Burning through it alone, to make the moment feel like home. Gather the warmth before you grow old. Let yourself be free, this fire is not for you to atone.

Through the fire

AMPLIFY

haha don't let em in

Ichisan & Nakova - Princesa

Written and performed by Gerard Papasimakopoulos and Lucas Savidis. Produced by Thomas Bullock. Recorded at Artracks Studio in Athens from 13 to 17 July 2015. Engineered by George Priniotakis and Alex Bolpasis. Remix and additional production by Andrei Rusu and Florentin Tudor (A2/B2), Benoit Raymond and Jean Christophe Couderc (B1). Mastered by Pete Norman at Finyl Tweek. Art Direction by Alexander Hobson. Photography by Christos Sarris.

Buy on Bandcamp

The Rattler Proxy - Oscillation (Vox Low Remix) - LURID07

Two of the best tracks off the sold out Brasileira LP get an updated dancefloor treatment by Selvagem, Carrot Green and Joakim. Repress of the album is imminent.

A1 Cântico Brasileiro Nº3 (Kamaiurá) (Selvagem & Carrot Green Remix)

B1 Lamento Africano/Rictus (Joakim Remix)

Those who experienced listening to the original Maria Rita version of "Cântico Brasileiro Nº3 (Kamaiurá)" on the dancefloor know it's such a thrilling experience that could only be better if the song was a bit longer. At the same time, it didn't make much sense to mess with the original. Having these thoughts on their minds, the Selvagem boys' Augusto Olivani and Millos Kaiser (the minds behind Selva Discos) had an insight while discussing the reissue of the "Brasileira" material with singer Maria Rita Stumpf: why not hit the studio and remake the track? Also, why not ask someone like Joakim, known for his exquisite taste and brilliant production skills, to remix "Lamento Africano/Rictus"? It would be the perfect package. And that's what happened.

In order to properly remake "Kamaiurá", they recruited Paulo Sergio Santos from Uakti, one of the musicians that took part of the original "Brasileira" recording sessions, a supertalented multi-instrumentist who still possesses a version of the plastic tubes responsible for the particular bass sound of the track and also a couple of flutes reminiscent of the ones first used (not to mention a lot of crazy instruments he brought alongside him; on a side note for those not familiar with Uakti, it was an instrumental music group from Brazil famous for creating their own instruments whose godfather was Milton Nascimento and peaked in the 1990's playing with Philip Glass). Carlos Gualda aka Carrot Green, who's been collaborating with Selvagem for the past 3 years, was also summoned for the mission.

The project of remaking "Kamaiurá" also needed a proper recording studio, so Augusto and Millos pulled a couple of strings to rent the legendary Vice-Versa studio in São Paulo (now owned by the Brazilian label Trama), which was founded by Rogério Duprat (yes, the Tropicalia maestro), Luiz Arruda Botelho, Sá & Guarabyra in the early 1970's – a beautiful, spacious acoustically-treated wooden room fully equipped and controlled by a Neve console. There, Paulo Sergio Santos recorded 12 different instruments (none of them electric or electronic) and Maria Rita Stumpf sang in a studio after more than 20 years, on a different arrangement than the original, with a new intro and an outro, also extending the song (including a breakdow) for a better dancefloor experience. Later, Selvagem & Carrot Green worked on the post-production, adding a kick drum, a hi-hat and some Rolando SH-101 punctuation, all very minimal, so the feeling of a jungle excursion of the new session would be preserved. 

Concerning the "Lamento Africano/Rictus" remix, it's a great feeling when you present your first choice an idea and the person is just hooked by the power of the music. Joakim was just very interested about the singer, the instruments used, the lyrics and jumped aboard this project quickly. He didn't had the same opportunity as Selvagem & Carrot Green had, being offered to work with just the original song, but did an amazing job inverting the elements of this suite, using the kalimba-sounding instrument in the introduction and the African lyrics in the breakdown, turning this subtle, sensitive chant in a dancefloor monster.

www.selvadiscos.com.br
soundcloud.com/selvadiscos
www.facebook.com/selvadiscos

Released on vinyl (and digital) on October 27th 2017. Distributed by Kompakt.

Optimo Music / Selva Discos - OMSD 002 - Maria Rita Stumpf  -  Brasileira remixes 12" (sampler)

Artist: Superpitcher
Label: Hippie Dance
Released: 31 Mar 2017
Genre: Electronic

Tracklist:
1984
Pocket Love 

Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. And full-length it is: The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period on record label, Hippie Dance. 

We are thrilled to bring you the third chapter of THE GOLDEN RAVEDAYS saga, released in March 2017. Number 3 of the series introduces two further tracks of the haunting sound adventure that SUPERPITCHER is taking his fans on during 2017. Side A features 1984. It has nothing to do with George Orwell’s magnificent book but it could remind some of how the apocalypse might sound one day. 1984 is as sweet as the very first track, Little Raver, of "The Golden Ravedays" album, but it stresses the fact that even though Superpitcher produces music mainly intended for the dance floor, he creates sound that is bordering on the shamanic. 1984 might as well be the meeting of a group of supersonic bottlenose whales that are overly excited to see each other after being separated by many an ocean and moon. 

Side B of this edition brings us POCKET LOVE. Or shall we rather say, Side B gifts us "Pocket Love"? Because we believe this is nothing other than a gift to us all. Imagine looking into a kaleidoscope and turning the dial and experiencing all those colors as pockets of love rushing your way and exploding in satin wonderment the moment they past your eyes and ears. Imagine how it must sound like if all the e mails, tweets, facebook posts, instagrams, pinterests, grandma’s postcards, text messages, letters on rice paper, hearts scratched into trees, declarations of eternal loyalty written in sand, phone calls and videos of the whole universe were all messages of love stuffed into pockets and sent to you. Imagine the treasure you will receive! Imagine being one big ear drum and listening to the very energy that this love exists of – imagine it and you will find yourself inside "Pocket Love".

The Golden Ravedays 3

Superpitcher - 1984

We at Feinstoff are really happy to share with you all the fourth release of British/Albanian imprint "Olimpiada". 'Zig Zag Sea EP' by the Albanian project 'Pines In The Sun'. Mastered by Rich Lane at Cotton Bud Mastering. 

This is a debut release for the Tirana Based duo Lindi aka Uj Pa Gaz and Olsi of Radioblog Tirana. 

Both tracks were recorded in Sep 2018 at Bunec beach in the south coast of Albania. The sound is a mix of balearic, dub, psychedelic, downtempo, think the Adriatic zig zag sea meeting the Ionian sun. Here comes a special remix from the tici taci label boss Duncan Gray! 

Enjoy!

PREMIERE: Pines In The Sun - Zig Zag Sea (Duncan Gray Remix)

Enjoy a free download of "I'm The Message" by Karl Bartos, originally a member of Kraftwerk. Brought to you by Gael Juarez, dj and producer hailing from Puebla, Mexico and one half of "Weird Like Us" in a short time has been placed on the international scene, releasing on labels such as ESTHÉTIQUE (France) and Maleante Records (Mexico) as well as delivering mixtapes for European ventures such as Radioblog Tirana (Albania)and Oberwave(Russia).

Also check Feinstoffs latest premiere:
https://soundcloud.com/fnstff/fibonacci-remix

FREE DOWNLOAD

FREE DL: Karl Bartos - I'm The Message (Gael Juárez Edit)

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Namaskar beauties!

Summer has faded once again, and here we are: Looking for the light.
A light, that has continually grown bolder and brighter is the primate lover and drum kit destroyer O/Y.

Intrigued by his ever evolving analogue sound and also because he's somewhat of a regular appearance in our ears and eyes, we decided to get him on board for his and our second 12" experiment: Turtles.

O/Y is getting around quite a bit, performing his live shows on festivals around this blue marble. Now your friendly neighborhood DJ can put more of his productions into the soundtrack of your next night out.
This is the sound you will be stumbling across dance floors to this coming winter. And probably summer still. Accompanied by a Hip-Hop-ish remix, crafted by the talented Luca Musto and the digital bonus "Der Kleine Mann" as well as a Xique-Xique remix of this beauty.

And oh: did we mention?

You can also add it to your record collection, as it is quite the collectible.
Black and blue marbled vinyl, hand numbered and finished with a beautiful artwork made by his wife Amal. Strong family stuff.

Now enjoy your new favourite Drosssel EP!

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All tracks written & produced by Jakob Ahrends / @oh_why
"The Taste of Tea" was remixed by @LucaMusto
"Der kleine Mann" was remixed by Xavier aka Xique-Xique / @djdunwich
Mastering by Stefan Thomas at studio A in Berlin
Artwork by Amal Abu Hanna

Grab your copy!

O/Y — Dogwalk

DEEWEE040 Is out now.
Buy the 12", or download here: https://awal.lnk.to/BeNiceToEachOther

Justin Strauss and Max Pask have joined up to form a new project called Each Other, with their playful self-titled EP ‘Be Nice To Each Other’.

The EP finds Each Other creating an eclectic range of sounds in the space of just three tracks. The opener ‘Same As It Never Was’ is the most immediate of the set, becoming more hypnotic as the minimalist topline buries itself into your subconscious. The downtempo ‘Burn It Down’ then darkens the mood, feeling closer to a dystopian sci-fi soundtrack than an underground club classic, before the playful and progressive ‘Six Weeks’ up the energy with jittering beats, sparkling synths and a cooly understated vocal. 

Recorded, Produced and Mixed at DEEWEE
Art Direction & Photography by Ill-Studio

Follow Each Other
https://www.instagram.com/each_other_music/

Be Nice To Each Other

BUY VINYL OR DOWNLOAD

EACH OTHER 'SIX WEEKS'

For Demos & Requests: label at feinstoff . info
Feinstoff is contemporary nostaglia.

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DEC 16 CONTROL CLUB TAKEOVER ⦿ Bucharest
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An iconic berlin-based event series organically grown into a music platform and label featuring a streamlined curation. Well-known to offer a plethora of authenticity, Feinstoff delivers a significant edge on next-level electronic music and disco movements. 

Feinstoff is created by Freudenthal of Pardon Moi

PREMIERE: Pines In The Sun - Zig Zag Sea (Duncan Gray Remix)

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