with paul-beaudoin & morgulbee 
My recording over two A minor drones

based on https://soundcloud.com/paul-beaudoin/disquiet0526-v2-a-minor-drone
that was based on https://soundcloud.com/morgulbee/a-minor-drone-disquiet0525


I played my Indian Harmonium and punctuated each end of stanza with a single upright bass note.

@disquiet
@paul-beaudoin
@morgulbee

https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3

Recitativo Lamentoso Quasi Requiem (disquiet0527) with paul-beaudoin & morgulbee

The second of two contributions to Disquiet Junto 0527, this time using material recorded by per33 and Zedakh over the last fortnight and uploaded to https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/52210/72

An extemporised riff on an MFB Dominion Club was added to their excellent groundwork, the results being run through a Space Echo emulation VST just to give it some sparkle, and a little hint of Valhalla Supermassive for some shine too.

disquiet0527 - Liquidified hat-tricks and coatings with 33per and Zedkah

A collab with @chaonaut & @half-unusual 
More on this 527th weekly Disquiet Junto project – Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) – at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Chaonautical HalF TwisT (disquiet0527)

This is the third part of a collaboration project with:

https://soundcloud.com/user-638188112
https://soundcloud.com/melondruie

More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

clouds and waves on jupiter (disquiet0527 with pidgin and melondruie)

Disquiet Junto Project 0527: Magic Number (3 of 3)

The Assignment: Complete an asynchronous trio begun by two other musicians.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0526). Note that you are finishing a trio — you’re creating the third part of what two previous musicians began. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. The majority are in this playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0526 2

And additional tracks appear in the discussion:

https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/

Step 3: Record a piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and it should be placed dead center between the left and right stereo channels. When composing and recording your part, do not alter the original piece of music at all. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it may be used by someone else in a subsequent Junto project.

Step 5: As with last week, you can contribute more than one track this week. You can do up to two total. If you choose to do a second, you should preferably try to use a duet track that no one else has used yet. The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. After a lot of detailed instruction, that is the spirit of this project.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0527” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0527” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.






More on this 527th weekly Disquiet Junto project – Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) – at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Disquiet0527 Dead center. With Dan Simpson & J. Benjamin Niemi

Asynchronous collaboration with morgulbee and slimovni, and my submission for
Disquiet Junto Project 0527: Magic Number (3 of 3)
The Assignment: Complete an asynchronous trio begun by two other musicians.
More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: https://disquiet.com/0527/
More on the Disquiet Junto at: https://disquiet.com/junto/

Third Part(disquiet0527)

Paul Beauodin Right channel, Caustic Gates Left Channel

Disquiet Junto Project 0527: Magic Number (3 of 3)

The Assignment: Complete an asynchronous trio begun by two other musicians.

More on this 527th weekly Disquiet Junto project – Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) – at: disquiet.com/0527/

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…agic-number-3-of-3/

Veeliin. Disquiet0527 With Paul Beaudoin & Caustic gates

I added a third layer to the track Drone Void which included @SlimOvni's contribution to the original drone created by @morgulbee.

I tried to add a pulse created with Lira 8 (vst) and Valhalla Super Massive.

More on this 527th weekly Disquiet Junto project — Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) — at: disquiet.com/0527/

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…agic-number-3-of-3/

Drone Trio (disquiet0527)

Made for the haiku challenge 610 of Naviar records.

dropped glass - its ring outlasts the fall  
Thank you halF unusuaL for offering this haiku!

More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

The fall (naviarhaiku610)

Waves

brittle.

Fnubi is sound detail and melody driven music from Munich, Germany by Florian Lorenz.
Though sounding up to date digital the basis of the Fnubi-typical sounds most of the time is the result of unreproducible analogue one-takes - a counter-position to the paralysing hyper-optionalism in the creative musical process and in our society in general.
Another basic idea behind Fnubi is to keep all steps of the music creating process in one hand. This contains songwriting, instrumentation, recording, sound design and mixing.
After an explorational period of focusing on shaping sounds away from the instruments origin with FNUBI these elements are now brought into song context.