Name: Adler Talks With Matt Doebler Music Dir Of Jagged Little Pill The Musical by FM 102/1
Duration: 15 min 39 s
Description: Matt Doebler, musical director of Alanis Morissette's Jagged Little Pill who previously worked on Wicked brings this musical to Milwaukee's Miller High Life Theatre for 4 shows from 7/28 - 7/30. Matt talks with Adler about working with writer Diablo Cody and of course Alanis Morissette whose album the musical is based.

Big Mother Gig began their career in Milwaukee after meeting at Marquette University. Since then, they've recorded several albums and EPs and have moved west to Los Angeles. Their newest album Gusto is a deeply personal outpouring of lead singer Richard Jankovich's road to sobriety. Adler talks with Richard and Micah of Big Mother Gig about recording during the pandemic and how the new album differs from their past work.

Adler Talks With Richard And Micah From Big Mother Gig

Adler had a chance to catch up with Australian sensation Vance Joy who is currently residing in Spain (he will explain). Traveling, relationships, social media and new music were all the topics discussed. Vance plays an acoustic version of his new song "Missing Piece".

Adler Talks With Vance Joy with acoustic performance of Missing Piece

FMRN

Lilyisthatyou - FMRN

Matt Doebler, musical director of Alanis Morissette's Jagged Little Pill who previously worked on Wicked brings this musical to Milwaukee's Miller High Life Theatre for 4 shows from 7/28 - 7/30. Matt talks with Adler about working with writer Diablo Cody and of course Alanis Morissette whose album the musical is based.

Adler Talks With Matt Doebler Music Dir Of Jagged Little Pill The Musical

GRAB EM BY DA PUSSY (MIKE DEAN #MWA)

2002:
16B, the name used by producer Omid Nourizadeh is probably one of the hardest working men in dance today. In addition to a hectic DJ schedule, and many high calibre productions and also remixes for the likes of Jamez, CM and many other artists, he has made a name for himself, with his unique deep grooves and gorgeous melodic basslines. In addition to this he runs the label Alola, Amongst all this he has found time to follow up on the 1998 debut ´Sounds From Another Room´ and his recent Alola compilation, ´Everything, All Of Them And Every Year´ to unleash his second solo album upon us, ´How To Live 100 Years´.

´Inbetween Your Choice´ eases us in at the start, but unlike most albums, Omid decides to whet the appetite with this opener, which can only possibly be described as a musical masterpiece that refuses to stay within the confines of dance music. Amidst the deep trickling bassline and glorious melody lay all matter of drum arrangements and eastern sounding strings that will quite literally dazzle your senses and leave you breathless. 

The laid back mood is continued with the familar guitar riffs and gravely vocals of ´Escape (Driving To Heaven)´, featuring the vocals of the excellent Richard Morel who´s performance still sounds as fresh today as it did upon it´s intial release. ´Keep On Changing Shape´ alters the flow of the cd slightly with its upbeat percussion and rolling groove which culminates in the trippy funktastic bassline of ´De-Org Song´, adding a slightly darker edge to the album.

´Doubt´ is one of those tracks that you could quite easily melt to at your favourite pre club bar, favourite drink in the hand, good company, good vibes and a general happy feeling being emitted by the soulful vocals being belted out coutesy of the mysterious Stephan. 

´Colours´ on the other hand is a downbeat drum ladden beauty that just shimmers softly and makes your mind just to drift away to the sound of Kate Jackson´s evocative vocals, but unfortunately this is cut way too short by the acidic loops and grooves of ´The Room´ which teases a more uplifting pace before ´We Will Again´ cuts that vibe short in a subtle way with the cinematic strings and atmospheric sounds that are carried over nicely into the rapid fire percussion of ´Virus´ and into the rough melodic layers of ´Behind The Face´, a soft vocal murmuring away in the backdrop and nicely complimenting the groove which brings the album to its penultimate high before the vocaless vesions of ´Colours´, simply entitled ´Reprise´ brings the album to the perfect end.



Following on from ´Sounds From Another Room´ this surpasses that debut in every way, and showcases that Omid 16B is not just a talented DJ, not just a talented musician or producer, but is quite simply the fking don.

Adler Talks With Matt Doebler Music Dir Of Jagged Little Pill The Musical

FM 102/1

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