Juçara Marçal - Exu

Mystific Announces Release of New Liquid Drum and Bass Compilation Featuring Top Musical Producers

Mystific, the renowned electronic music producer and DJ, is set to thrill fans with the announcement of his latest masterpiece: a compilation of Liquid Drum and Bass that promises to set new standards for the genre. With an impressive roster of collaborators, the album is poised to deliver an unparalleled sonic experience.

Titled as a true musical masterpiece, Mystific's new album is a collection of 11 electrifying tracks, each representing the finest in Liquid Drum and Bass. The highlight of the project is the special participation of some of the most promising talents in today's music scene, including Bazil MC, Dunk, Riya, Henry, Rezilient, Nostre, Higher (than), Sigurt, Kalixto, Jungie, and Simplification.

Skillfully blending a variety of styles and musical influences, each track offers a unique sonic journey, providing an immersive listening experience that is sure to captivate audiences. From pulsating beats to hypnotic melodies, the album captures the vibrant essence of Liquid Drum and Bass, elevating it to new heights of musical excellence.

"Mystific has always stood out for his ability to innovate and surprise, and this new album is the perfect reflection of that vision," shares a representative from the record label. "With a carefully curated selection of exceptional collaborators, this compilation is a celebration of diversity and creativity within the genre."

Support all them: https://bfan.link/mystific-friends-dnb-vol-2

Mystific, Henry - Sunshine

Ossain

KFD008 – Maga Bo Apresenta Samba de Coco Raízes de Arcoverde

Release Date: January 30, 2018
Format: Digital
Label: Kafundó Records
Artist: Samba de Coco Raízes de Arcoverde
Catalog #: KFD008
Produced: Maga Bo
Mastering: Krishnin at Blissonance
Cover Art: Depoté
Cover Photo: Alfredo Portugal
Press Contact:  us@kafundorecords.com
Website:  www.kafundorecords.com

The latest Kafundó Records release is from one of the oldest running coco groups in Brazil, Samba de Coco Raízes de Arcoverde.  Building on decades of tradition, for this release they have taken a new path working with producer Maga Bo.  The results respect and preserve the original afro-brazilian rhythmic structure, while simultaneously introducing a new electronic pallette to their work.  Think folkloric, afro-brazilian vibes produced and mixed for big sound systems!

Based in Arcoverde in the semi-arid desert interior of Pernambuco, Samba de Coco Raízes de Arcoverde is a poetic portrait of regional northeastern Brazilian culture.  Formed in 1992 by Lula Calixto and the Lopes sisters, it was in 1996 when they managed to break out of the small town boundaries of Arcoverde and perform in other parts of Brasil as well as in Belgium, France and Italy.

A very special ingredient of Samba de Coco Raízes de Arcoverde comes from what they call the coco trupé, which consists of a rapid and strong dance step performed with wooden shoes on a wooden platform (fitted with piezo microphones) which adds a very loud and distinctive percussive element to their sound.  Xaxado and samba de roda are 2 other regional manifestations present in the music and dance of the group.  In addition to the percussive dance steps and strident vocal harmonies, the traditional instruments present in the group are triangle, surdo and pandeiro.  The simple and positive messages of the lyrics complement the frenetic coco rhythms.

Maga Bo became aware of Samba de Coco Raízes de Arcoverde after receiving a a track entitled “Afro-Brazilian awesomeness track 7” in an MP3 swap with fellow djs.  It was, indeed, afro-brazilian awesomeness and he began including the track in his sets, mixing and fusing it with dembow riddims which eventually evolved into a full blown remix.  The added low end support and international dancehall signifiers made it an immediate hit with global bass and Brazilian djs.  When asked to make a mixtape for Nike/Fader for the 2010 World Cup in South Africa, he sought out the group for permission to release the track.  The group ended up loving the remix – it was one of the only remixes that they had ever heard that brough a new sonic palette to the mix while still respecting and retaining the original rhythmic structure.  Finally, in 2012, a booking at Rec-Beat in Recife brought Maga Bo to Pernambuco where he was finally able to meet the group in person.  They agreed to try things out and record a few songs as an experiment.  This eventually turned into many trips to Arcoverde and a full album.

On this album, Maga Bo pushed them outside of their comfort zone to bring in new instruments, arrangements and sounds.  After noticing that some of the group members also played with a local maracatu group, he suggested that they bring some elements of maracatu to the album.  Initially met with skepticism and hesitation, eventually, the group warmed up to the idea and as the production of the album progressed, became more and more open to experimentation and innovation – the first time alfaias, caixas, timbaus, electronic dub fx and heavy sub bass have been included in their sound!

Recorded on a non-existent budget with a backpack worth of gear in an improvised studio over the course of several sessions in several years, this is an independent, guerilla project fueled and financed by air miles, the hospitality of others and the shear desire to see this project to fruition.

Buy at Bandcamp

Samba de Coco Raízes de Arcoverde - Andrelina

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

Eu Vim de Longe feat. Rosângela Macedo - Letras por Rosângela Macedo

eu vim de longe
vim na beira do caminho
saravá papai bendito
eu num quero andá sozinho
(nós não vâmo andá sozinho)
 
refrão:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô



I came from afar
I came on the edge of the way
bless pope Benedito
I don't want to walk alone
We're not going to walk alone

chorus:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô

12  Eu Vim de Longe feat. Rosângela Macedo

My remix of this amazing track from the group Luz Ametista.

Original track here:
https://www.youtube.com/watch?v=ngy75XNQuFQ&list=PLi2JuCVT9VBMyBIBTJiGzwabykZbG0e-U&index=7&t=0s

<a href='https://theartistunion.com/tracks/d928b2'>Download for free on The Artist Union</a>

Free Download

Luz Ametista - Sou Filho De Zé Pelintra (Atimos Remix)

Um dia eu sonhei com este ponto e, quando acordei, o lembrava quase inteiro. Peço licença ao Cacique para publicá-lo. Oke aro Kao!

Olha a cobra mole, mole
mexe, mexe, bole, bole
Olha a cobra mole, mole
mexe, remexe, bole, rebole

Vem chegando aqui agora
Mestre Cacique Cobra Coral
Seu cocar esconde a chuva
Seu bodoque atira o sol

Ele é o rei da mata
da bonança e do temporal
Vem chegando aqui, agora
Mestre Cacique Cobra Coral

Ponto para o Mestre Cacique Cobra Coral

"Iemanjá é um orixá feminino (divindade africana) das religiões Candomblé e Umbanda. O seu nome tem origem nos termos do idioma Yorubá “Yèyé omo ejá”, que significam “Mãe cujos filhos são como peixes”.

Mãe-d'água dos Iorubatanos no Daomé, de orixá fluvial africano passou a marítimo no Norte do Brasil.

No Brasil, a deusa Iemanjá recebe diferentes nomes, dentre eles: Dandalunda, Inaé, Ísis, Janaína, Marabô, Maria, Mucunã, Princesa de Aiocá, Princesa do Mar, Rainha do Mar, Sereia do Mar, etc.

Iemanjá é a padroeira dos pescadores. É ela quem decide o destino de todos aqueles que entram no mar. Também é considerada como a “Afrodite brasileira”, a deusa do amor a quem recorrem os apaixonados em casos de desafetos amorosos" Fonte: www.significados.com.br (agradecemos do fundo do coração os autores deste site por este conteúdo compartilhado)

"Saudação a Iemanjá de Dudu Tucci, percussionista, cantor e compositor brasileiro, foi a inspiração pra realização deste meu primeiro trabalho. Desde a primeira vez que escutei essa música, fui atravessado fortemente pela energia que esse canto carrega. Os tambores, os cantos, as danças das Religiões de matriz africana, vibram em nosso interior de forma profunda, quando se toca um tambor, conheço poucos que conseguem ficar parados. Saudar divindades, Orixás, saudar a natureza, é algo que nos conecta com coisas boas em nós. Dedico essa música a todos os amigos que me apoiam nessa caminhada, seja com a música, seja com a amizade <3. Que Iemanjá e todos os seres da Corte Celestial possam abençoar este trabalho, e levar um momento bom pra quem possa vir a escutá-la. "
by: nuvem erê


Ficha técnica:
Edit: nuvem erê @djnuvem
Mix Final: Octavio Lima At: Boom Shiva Studio @abydoslive
Master: Francis Etto @francisetto
Arte de Capa: Abraão Andrade (Dj Nuvem)


FOLKLOREBEAT , SET 2020

Odoyá Iemanjá - Nuvem Edit

Freedownload

Odoyá Iemanjá - Nuvem Erê Edit


Projeto de gravação com alunos do curso de Produção Fonográfica da Aeso - Barros Melo.

música e letra: Luiz Gonzaga
voz: Alessandra Leão
bandolim: Rafa Marques
percussão: Lucas dos Prazeres
cavaquinho: João Paulo Albertim
sanfona: Johann Brehmer
baixo: Sami

gravação, edição, mixagem e produção musical: Rogério Samico


BALANCE EU

Selecionado pelo Programa Petrobras Cultural 2006/2007, o CD Cinco Sentidos é um importante registro da carreira de Aleluia, composto por 11  faixas, quase  todas de  sua  autoria.

O repertório da obra revela as suas influências e fontes de inspiração artística, que vão desde a cultura afro-barroca, marca dos fortes vínculos com a sua ancestralidade, ao imaginário indígena brasileiro.

O CD foi lançado no dia 15/04/2010, no Teatro Jorge Amado, em Salvador, Bahia.

Amor Cinza

Despreconceituosamente

A música é para nós a possibilidade de criar momentos e conectar pessoas. 


“El folklore es todo aquello que el pueblo aprende sin que nadie se lo haya enseñado” Atahualpa Yupanqui

Odoyá Iemanjá - Nuvem Erê Edit

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