Taken from the upcoming album 'Family Harmony'...

Music: Pepo Galán
Guests: Warmth, Benoît Pioulard, Sita Ostheimer, Karen Vogt, Awakened Souls, Markus Guentner
Matering: Rafael Anton Irisarri 
Label: Fluid Audio

www.fluidaudio.co.uk

The New House

Pepo Galán & Karen Vogt - A Wave That Carries Me

Taken from the upcoming album 'Endless Vacation' forthcoming on Fluid Audio...


Music: Grotta Veterano & Musci For Sleep 
Mastering: Andrea Porcu 
Design: Danierl Crossley

Grotta Veterano & Music For Sleep - If Only Anything Could Change You

Track taken from the upcoming album 'Inlandscape' forthcoming on Fluid Audio...

Music: Seabuckthorn
Mastering: James Plotkin
Design: Daniel Crossley

www.fluidaudio.co.uk
www.seabuckthorn-music.com

Inlandscape

Seabuckthorn - Wetlands

Coming soon on Fluid Audio...

Music: Fields We Found
Mastering: Ian Hawgood
Design: Daniel Crossley

Paths

Fields We Found - Retrieve

Taken from the upcoming album 'opening opening'...

All music written and recorded by offthesky
Mastering by Jason Corder
Print layout by Craig Tattersall
Design by Daniel Crossley

www.fluidaudio.co.uk

opening opening

Offthesky - Ripples Into Empathy

Taken from the upcoming album 'Snow Is Absence Singing', forthcoming on Fluid Audio...

Music: øjeRum
Artwork: øjeRum
Mastering: Fields We Found
Design: Daniel Crossley

www.fluidaudio.co.uk

ØjeRum - Snow Is / Absence Singing

Snow Is / Absence Singing

øjeRum - Snow Is...

“I could hear everything, together with the hum of my hotel neon. I never felt sadder in my life.” - Jack Kerouac, “On the Road” (1957)

In chapter 13 of Jack Kerouac’s “On the Road,” we find Sal in a Los Angeles hotel room with his new girlfriend, Terry, soon after they’ve decided to hitchhike back to New York with the $10 they share between them. Staring out the window in a sleepless fit, Sal observes a domestic dispute across the street: the humming neon sign of the hotel is an audible element amidst the police’s questioning, family’s sobbing, and city’s howling sirens, all of them blending together in an oddly poignant moment. 

This idea of sound adding context and emotion to human experiences is the foundation of Hotel Neon. The project formed in 2012 under far less desperate conditions than Sal’s, but it has always been anchored in the practice of recording musical responses to the current moment. The chord progression of “A Lament,” for instance, was recorded in the hours following the breaking news out of Sandy Hook on December 14, 2012. Ever since then, we have continued to create soundtracks for specific settings and situations in our lives.

“Hotel Neon 10: Reworks” is a reflection on the 10th anniversary of our debut self-titled album, which was released on July 30, 2013 in a batch of 100 cassettes. Initially a loose collection of minimal drone experiments with no intention for follow-up after the tapes ran out, Hotel Neon has morphed into the central musical identity for each of us, leading to friendships, experiences, and purpose that we could never have imagined at the time.

This is not simply a remaster or remix; HN10 has been entirely reworked from the ground up. You will notice that some of the essential elements and structures from the original songs come through, but we made a concerted effort to build on those early ideas and present a new album with our current tools, techniques, and experience.

We deeply appreciate your support, and thank you for listening.

Music: Hotel Neon (Andrew Tasselmyer, Michael Tasselmyer, Steven Kemner)
Mastered: Rafael Anton Irisarri
Design Daniel Crossley

Hotel Neon 10: Reworks

Hotel Neon - Dust And Drag

Ian Hawgood and James Murray began Slow Reels in 2018 from studios in London and Warsaw. The early work involved exchanging heavily modulated long-form textures, recorded on a variety of instruments, notably vintage synths. Reiterative digital manipulations and successive destructive passes through an end-of-life reel-to-reel tape setup resulted in a collection of entirely unrepeatable drone suites.

Their debut Farewell Islands for Morr Music was met with widespread critical acclaim. Sustain, presented now by Fluid Audio, extends the force of this uncompromising aesthetic further, as the artists’ shared medium further degenerates into overwhelming, full-frequency emotion.

Music: Slow Reels (Ian Hawgood & James Murray) 
Mastering: Ian Hawgood 
Design Daniel Crossley

...

Made by hand,

Book Editions' series. Vintage books dissected, re-assembled and re-structured into book-bound CD covers...

1 x Vintage (circa:1890-1958) hardback clothbound book (re-assembled into CD covers) 
1 x CD (full size) 
15 Pages of writing / image inserts 
12 x edited polaroid prints on luxury uncoated paper (250grm) 
1 x Stamped / numbered library card 
1 x Vintage photograph (circa; 1902-1946) 
1 x Vintage book-mark 
1 x Vintage celluloid negative 
1 x Vintage 35mm slide 
1 x 35mm reel to reel audio strip 
1 x vintage music score insert 
Housed inside glassine bags

Stamped / hand numbered / scented 
Download code (includes 20 PDF prints)

Strictly limited edition: 100 copies (no two copies are the same)

Made with love...

Sustain

Slow Reels - Sustain

New track from Moss Covered Technology; forthcoming on Fluid Audio...

Dartmoor! thou wert to me, in childhood's hour, 
A wild and wondrous region. Day by day 
Arose upon my youthful eye they belt 
Of hills mysterious, shadowy, clasping all 
The green and cheerful landscape sweetly spread 
Around my home; and with a stern delight 
I gazed upon thee. How often on the speech 
Of the half-savage peasant have I hung, 
To hear of rock-crowned heights on which the cloud 
For ever rests; and wilds stupendous swept 
By mightiest storms; of glen, and gorge, and cliff, 
Terrific, beetling o'er the stone-strewed vale; 
And giant masses, by the midnight flash 
Struck from the mountain's hissing brow, and hurled 
Into the foaming torrent; and of forms 
That rose amid the desert, rudely shaped 
By Superstition's hands when time was young; 
And of the dead, the warrior dead, who sleep 
Beneath the hollowed cairn!  My native fields, 
Though peerless, ceased to please.  The flowery vale, 
The breezy hill, the river and the wood, 
Island, reef, headland, and the circling sea, 
Associated by the sportful hand 
Of Nature, in a thousand views diverse, 
Or grand, or lovely, -to my roving eye 
Displayed in vain their infinite of charms; 
I thought on thy wild world, -to me a world,- 
Mysterious Dartmoor, dimly seen, and prized 
For being distant and untrod; and still 
Where'er I wander'd, -still my wayward eye 
Rested on thee!

In sunlight and in shade, 
Repose and storm, wide waste! I since have trod 
Thy hill and dale magnificent. Again 
I seek thy solitudes profound, in this 
Thy hour of deep tranquillity, when rests 
The sunbeam on thee, and thy desert seems 
To sleep in the unwonted brightness, calm, 
But stern; for though the spirit of the Spring 
Breathes on thee, to the charmer's whisper kind 
Thou listenest not, nor ever puttest on 
A robe of beauty, as the fields that bud 
And blossom hear thee. Yet I love to tread 
They central wastes when not a sound intrudes 
Upon the ear, but rush of wing or leap 
Of the hoarse waterfall. And oh, 'tis sweet 
To list the music of thy torrent-streams; 
For thou too hast thy minstrelsies fro him 
Who from their liberal mountain-urn delights 
To trace thy waters, as from source to sea 
They rush tumultuous. Yet for other fields 
Thy bounty flows eternal. From thy sides 
Devonia's rivers flow; a thousand brooks 
Roll o'er they rugged slopes; -'tis but to cheer 
Yon Austral meads unrivalled, fair as aught 
That bards have sung, or Fancy has conceived 
'Mid all her rich imaginings: whilst thou, 
The source of half their beauty, wearest still 
Through centuries, upon they blasted brow, 
The curse of barrenness.

- Noel Thomas Carrington

A Weather Internal

Moss Covered Technology - River Slows Pt.1

Taken from the upcoming album 'Oyasumi', forthcoming on Fluid Audio...

In a musical exchange back and forth between Tokyo and Copenhagen, Kei Nogami (JP) and Mathias Lystbaek (DK) has the created the album Oyasumi. The album is centered around eclectic electroacoustic loops with the addition of piano, flute and cymbal. Oyasumi means ‘Goodnight’ in Japanese, and the music reflects the sleepy haze before dreaming, with repeated fragments of melodies reminiscent of childhood lullabies and music boxes. This quiet album is an exploration of looped and improvised material, suitable for tranquil moments and contemplative pauses.

- Kei Nogami (K Nogami): Loops, electronics, field recordings & found objects. 

- Mathias Lystbaek (Circa Alto): Piano, flute, bass & cymbal.

Credits:

Artist: K Nogami & Circa Alto
Album: Oyasumi
Composition & mix: Kei Nogami & Mathias Lystbaek 
Cover photo: Kei Nogami
Label: Fluid Audio
Design: Daniel Crossley

Oyasumi

K Nogami & Circa Alto - Kasumi ka kumo ka

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

New tracks tagged #Fluid Audio