I like to create and put random noises together. Please feel free to listen to my organized chaos and support by adding my royalty free music to your playlist, liking or sharing. Thank you and stay blessed🙏🎶🎧

Techno to Industrial vibes 🖤 
Jeffellhypno@icloud.com
https://linktr.ee/Jeffellhypno

Hi this is Keegan Collier I love rap some of rock but you gays have time some I make rap for you.

As a lifelong music enthusiast, I’ve always had a deep connection to the power of song. Whether I’m exploring new artists or revisiting old favorites, there’s nothing quite like getting lost in the rhythm and melody. From belting out lyrics in the shower to creating personalized playlists, music has always been a constant in my life.

The TWIZTID tale is gritty and fascinating folklore, built on self-determination, fearless creativity, and the elimination of the boundaries between artist and audience. The dedicated supporters who stand with co-conspirators Jamie Madrox and Monoxide are more than fans: they are family.

There’s a rogue’s gallery of hooks, rhythms, and riffs in the TWIZTID bag of tricks. For 25 years, they’ve concocted artistic anarchy rooted in the streetwise storytelling sophistication of hip-hop, trance-inducing hypnotic beats, and the seething bite of hard rock rage. Merging horror movies, comics, and a level of depravity and violence rivaling the grimiest of pulp fiction in the annals of Americana, TWIZTID is the reflection of a tightly knit subculture and the sound of unbridled id.

With over a dozen entries on the Billboard charts, TWIZTID built themselves into an institution, without the help of mainstream gatekeepers at MTV, traditional radio, or major press. They’ve brought their adrenaline-soaked, unbound artistic mania on the road, with metalcore acts like Motionless In White and on the Vans Warped Tour, all without forsaking the worldwide family. TWIZTID built the connection they maintain with their fiercely dedicated legion of supporters to last and to evolve. Everything Majik Ninja does harken back to that original impulse shared by Monoxide and Jamie Madrox: to make art that swings a big ax at the boundary between audience and artist.

Foevarich is following