UNMASTER EDIT. PROMOTIONAL ONLY 4 FRIENDS ;)

++ LOOKING 4 LABEL ++

Javimo - Lupita

Contact : 
unitymastering3@gmail.com

***We Got February Deal's !!! (1.2 - 28.2)***

You Ask Yourself all The Time ...How do they get it so loud?
You got an awesome track  but the volume is low  compared to the big names in the scene (David Guetta , Hardwell , W&W , Etc...) ?
Want your Track will be with more power? So you can play it Live and make people go crazy? ? 
Do Not Destroy Your Tracks  With A Amateure Mastering !!! 

Unity Mastering Is Your Answer !

WHY DO I NEED MASTERING?

Mastering is one of the most important links in the chain of music production. Yet, it is probably the least understood. And it is rapidly becoming the most abused. You can be assured that no music is released by a major label or competitive indi label that has not been mastered.

Why Unity Mastering ? 

About Us :
Unity Mastering Is Located In Los Angeles , With one of the biggest studios In L.a.
The company's goal is to provide The best quality mastering with a  Prices that fit everyone. 

How To Order Mastering:

1)1) Select the number of songs that you want mastered.
2) Render Your final mix to WAV file.
3) Send Us A message with your Link yo your Wav File and what do you want to get. (Loud and Compressed / Art Mastering With More Dynamic Range). Tell Us What Your Preferred RMS.
4) Remember - Great Mastering Cant Fix Bad Mix !
5) Once payment is complete , You are guaranteed to receive your tracks within 48 hours of uploading.

June Deals(1.6 - 30.6) :
1 Track - 25$
2 Tracks- 40$
3 Tracks - 55$

For More Than 3 Tracks , And Payment Details , Send Us A Message.

http://www.mediafire.com/file/dk3qu994fp1xj7t/%28029%29_Backwards_EP_%282017%29.rar

<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Licencia de Creative Commons" style="border-width:0" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />Este obra está bajo una <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">licencia de Creative Commons Reconocimiento 4.0 Internacional</a>

Flux ID previously known as Javimo, is a regular on the electronic scene in Madrid. He started his journey in 2008 on the drum and bass and rave scene in the capital, and soon he became a member of collectives such as Fisura and Live Pro organising a lot of free and alternative parties. It was not until 2010 where he fell for Techno and House in all its forms and genres, and this is where he began his own musical production. Besides this musical shift, he never left behind the aggressive and fast sounds that he grew up with. From this eclecticism is where his musical work and ideology flows and Flux ID is born, his most serious project..and this time he is here to stay.

Flux ID, anteriormente conocido como Javimo, es un habitual de la escena electrónica madrileña. Comienza su andadura en el 2008 en la escena drum&bass y rave de la capital, y pronto pasa a formar parte de los ya extintos colectivos Fisura y Live Pro (en este último como promotor) organizando un sinfín de free parties y fiestas alternativas. No es hasta el 2010 donde se decanta por el Techno y el House en todas sus vertientes, géneros con los que se inicia en la producción musical y de los que lanza diversos temas. Pese a este giro musical, nunca ha dejado atrás los sonidos más rápidos y agresivos que le vieron crecer, siempre sin cerrarse puertas a ningún género sea del origen que sea. De este eclecticismo en el que fluye su obra e ideario musical nace Flux ID, su proyecto más serio, y esta vez viene para quedarse.

When the veil of perception thins, the unreal seeps in.
Sound becomes fracture. Time loses structure.
There is no intent, only resonance.
No creator, only presence.
No truth, only the dream.

Notzing is an ongoing exploration of altered perception through sound. Dense drones, structural minimalism, and time-stretched loops converge to dissolve linearity and summon trance.

Influenced by oneiricism and surrealism, Notzing navigates the unconscious through sonic language — sculpting frequencies, bending time, displacing space. Modular synthesis, feedback chains, and processed textures act not as instruments but as conduits for dreamlike experience.

It is a ritual practice in cycles: sonic, thematic, subconscious. There is no final form — only recurrences, echoes, and the slow drift toward the unreal.