Over the roofs 
with sternklang & buckminster
I think there’s something baroque on the original duet track by sternklang & buckminster something on the musical phrases, I don’t know  . Anyway, I decided that a sort of Harpsichord could work, it didn’t so I used a picked piano instrument from Soniccouture’s Xtended Piano library. I added some sparse cello and strings to punctuate the classical feel. Honestly I need to sleep on this one to decide if this was a good idea…

Based on https://soundcloud.com/sternklang/over-the-roofs-and-chimneys-clouds-gather-disquiet0526
That was based on https://soundcloud.com/buckminster-music/on-the-roofs-and-chimneys-excerpt-for-disquiet0525

@buckminster-music
@sternklang

Over The Roofs (disquiet0527) with sternklang & buckminster

thanks  Encym https://soundcloud.com/encym/disquiet-junto-project-0526-magic-number-2-of-3
Daniel  Diaz   https://soundcloud.com/daniel-diaz/unfinished-disquiet0525
release date  03/02/2022

Atonal Unfinished Trio (disquiet0527)

The second of two contributions to Disquiet Junto 0527, this time using material recorded by per33 and Zedakh over the last fortnight and uploaded to https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/52210/72

An extemporised riff on an MFB Dominion Club was added to their excellent groundwork, the results being run through a Space Echo emulation VST just to give it some sparkle, and a little hint of Valhalla Supermassive for some shine too.

disquiet0527 - Liquidified hat-tricks and coatings with 33per and Zedkah

A collab with @chaonaut & @half-unusual 
More on this 527th weekly Disquiet Junto project – Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) – at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Chaonautical HalF TwisT (disquiet0527)

Part 3 of a three week Disquiet Junto project series, where three musicians asynchronously collaborate on a recording.

I used the 2 part collaboration "New Positive" by SinnySounds, which used "Now Positive" by gis_sweden. Both tracks were percussive, so I added spacey female vocal pads to the center along with a few piano arps, treated with reverb and tape effects.

More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/

Non Positive

Non Positive - disquiet0527 (with nsinnenberg and gis_sweden)

This is the third part of a collaboration project with:

https://soundcloud.com/user-638188112
https://soundcloud.com/melondruie

More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

clouds and waves on jupiter (disquiet0527 with pidgin and melondruie)

Asynchronous collaboration with morgulbee and slimovni, and my submission for
Disquiet Junto Project 0527: Magic Number (3 of 3)
The Assignment: Complete an asynchronous trio begun by two other musicians.
More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/
More on the Disquiet Junto at: https://disquiet.com/junto/

Third Part(disquiet0527)

Disquiet Junto Project 0527: Magic Number (3 of 3)
The Assignment: Complete an asynchronous trio begun by two other musicians.

I listened to all the Duos until i found
https://soundcloud.com/paul-reiners-1/magic-number-2-of-3-disquiet0526
by https://soundcloud.com/paul-reiners-1

based on
https://soundcloud.com/triermusic/baridrone-disquiet0525
by https://soundcloud.com/triermusic

which catched my ear because I liked the mixture of drone and somehow new-agy drums.

After testing the assumed scale and tempo I added some improvised arpeggios. Because of the mirrored drums it sometimes fitted, sometimes you can’t overhear the “asynchronous” trio …

I wanted to add some kind of lead theme but I dismissed the idea at the end, because the track just felt right ambient. I could not resist to put in some ambience, in this case from Venice, Italy. Hope you like it!

--
More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Magic Number 3 [disquiet0527]

(dispersed signal) versions fragment the original material through granular time-warping, scattering its rhythmic core into drifting pulses and textured echoes. Like a fading transmission from deep space, these pieces unravel slowly, leaving behind only traces of their origin.

🔗 Listen & support:
Spotify · Bandcamp · YouTube · more → linktr.ee/amb1Matt3r

🎧 Music for:
sleep · deep focus · meditation · inner drift · slow time · space dreaming

📎 Tags:
#ambient #drone #granular #spacemusic #sleepmusic #darkambient #soundscape

Suspended Glimpse (dispersed signal)

A haunting wave of nostalgia and emotion slowed into infinity, reverb echoing like memories you can’t escape.

"YOU COULD BE SOMEONE" x Empathy (Slowed + Reverb)

Sleeplessness

Fnubi is sound detail and melody driven music from Munich, Germany by Florian Lorenz.
Though sounding up to date digital the basis of the Fnubi-typical sounds most of the time is the result of unreproducible analogue one-takes - a counter-position to the paralysing hyper-optionalism in the creative musical process and in our society in general.
Another basic idea behind Fnubi is to keep all steps of the music creating process in one hand. This contains songwriting, instrumentation, recording, sound design and mixing.
After an explorational period of focusing on shaping sounds away from the instruments origin with FNUBI these elements are now brought into song context.