modular synth) was captured live to tape over several freeform sessions in the summer of 2025.

Released in collaboration between Noble Circuit and Lost Treasures of the Underworld Records, the album is available as a numbered limited edition cassette run of 25 copies, hand-dubbed with hand screen-printed O-cards and labels.

Ltd Ed Cassette

Silentium est Aureum

👁️ dont fall asleep 👁️

Full EP out the 19.11.25


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▶ About this track :  
Ambient music for late night listening, meditation and liminal spaces
Minimal synth, drone ambient, experimental psychedelic soundscape  
Dark ambient atmospheres for study, introspection, sleep or dreams 


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#ambient #darkambient #synth #experimental #drone #minimal #psychedelic #retroaesthetic #liminal #lazymood #healingmusic #jam #tapebeat #lofi #lofimusic #chillbeats #instrumental #lofibeats #lofi #chilllofi #chilllofimusic #chillmusic #lofimusicwithoutlyrics #lofimusicforsleep #lofimixtape #ambientmusic #ambient #2025 #indiemusic #france #bordeaux #musicforsleep #meditationmusic #synth #indiemusic #musiccreation #psychedelicjourney #electronic #liminal

what’s left behind

Produced by BAS1KAL
Mixed by BAS1KAL
Mastered by 444theGod
Cover Art by BAS1KAL

坎 - 444theGod Remix

'Soundscapes Vol.1' is our first CD compilation. Eight ambient tracks by Robert Farrugia, Logic Moon, Dead Melodies, Powlos, CloudBurn, The Aurora Principle, Caught In The Wake Forever and Warmth.

Mastering by Rob Small.
Archives30 // ArchivesCD011
Archives / 2016

Buy CD/Digital

Caught In The Wake Forever - Durham

Not Home may seem an unusual choice of single from Anne Garner’s upcoming album Lost Play but there’s precious little that is conventional about this singer-songwriter. Fans of her strange, seductive melancholy will be beguiled once again by the song’s signature union of disembodied sadness and reassuring intimacy. Warm waves of electric guitar and synthesiser cradle glitchy, restless percussives, the soaring silvered pedal steel of Jack Hayter (Hefner, Dollboy) and a lyrical message both beautiful and hard to hear.

Not Home and Porya Hatami's remix are available across all major platforms and in lossless 24bit audio exclusively from Slowcraft Records.

Written by Anne Garner
Produced by James Murray with Anne Garner
Artwork by Bobbie Russon
Mastered by Dean Honer
_____

annegarner.com
poryahatami.com
jackhayter.com
bobbierusson.com

slowcraft.info

https://slowcraft.bandcamp.com/album/not-home

Not Home

11th May 2018

Track taken from the upcoming album 'The Topologies of Blue'...

Bill Seaman - Piano, Piano Libraries, Sample Compositions, Samples, Abstracted Percussion, Non-location Recordings, Electric Guitar Abstractions 
Wei Ping Lin – Violin Solos 
David Rothenberg - Clarinet, Bass Clarinet, Contralto Clarinet Solos
Sid Richardson – Upright Bass Libraries
Tim Bjorklund – Electric Guitar Libraries
Volkmar Klein, Sound Engineer for initial violin recording

...

Produced by Bill Seaman
Mastered by James Plotkin 
Cover design by Ian Hazeldine 
Overall design by Daniel Crossley

...

Special Thanks to all of the musicians + John Supko, Craig Tattersall, Volkmar Klein, Maura Walsh-Seaman, Dan Crossley & James Plotkin.

...

www.fluidaudio.bigcartel.com/mailing-list

The Topologies of Blue

Bill Seaman - Isolated Reflections / Dark Slippages / Falling Inward / A Collection Of Repercussions

composer: J. Rheinberger (1839-1901)
arranger: Nadezhda Averina
publisher: Cypress Choral Music

visit cypresschoral.com to study the score while you listen

Buy the sheet music

Abendlied - for treble choir

Taken from the upcoming album 'Chapters' on Fluid Audio...

Music: Und_Ne
Mastering: Ian Hawgood
Design: Daniel Crossley

www.fluidaudio.bigcartel.com/mailing-list

Chapters

und_ne - Chapter 5

You at 0:01:


To me all of you shine in your own ways.. Thank You  for taking a Listen... magic is all around right there... HERE..  out of the corner of our eyes

NEVER BE TAMED... why...? Who says you must be this or that... LIVE be You...

Clarity Only Human...

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Pepo Galán & Shinji Wakasa - Violet Rain

Fluid Audio

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