Lamento d'une Gargouille

Regg, by Le Nuage Du Chien, electric guitar solo

Cortèges
for singer/dancer, large orchestra and electronics
(binaural recording, please use Headphones)

Voice : François Chaignaud
Conductor : Alain Altinoglu
Orchestre de Paris

Composition : Sasha J. Blondeau
Livret : Hélène Giannecchini

Recording : 06/09/2023, Philharmonie de Paris, Salle Boulez.
Sound recording : Radio France / Ircam
Mixing : Luca Bagnoli & Sasha J. Blondeau
Score publisher : Durand - Universal France

Coproduction Philharmonie de Paris, Ircam-Centre Pompidou
Dans le cadre de Manifeste-2023, Festival de l'Ircam
Avec le soutien de la Villa San Francisco, de la French American Cultural Society, de la Fondation Royaumont et de la SACEM

Cortèges

Cortèges - voice, large orchestra & electronics (binaural) - 2023

Surface Bruit is not the type of sound we usually try to reproduce.

This performance uses home made records and field recordings. It is about what early records were made of and how they were made. Using low-grade home-made 7″ records, a Teppaz record player, a gramophone, and forgotten elements of her growing collection of 78s Dinah continues her research into surface noise and shellac production.

DinahBird Platines & Gramophone Live Studio 22 - 09 - 2024

Excerpt from La Paresse, one of the two pieces from « L'inertie », a magnetic tape release by Clara de Asís & Bruno Duplant at Marginal Frequency in 2017.

Composed and recorded by de Asís/Duplant
Mastered by A.F. Jones, San Diego, CA

Infos & orders: http://margfreq.laminalaudio.com/2017/03/08/clara-de-asis-bruno-duplant-linertie/

Available on Bandcamp: https://marginalfrequency.bandcamp.com/album/mfcs-e-clara-de-as-s-and-bruno-duplant-linertie

La Paresse / CDA & Bruno Duplant [excerpt] (Marginal Frequency, 2017)

This is another comparison of recordings made with different types of inductors - in this case a guitar pickup and two stereo inductors made with telephone pickup coils and 100mH inductors, as described in my blog: https://andymurkin.wordpress.com/2018/02/25/inductor-pickups-1/

Inductor Comparison 2

Tracklist:
https://dissonanzerecordings.com/podcast34

Links:
https://soundcloud.com/alexeyvolkovofficial
https://www.facebook.com/alexeyvolkovofficial
https://www.discogs.com/it/artist/1778604-Alexey-Volkov

Biography:
Alexey Volkov has steadfastly pushed his hard-edged style of modern, industrial-rooted music since first appearing on The Hacker’s Zone label in 2009. Quickly picked up by the French EBM and techno legend Terence Fixmer for his Planete Rouge imprint, the artists are cut from similar cloth, both having found their way from the industrial and techno ideas of their early output, inspired by DAF, Downwards, and many others, to a more forceful interpretation of similar influences not fettered by the mid-2000s minimal vogue or the excesses of electro-clash. Also similarly, both artists have gradually risen as popular interests returned to those they remained behind. Volkov in particular made dramatic progress in the last few years, rising to worldwide notice on O’connor’s, Ruskin’s, Mendez’s Jealous God imprint after a string of well-received EPs for Fixmer’s label. His recent work is his most assured, experimental, and probing, bringing his industrial and EBM influences to the fore more than ever while probing the formal restraints of techno itself. Now a mature artist making stunning, contemporary music which is the best in his career, Alexey Volkov channels both modern and classic influences into a combination that demands notice for the foreseeable future.

Dissonanze Podcast

Dissonanze Podcast 34 | Alexey Volkov

Composer · Bernat Vivancos
Performers · Latvian Radio Choir
Conductor · Sigvards Klava
Neu Records · 2011

Lamento d'une Gargouille

Fonics

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