Ah hell yes! Time to SLEEP HARD sonnnnn!!

Just finished work listening and relaxing to a  lovley chilled track will play again 

thank you for showing me this guy, beautifully serene piece!

Corey Fuller: Piano, Electronics
Richard Skelton: Accordion, Strings, Electronics

THESIS 20 - Richard Skelton & Corey Fuller - Iland

Inspired by Wagner and Wendy Carlos. A simple jam on an Oberheim and an my beloved Mutable Instruments Anushri. Synthesizers can like any instruments be very expressive it's just a question to keep raw and not overproducing...

Wagnerien

Taken from PERILS - S/T (Pathway010)
PERILS is Benoît Pioulard and Kyle Bobby Dunn.

Mutual admirers of each other’s work, Thomas Meluch (Benoît Pioulard) and Kyle Dunn (Kyle Bobby Dunn) endeavored to put together a collaborative recording that ruminates on painful realities, disappointments, and transitioning to new homes, in the hopes of finding a coping mechanism to bring them through to the other side.
PERILS began auspiciously in 2012 at transitional points in these artists’ lives. Kyle was living in a small town called
Belleville, Ontario trying to complete Kyle Bobby Dunn and The Infinite Sadness (Students of Decay) and coming to grips
with the fact that this great endeavor was at its end. Given the enormity of the record and the emotionally and physically
exhausting process of recording the album, Kyle found himself drained with unforeseen questions and confusions. Working only at night, Kyle immersed himself into this newfound nocturnal work, finding a path in the midst of wondering. Thomas, meanwhile, was in a state of literal transition: uprooting from the UK and relocating to Seattle during the recording process of PERILS. In a state of flux, nearly drowning under the anxieties of living on uncertain ground, Thomas channeled these emotions into musical escapades. Thomas recorded in his spare moments, sending sonic puzzle pieces one by one to Kyle, who would in turn explore the musical sentiments Thomas had shared, adding his own billowing sounds to the seething mix.
The ten pieces created for this release are culled from a poutine- and whisky-fueled trudge through the dark corridors of an as-yet undiscovered or possibly imaginary mystic temple. Commencing with the shimmering guitar and tape loops of “Colours Hide My Face,” the album crawls out of the grooves with a slow-churning turmoil, coaxing the listener to embark along its path. The dirge-like guitar clang and vocals of “(Dead in the) Creekbed Blues” could be an 18th century blues standard emitted from a buried radio. On PERILS, Thomas Meluch and Kyle Bobby Dunn lock arms and together chart the upheaval in their lives to bridge the liminal gulf between the once-was and the soon-to-be.

PERILS - Leveled

The beautiful opening track to the upcoming vinyl release from Swoop And Cross, aka Ruben Vale...cinematic and nostalgic...memories and longing...

Available on Sunday, January 14th, in two versions. A limited edition, hand made version in an edition of 60 copies...and a standard vinyl version in an edition of 190.

It will also be available digitally at our Bandcamp page...

https://timereleasedsound.bandcamp.com/

Swoop And Cross   "Stories Of Disintegration"    St. No

A Score for Darling

Erik K Skodvin & Rauelsson - The Return

Taken from the album 'Enfolding'.
Release date: October 16, 2018 on Hidden Vibes.

Hidden Vibes on web:
hiddenvibes.bandcamp.com
www.facebook.com/hidevibes

offthesky - longior aura (obeisance i)

Listen / Purchase: https://lnk.to/felltoshadow

This charity compilation is comprised of eleven exclusive songs from a variety of artists both new and old to the label. It serves as perfect representation of what Lost Tribe Sound has strived to bring forth over the years with its rustic, brooding mix of classical, folk and otherwise indescribable sound. The album includes collaborations by From the Mouth of the Sun & Seabuckthorn, Manyfingers & William Ryan Fritch, Kiln & Mute Forest, kj & The Green Kingdom, William Ryan Fritch & Alder & Ash, along with exclusive solo endeavors from The Phonometrician, Luton, Spheruleus, Alder & Ash, Gavin Miller and William Ryan Fritch.

We Stayed The Path That Fell To Shadow

Lesser Still

Buy Album

From the Mouth of the Sun & Seabuckthorn - Lesser Still (from We Stayed The Path...) Full Version

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

Track taken from the upcoming album 'Little Notes' released through Fluid Audio.

Music: Steven Kemner
Mastered: Taylor Deupree
Design: Daniel Crossley / Ian Hazeldine

Mailing list: www.fluidaudio.bigcartel.com/mailing-list

Little Notes

Steven Kemner - Sleep Well

For Her...

Taken from the 'Real Icon" Ep

~ ꒯ʅ ~

For Her

I'm happy to announce my debut album “The Gathering Dawn" is out! Much gratitude to those who have picked up a copy of the album. Thanks for listening!
Download/Stream here: https://n5md.bandcamp.com/album/the-gathering-dawn

"A Feathered Fog" is an as-of-yet unreleased track.

🎧 Spotify: spoti.fi/2DmEQ9R
📸 Instagram: https://www.instagram.com/kenniffs/
Facebook: bit.ly/30SW7BR

(Image: Casey Horner)

Hollie Kenniff - A Feathered Fog

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Steven Kemner - Sleep Well

Fluid Radio

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