Composer for #AvatarTheLastAirbender, #LegendOfKorra, #ScreamTVSeries, etc. Founding member of @TheEchoSociety composer collective.

electronic music & music electronics

pix of my work:
www.flickr.com/photos/fonik/

Welcome to Bertrand Fraysse's personal soundcloud.

The music presented here is solo music, mainly spiritual/ritual mood changing music/sounds.
Vibrations.

I'm working at lieu-commun, in Toulouse, France.
It's a contemporary art space in which I have a recording studio, and artistic residency, where I got all my instruments and invite people to record their and/or our music.

I play music for around 10 years, fascinated by a wide range of sounds and musics.
I'm percussionist in a two saxophone / one drum band called PIAK.
A trance duo called nibul (bandcamp)
A crazy trio with DJ Urine and Yann is the Bastard called Duck Hunters
playing concerts mainly in Toulouse and around. (France)

don't hesitate to contact me if you want me to play anywhere.

I'm curating an ever growing compilation of music from everywhere too = https://www.youtube.com/watch?v=kFWtJc6hUX4&list=PLuhuUhnXoLtzwhC5W6U4QcDTTmiShSYl8

enjoy.

https://onyxzones.bandcamp.com

Modular Synth - Experimental  - Moods - Tones - Drones

I like to be introduced as a "MUSICAL TRAVEL-AGENT".
ONSTAGE I'm mostly playing an Easel K (Buchla Modular Synth) and The Pipe (from SOMA Lab) which allows mouth-synthesis... I also manipulate unique vinyls with my sounds/musics, assaulting turntables to take advantage of the vinyl material to fondle released sounds, raking the needle across the record's grooves, rubbing their stylus on paper, cardboard, metal to process unusual noises and textures. I have a physical relation to my recordings and envision my live sets like performances. 
Gesture is also a very important part of my compositional process... While composing I am also relying on the use of real instruments such as Cymbalom, Pianos, Guitar and Percs that I play like a kid discovering a new toy, improvising and attaching great importance to gesture and stressing dynamics. My moves aren’t consensual, not cozying up potential listeners. A Punky approach even if throughout the past years I have been following courses of Composition + Electroacoustic Music at the Conservatory, specializing in Modular Synthesis. 
Pushing further my research in bringing together the Human and its Machine into a tapestry of sound which creates a deep sound assemblage of exotic Musiques Concrètes which guarantees to grow on you with repeated listens, slowly revealing its detailed richness…

fonitronik is following